Hollywood Mind Control: The Trans Agenda And The Feminization Of Christ. DELETED YOUTUBE VIDEO.

Video Transcript:

Music That which is born of the flesh is flesh. That which is born of the Spirit is Spirit. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. That which is born of the flesh is flesh. From Thomas Edison's 1895 short film featuring two men dancing to David Lynch's erotic thriller Mulholland Drive, homosexuality and gay characters have always been a part of the movies. But the relationship between Hollywood and homosexuality has been a complicated and difficult one. Hollywood is basically run on homosexual fuel. The editors at the magazines, the producers, the actors, there's so much homosexual fuel in this town. Yet somehow gay actors can't be outwardly gay. It's very interesting that despite the apparent total expositeness about sexuality in today's media world, that homosexuality remains a taboo. It still is a burden for a performer. Being gay still is one of the deep secrets. People can have children out of wedlock and Angelina Zoli can kiss her brother on national television. And yet we all just kind of roll with it. But being gay still has that feeling of, wow, this could be the big shock. What? What the fuck are you? Ben Afford can go into substance abuse treatment and it doesn't phase his career. Whereas somebody else, if they were outed for being lesbian or for being gay, it could limit what they could do on the screen because people wouldn't buy them in a part. Let me tell you how much I love you. Let me tell you all. I love you. Part of the appeal to the American public, the movie going public, is seeing a star in a role thinking, he would fall in love with me. They want to blur the line between reality and the movie and they want to be the lady up there on the screen. And they do have this fantasy. If only I were in that role then I could be like that person. It's incredibly unrealistic. A woman has as much chance of having a gay man fall in love with her as she does. This hunky leading star but they can't accept that because then the fantasy is destroyed. I know I doubt it. If you're a star and you are homosexual and you don't want the public to know about it, the reason ultimately is dollars and cents. I think you alienate a huge chunk of your audience for better or worse. There are people in America, there are people in this world who just don't accept that lifestyle. And if you come out and you say, I'm gay, I'm proud of it. And you have a movie coming out, that's going to cut your box office potentially in half. When Tom Cruise was suing over that rumor that he had an affair with a gay wrestler, the actual lawsuit stated the reason that this is damaging to his career and could be financially damaging to him is because women go to see him in movies because he's a sex symbol. And if he is labeled as a homosexual, that will hurt him financially. The issue of being a gay celebrity for musicians, it's not that big of a deal. Millions of fans, a female male who love Elton John, they don't really care about his sexual orientation. But if Elton John was trying to play some sort of ladies man in all of his movies, if he was an actor, he would have a problem with that. So it's not necessarily homophobia or anything like that. It's just a matter of, audience is not being able to separate the person from the character of another playing. The facts are that from the very beginning of the industry in Hollywood a century ago, there's been a higher percentage of gays and lesbians than probably anywhere else in the country. Simply because they are attracted to the various industry disciplines that are here. These are people who are drawn to the theater, to the world of make believe, to the world of illusion, to the world of recreating a reality. This became a haven for these marginalized people. You have to remember that in times prior to our modern understanding of sexuality, there was no division between gay and straight. In fact, the invention of homosexuality meant that heterosexuality was suddenly invented. The 1920s, with all these artistic people in Hollywood, all these people kind of already pushing the edges of definition and already kind of rethinking their place in the world. Of course we're going to see a lot of experimentation and openness and tolerance. The movies were just coming of age. There was drinking but it was all illegal. The country is having a great big party. Our morals were a lot looser. The sexual revolution of the 20s was actually far greater than even the sexual revolution of the 70s because it really broke with the Victorian trend of very conventional rigid morality. Women were smoking cigarettes, they were raising their skirts. There was an ambivalence around, not only on gender roles, but around sexuality. There was a sense that maybe we could play a little differently. We could find it in a new set of rules. If you look back, you can see that some of the great icons had a subtly bisexual quality to them. The Valtus was a very interesting actor because he was in a way one of the first public males to a degree exhibit his feminine side. Most people realized that he was bisexual. I mean he sort of went any way that the opportunity presented itself. Any way that the opportunity presented itself. He was a softer hero. He was a great unamerican kind of sexuality that he was projecting. You can see why women went for Valentino if you go look at his movies. He was a very attractive guy. There was a sense that the tide was turning a little bit. There was a headline, there was a Chicago Tribune or one of those where it said, you know, Valentino is a pink powder puff. Basically a warning to the Hollywood studios. The public isn't going to put up with this for much longer. You know, we've got all these stars that they're prancing around and men who are looking more like women than the women are on the screen. At some point the public is going to react against this and there will be a backlash and indeed there was. Harry Chestered American Journalism of the Time began questioning his masculine credentials. He reacted badly to that, challenging him to doles and boxing matches and what have you. He was kind of a sad case actually. In an effort to assert his masculinity, Valentino set up a series of boxing matches and challenges. Soon thereafter he found himself an emergency surgery with a ruptured appendix. Eight days later he died. 80,000 mourners in New York caused a riot while waiting to pay their respects to the powder puff, cinema's original screen lover. There were a number of scandals in Hollywood that began to raise the bar. People began to suspect Hollywood of being a bed of immorality. Hollywood was becoming a kind of Babylon. It discovered Babylon. It discovered Babylon. It discovered it could make quick and easy profits through selling sex. But then there was an outcry nationwide from women's groups and also from religious organizations and particularly the Catholic Church. Hollywood began to clean up its act and adapt to the series of these haze codes with the ultimate one being in the early 1930s. The production code that lasted well into the 50s. Code sets up high standards of performance for motion picture producers. You want entertainment, wholesome, interesting, and vital. This is the motion picture industry is led to provide. Under the guidance of William Hayes, Hollywood studios enacted a series of self-regulated codes to establish standards of good taste. These specific do's and don'ts were particularly harsh about depictions of sexuality, especially homosexuality. It changed the philosophy of the movies. The movies were up until that point pushing the edges of convention. They were scandalous really. Suddenly in 1933 when we had the production code enforced, Hollywood became a place of affirming the status quo. What matters is the nuclear family, heterosexuality, loyalty to Jesus Christ. You know, Charlie, Heaven's a very nice place. If we're good, we'll all live there someday. Yes, I know. The intention of homosexuality in any way in film or anywhere was absolutely forbidden. Cock-eyed philosophies of life, ugly sex situations, cheap jokes, and dirty dialogue are not wanted. Decent people don't like this sort of stuff and it is our job to see to it that they get none of it. Suddenly in the new decade these effeminate stars didn't just suggest a certain style. They suggested deviance. 1930s Hollywood, the golden age of the studio system. Movie stars were no longer actors. They were now stars. They were icons of perfection to be admired and loved by the public. But the fans were not getting the whole story. Playing high-pitched guitar, Gary Cooper and Frederick Ma. If you were a movie studio, you had stars in your long-term contract. That meant you had a long-term economic interest in their careers. So you don't want anything to happen to those careers. You don't want them to have a sex scandal or a booze scandal or a drunk and driving scandal or any of those things to happen. It was famous. I mean there were all kinds of cases out here where the studio publicists would arrive at the scene of the crime before the cops. And EBSCON with whatever evidence was on the scene. Let me just say that the police were the very last people called when there was a celebrity scandal or crime. They had complete control over celebrities' lives. Your gay, your married, to this woman over here or this man over here. There were beards in the old days and there are beards today. That term means a set-up wife or husband. The star's back there were under very, very strict morals contracts. They even had to dress in a certain way when they went outside. And if they didn't, they were fined. You misbehaved, you could be put on suspension. What happened with suspension is added all the time you were on suspension to the other end of the contract. So you could become, as a number of stars said, a slave in Hollywood. Hollywood protects its own. The problem arises though when something happens that explodes a scandal, a gay scandal for example, into national consciousness. And that happened in 1933 when a really popular actor named William Haines, Billy Haines, got caught by the police with a sailor at the downtown YMCA. Louis B. Mayor Fireton, because he couldn't bury the scandal at that point. He was a huge, huge, huge star. The number one box office star in 1930. And lived openly with his partner. And it was acknowledged by the studios, by many of the fan magazines in that they would say, you know, Billy Haines arrived at this premiere or at Marion Davies party. With his companion, Jimmy Shields. And Billy Haines, by being this kind of wise-cracking bachelor who winked and flitted across the screen and refusing to get married and told gossip columnists, you know, I'm too busy buying antiques to think about getting married. He was just suddenly too out there, Billy Haines, who was smarter than most, then went on and got his revenge by becoming the richest interior designer in Hollywood. Willie Haines became a cautionary tale for gay actors working in this radically different Hollywood. The message was clear, if a performer was gay, they were expected to hide it from the public. The studios, which of course controlled the actors at that time, sought to it that a mass retreat happened. Everything became really straight in Hollywood. The gender ambiguous male stars of the 1920s, people like Valentino, William Haines, they were replaced by these ultra-masculine, ultra-heterosexual stars like Clark Gable and Spencer Tracy and Jimmy Cagney. But that male softness didn't entirely disappear. It went into the supporting players. One such supporting player was the young dapper, Carrie Grant. With his classic good looks and athletic build, Carrie Grant was cast as the object of desire to a legion of screen goddesses. I'm home every evening. Carrie Grant was an actor back in England and all came to New York, had a gay lover there. He came to Los Angeles in 1932, fell in love with Randolph Scott. The relationship was so flagrant that even a news radio commentator talked about it on the radio all the time. They were lovers who shared a house together. The production code hits, there's all sorts of ultimatums being offered. Clearly there was some demand given to Carrie Grant to get away from Scott and get married because he suddenly marries. And almost immediately has a nervous breakdown. Carrie Grant married Virginia Cheryl. The first of his five marriages and it was just as unhappy apparently as all the four that followed. He tried to commit suicide a couple of times. It was a heavy drinking alcoholic. After his divorce from Virginia Cheryl, Carrie Grant moved back in with his lover Randolph Scott. The two men even appeared together in the classic Screwball comedy, My Favorite Wife. He had given up so much in his life to be something else. He became Carrie Grant. Carrie Grant symbolized an awful lot to the culture. Do you know what's wrong with you? No, what? Nothing. And you must understand that Carrie Grant once famously sued Chevy Chase, who in the 1970s referred to him on television show as the Home-O. Chevy Chase was speaking simply what the oral tradition was out there that Carrie Grant wasn't real, that behind the image there was a very different side. So of course, after you spent a lifetime trying to create this image and then somebody comes along and tries to liberate you when he was called gay. That to me is the most absurd thing of all. And he won. You won't object to removing your blouse will you? The men are titillated by the fact that women might be sexually attracted to each other. I'm ready now. So that's always been something that has had a place on the screen, even if it had to be somewhat coded. I suppose you won't be pulled out much of it. Yes. The gender and bivalence of a Dietrich or a Garbo in the 1930s, they were given more leeway, I think, in allowing their lesbian sexuality to come across on the screen. Most lesbians know how to behave and especially actresses, why can't you even get pregnant with one has to. Louis B. Mayer was the big boss of Mitchell Gover Mayer. He, of course, said Mary so and so on and so on. So he married them off. They were called lavender marriages. When a lesbian actress married a homosexual or gay actor, Barbara Stanwick, who was the one that was deepest in the closet, was she married Robert Taylor, who was gay and that's a lavender marriage. Marlena Dietrich had an affair with Claudette Colbert. And Marlena Dietrich even went so far as to make popular a fashion thing that was then a code for lesbianism, which was women wearing pants. This was a woman who saw sexuality working in many levels that were beyond the conventional. And Dietrich personally, we know now, was very interested in women, as interested in them as in men. She had this marriage that lasted till the husband died, but it was a convenience of Assad behind which she could lead a much more complicated life. Dietrich, I think, enjoyed manorrhous. I think Garbo found men to be rather repellent, I think, at times. And she lived a life that was very authentic from day one, it's time she came from Hollywood to the time she left. Morning, I beg. Fuck your majesty, you can't tie an old me. I have no intention to trust her. I shall die, that's love. You will see how deep the lesbian's lived in the closet, deeper than the boys in many ways. The boys were more out running around and see if they could find a little trick here and there. The girl didn't there. And as time so happy you were able to come, you must excuse my coming in, my tongue closed. But you'll show for us that there wasn't a moment to lose, so I came just as I am. From 1933 on, Hollywood has always had a hypocritical relationship with homosexuals. Because on the one hand, after the production code, they could no longer present homosexuals in positive or sympathetic portrayals on the screen. They had to affirm heterosexuality, they had to fire anybody who was too out there, who was too outrageous or indiscreet. But at the same time, there were so many gay people employed in all walks of the studio life that there was an acceptance and tolerance within the industry for gay people. In fact, it was one of the more open and tolerant places for gay people to work. In the 1950s, the US fell under Joseph McCarthy's cloud of censorship. With his committee on un-American activities, McCarthy created a culture of fear and suppression, stretching from Washington, D.C. to Hollywood. Gay people weren't targeted in the same way that communists worked. Certainly, gayness was linked to communism and to subversion. So the tightrope that gay stars and gay actors had to walk in the 1950s was far more taught and far more treacherous than even in the first years after the production code. Because now they had so many guns aimed at them. It would be nice if someone to feel a talk with me. I wonder how, when a man is looking at him, I wonder if he's single. I don't know how long I can get away with his act. Brock Hudson was certainly one of the big stars. The fact that he was gay through all of that time was an open secret in Hollywood. But he was peddled by the studios, which had a lot to do with this, as sort of a superstar. Mr. Allen, I'm from the telephone company. Well, hello. I am... I'm... Oh, I'm Mr. Hudson. I'm an inspector. What would you like to inspect? You. I mean, we received a complaint about you. He went out with Starlitz. He was photographed with him on his arm. He gave interviews to the fan magazine saying, you know, this is the kind of girl I'm looking for. He did all of the studio requirements to pretend that he was heterosexual. He married his agent secretary, and, you know, it was in rage marriage. I mean, that's clearly been shown now. And it was, you know, because Confedential Magazine, shortly before that they had exposed Tab Hunter as being gay. And Brock Hudson was the biggest star in the world. They had to find a way to keep them safe. Don't you find me attractive? Why? Yes, ma'am. Of course. Is it in the best interest of the gay actor to be out? Isn't it better to remain ambiguous? Because, sort of, the rumors about Brock Hudson were out there, even if they were not known to the audience. All of Hollywood, certainly, knew about it. I don't know if James Dean had he lived, would have had much of a career, because rumors about gay relationships were breaking all over the place. The time of his death. Kiss me. And here. He was kept by a producer named Rogers Bracket for several years who got him some early work before the big movies that he's always remembered for. You're tearing me apart! What? You say one thing, he says another, and everybody changes back again! James Dean was probably bisexual. When you go back and look at the film, you can see it. It shows you look at the relationship between Dean and Salmoneo in the film. And you say, oh yeah, I get it. Not ready to come out yet? Oh. There's a film from 1955 that's really working on a whole lot of different sexual planes. Hey, you want to come home with me? I mean, there's nobody home at my house. Hey, I'm not tired. But you? So I don't have too many people I can talk to. Yes. If you want to come, we could talk and in the morning we could have breakfast like my dad. Mona Lisa, Mona Lisa, men have named you. You're so like the lady with a mystic smile. Is it only cause you're lonely they have blamed you? For that Mona Lisa's strangeness in your smile. Do you smile to tempt a lover Mona Lisa? Or is this your way to hide a broken heart? Many dreams have been brought to your doorstep. They just lie there and they die there.