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Hoaxville Tx…..We were there filming unlike the fake stream media. Waco, Twin Peak, Biker “shooting.” No shots fired 2)Lockhart Balloon “Crash.” No balloon. One EMS to serve lunch. 3)Alpine School “shooting.” 12+ DPS down the street waiting for the go signal. 4) Rolling Oaks Mall “shooting.” Wrong body in the casket. 5) Sutherland Springs Church “shooting.” don’t get me started. I know the missing piece to the puzzle. Not one bullet hole in the church for starters. Pomeroy is a demon. FACT.

I’ve met Jim Fetzer twice. I love him.

I doubt there are or were any hostages. Think about the logistics. They abduct hostages and then take them to Palestine where they are being bombed and sniped day in and out. They of course have nothing better to do than feed their precious hostages and move them around from five star hotel to five star hotel while they are living in tents and getting bombed in them always evading the Israeli bombs. Ridiculous. How do people not think anything through? Thanks for your post.

Do you ever take a breath?

Yeah he flip flops more than a fish out of water, the indigenous Americans would have said, Orange Man speaks with forked tongue.

Good information for all those with high expectations for Trump’s final term. Thanks Gary.

Hmm, a guy could watch the weather program, Gary, and still wonder what tomorrow brings.

’invasion of Poland’ nonsense, Hitler wasn’t interested in Poland at all but wanted the Germans there to belong to Germany again. https://archive.org/details/planet-rothschild-2 also, nukes don’t exist, so if they do have a false flag it won’t be a ’nuke’.

please pray for Yah to open your eyes. look into your religion, there’s enough material on the internet to easily prove you’re following a cult / false prophet

https://www.youtube.com/@EndTimesDeceptions

Putin really looks like him! Kamala as well! Good Fun!

All is now prepared for a new method actor, Joe Harris, to mount the stage. Or is it actress behind him, Kamala Biden, that is really going to deliver words scripted for the main role? He or she, or maybe he-she, who knows any more in these modern times of gender confusion? Actually it doesn’t matter any more. ‘They’ don’t have to worry about ‘their’ acting performances because the script doesn’t require them to be anything any more, least of all convincing actors. The leading role is not important. People, seated at home in isolation with all microphones listening and cameras focused on them rolling, are now flooded with spotlight attention to give a supporting-role of their life. Some are expected to act in fear, others with lies [sorry, love], some to preach unity, others to yell: ‘Secede!’. Any role a theater follower chooses to play on the prearranged stage leads to the same ending:rnself-fulfilling fictional story of ‘nation-divided’ becoming new abnormal reality. If producers had to invent spell [sic, vote] numbers in previous castings, the in-coming fiction will be materialized as a reality-projected. If in the past the spells were empty of substance, the spells of the future will cast a real shadow of darkness upon the stage. Producers count on the Solar activity to help them drive people into more active role playing mode. To make sure that too many people don’t fall-out-of-the-role of their choosing, play-writes have old material from the Trilogy on reserve to be littered across scenario pages when needed, to help nudge supporting actors to resume with their virtual home-based performances. More Sunlight to squeeze out more darkness in the production that I will name now as: the ‘Trojan host’. Anyone who is injecting himself into the coming production as supporting actor or unwitting stand-in will serve as a host, harboring mind-bug infection that will burst out like Alien just in time for the next elections spell casting. But by then those well gestated mind-bug spells invoking ‘four more years’ will have projected black light onto the stage, until the whole theater goes dark.rnThe only solution, it seems, is for the people to cast ‘no spell given away’ votes in 2024. They should nominate themselves for the leading-role. And voting results would finally demonstrate how many potential presidents there are in the US. ‘President or nothing’ should be the new nick-name for Capitol building’s majority.rnrnrn--------------------------------------------------------------------rnrnrnLooking back, I just checked the date of creation of this text is January 7th 2021, I was quite insightful.

Cue the guest actor Trump, a real life primadonna, whimsy and full of biases, split-second decision-flipper. A fat-lady that is in love with himself, who radiates self-love and shares it with the public, thus catering people seeking positive emotions, but who is also capable of shifting into a banging and threatening personae quite naturally, even if those emotion changes are not scripted. The ‘Casting spell-part two’ was ideal opportunity for Trump’s abilities to bamboozle the audience to shine and he was the best choice as the main story’s narrator. The story of the good and the bad fighting, tug of war between two opposites, black and white worldview in collision. Theater of love and fear. Only difference from the ‘Casting spell-part one’ with Obama as the lead, was that in the sequel with Donald the production crew decided to show both, fear and love, the good and the bad by employing hired professional stuntmen. Editing of the show was made much easier when the ‘fear’ and the ‘love’ contents are both unreal, pure fiction, created out of lies with background looking real. The public, followers of this theatrical ‘masterpiece’, was supposed to react, some to ‘fear’ and others to ‘love’ messaging, and register each-others actions which catalyzed new reactions, thus the public has become part of the actors revolutionary guild. Once theatergoers were hooked to the main story-line, once they were made revolving actors and pro-actors, it was much easier for the producers of the show to make them believe in the main premise of the production: ‘you are split, just observe yourself while the show is happening. Don’t you see that you are now part of two opposites fighting for survival, isn’t it obvious that whence you exit the theater venue you will remain split exactly down the middle. If you are the one who still can’t decide which part on the stage to join, you should choose soon or you will become a minority hated by all for your inaction in this historic blockbuster.’rnSo unsuspecting people went and cast their spells [not again, sorry, votes] to ensure that their vision for the movie’s ending would survive editing-room and that their sporting-roles would make it into the final-cut. But people didn’t realize that there was director’s-cut already made, waiting to be released. People’s footage was never meant to make onto the screen, no matter how decisive their appearances were. The director’s-cut finale had to correspond with make-believe story of ‘nation-divided down the middle’. There could be no other ending then the one supportive of ‘nation-divided’ fiction: primadonna jumping up and down the stage, hitting high screeching notes while the orchestra, tucked below the stage, invents aleatoric musical accompaniment that builds up stage cacophony to the neurotic grand finale.rnAnd then…curtains. Nothing to see. Go home people, disperse! Desist. You are not needed any more on the set. All that you were supposed to contribute in this sequel was to cast your votes, chanting spells to give the story some appearance of believability. From here on theater producers, now in possession of all the footage they need for continuation of the ‘nation-divided’ fictional story re-telling, are retaking the reigns of showman-ship. All that is left for theatergoers to do, while back at home firmly seated, is to keep eyes fixated on the MSMedia re-views of the ‘wrap-up’ Hollywood-style party shot entirely on the historical setting, using ‘nation-united’ symbols as a stage background. That Capitol background serves as comforting visuals for people to feel at ease in the isolation of their homes, that, despite their absence from theater venues, they are still vital participant of the theatrical production. There is nothing more captivating then a story embedded within another story which keeps audiences confused, with payed-actors enacting for the people a make-believe ‘story of division’ while performing on the ancient make-believe ‘stage of unity’. Audiences are to either reminisce about ‘unity’ or project toward ‘division’.

This looks like the final chapter’s ending of the election psyop two-part sequel that I call ‘Casting Spells’. The two part psyop started by introducing promising new actor Obama on stage and has now fulfilled its intended purpose with primadonna (fat lady) Trump hitting the high-note. The public is right now being led out of the theater by soft music with sequences on big screen showing a production-set ‘wrap-up’ party. The whole crew of life-long actors attended this final performance/farewell party that was designed to offer set-photographers prime quality footage opportunity with its background setting to serve as the future’s schoolbook material content. The footage will be used in the future as a booster for the ‘nation split down the middle’ fictional story retelling purposes. Job well done.rnThe two part sequel ‘Casting spells’ is, combined with its prequel, concluding the Trilogy, a theater franchise that was produced to upgrade theater experience itself, from rearranging parking lots outside the venue to reformation of the stage inside, all in the service of reshaping the public’s aesthetic preferences, sharpening of perceptions and molding of a new generation of theatergoers. Only the management and the orchestra kept their posts.rnThe reason (behind) why the two-part sequel, the ‘Casting spells’, – featuring recurring Obama and guest actor Trump – was produced at all is to be found in the prequel, featuring recurring baby-star Bush.rnThe prequel was intended to show to the public, domestically and worldwide, how stage remodeling is done, how modern theater should look in the future. But it had two unintended flaws: on the one hand its assertive stage development frightened the public with its smashing scenes to the point that theater goers, instead of joining the freedom-delivering franchise-fan-club frenzy, stopped wanting for more, while on the other hand its story-narrative had so many plot-holes and was so unconvincing that already frightened public now begun alienating itself from the most important idea producers of the show hold dear, the imperative of keeping the public coming back for more theater, … any theater.rnrnProducers decided to solve the problem of prequel’s diminishing interest for theater productions by introducing a new show in town with a new message and with positive emotions: the ‘Casting spell-part one’. New, young and promising star was inviting people from all walks of life to return to theater. In the movie-trailer he was suggesting: ‘You can do it, you can drag your feet back to the theater building – just forget on all the banging in the prequel and ignore present rumbling and bubbling – and try focusing on ‘our’ future, focus on what could be. You can do it, yes you can. You should believe that you can change; believe that you are the change and you will be(come) changed’.rnAnd people gave this new face, a rising star, who goes by the name Osama [sorry, a slip, Obama], a benefit of a doubt and they returned to theater to cast their spells [sorry, slip again, votes]. And they willingly suppressed memories of the past traumatic theatrical experience (of the prequel) to such an extent that they didn’t emotionally react any more to unnerving material from the previous production – unused footage leftovers – that was inserted into the sequel production to save production time and money. But this production also had a flaw: while the public was responding to positive emotional triggers as predicted, it still remained ‘a tough-room’, unresponsive to negative emotional stimuli. The previous roller coaster ride experience overloaded their synapses. After down’n’down ‘collapse’ and drop’em’down bombings followed by down’n’out bubble, leading to in’n’out’n’roll-about bailouts… there was this sudden skin-tone change at the end of the ride, but riders still remained transfixed, feeling goosebumps combined with buzzing and throbbing in their ears, while repetitive faint warm sounds were slowly emerging from the background noise, transmuting into chanting hearts of ‘yes we can’ healing mantra. The people were shown illusionary stage effects that were catering their emotions. Those who were convalescing from the Prequel’s shell-shock content, those becoming again responsive to fear impulses, were given more fear content in ‘Casting spell-part one’. And those who were responding only to positive impulses of ‘love’-content were given more … lies. Producers knew that a portion of the public that ‘enjoys’ consuming fear will remain consuming it, but the portion that ‘feeds’ on positive story-content will sooner or later figure out that they were given lies instead of love-story. For those loosing incentive for coming back to the theater a ‘Casting spell-part two’ was already being produced.

Spot on Man !

LOL ! Good one Gary loved the Biden one !

You’re off to the Kingdom Hall.

Decent assessment, I don’t know where they are but I doubt any of them are actually in prison, I haven’t believed any of it when I saw the Capitol Police waving them on, I think that everything was a set.

Trump will pardon J6 actors as soon as they get them ready. Their script is being proofread right now, they just need some more time to incorporate their method-acting instructions into the story-line’s accentuated nuances. In other words the J6 acting "prisoners" were told their roles were scripted to be of "stand-by" depth (silent roles meant as a background to the J6 story) and to go through the "pardon" process the producers of the show need to remake them into front-stage roles first (each of them given lines of their own) and then coach the actors’ delivery method (repetition takes time). This "pardon" staging might be the hardest of the whole J6 theatrical production to pull off. It could go quickly wrong after their "release", exposing the whole J6 operation to the masses as a giant hoax, if lack of method acting skills in freed "prisoners" reveal too many emotional holes (for comparison think of Apollo 11 crew Press conference after landing) which might produce more follow-up questions then the script had anticipated answers to - questions like: did you see any stars while on your way to the Moon. I guess all media interaction with the "pardoned" will be performed in highly controlled setting. Why Are DC Police Active on January 6 Committing Suicide? https://mileswmathis.com/desantis.pdf Proof the January 6 Trials are Fake https://mileswmathis.com/reffitt.pdf The January 6 Theater Plays On https://mileswmathis.com/munn.pdf The January 6 “Attack on the Capitol” WAS STAGED https://mileswmathis.com/jan6.pdf

Yes, but the story surely doesn’t end there, having some chosen people crammed inside and some of the others on the periphery, in tents, waiting and begging to be allowed to enter. I think the designers fear that the uninvited, the undeserving, might be forcing themselves at the entance (think of the movie Elysium), and that is why the outside has to be insufferable desert or a floating city, an idea that was floating around in the MSM recently. What will the people on the inside be offered to do? What kind of jobs would be there on offer? Which services, besides maintenance and hydroponic food production? Will people play learning games all day long? Developing some sort of simulation, like twinning of the world outside? Dreaming communal UBIK dreams (see Philip K Dick’s book), exploring dimensions of Nothingness and foraging for information? Competing with other MARX and RAND cities around the world, which city would be able to see further into future? What would be the goal of these smart endeavors? Are the designers of our smart future planning to build a bio-machine that seeks to achieve "emergence"? Emergence of what kind? Maybe emergence of a new ... global consciousness? Could the purpose of all these "life and soul-sucking" smart cities be to teach the "bio-machine" (running it all) how to modulate/reconstruct interference patterns which will eventually be able to mimic every particular instance of life and consciousnesses of Earth, only to be neatly packed into pseudo-crystalline nano structures and be flung to barren worlds "out-there" as life seeding rocks (or if you prefer in a form of a 2001-black-Monolith) where they would "unpack" in controlled manner their intrinsic life-potential interference patterns (radiate resonant morphic fields) while sitting there, seemingly inanimate, and "observing" developmental Terra-forming stages (by continuously comparing life emanations to the original blueprint) of barren planets.the process lasting few billion years until it is fully adapted (able to correctly modulate and reconstruct its own brain/body/aura waves specific to its environment) before being transposed to yet another planet by building its own hoover twinning-machine (smart city’s soul sucking bio-machine) for collection of consciousnesses and planet-specific bio-morphic fields - instructions for morphic reconstruction of new life and recognition of planet specific consciousness of a new environment.