SUBLIMINALS IN 9-11 COUNTRY SONG - WEAPONIZED MUSIC - DARRYL WORLEY - SUBLIMINAL MESSAGES

Video Transcript:

The movement was begun by our scientists who discovered white-white accident in these signals being sent. Please understand, they are safe as long as they are not discovered. The kill list was intercepted and says everyone in this robot is dead. The only number two on the list is number one. And I know that's the real it. Look out for Charlie. I wanted to confirm. On my last video about Michael Cravy, White Ravens, let the comment. It doesn't pertain to the video but you should analyze the country's songs about the 9-11 attacks. You see what is being matched and post it. And I responded that's actually a good idea. The hard part is finding an area of that music with no vocals. Because they cram as much emotional verbage into those songs as possible. I have to find areas that are strictly instrumental because no matter the wording, voices, file, etc. People will say it's merely the singer. If I pull that stuff out of areas with vocals, I'll check some of them out and see if I can find an instrumental section. That's exactly what I did. Before we get into this, I want to say a couple things. I've watched tens of thousands of videos over the years and I've read thousands and thousands of blogs. Like informational blogs and pieces. And 99.99% of this information gives you a solid and convincing point of view. But how many of these have actually proved it and left no doubt in your mind? And that's what I'm doing here. I'm not leaving you with a strong argument. I'm leaving you with evidence and evidence that can't be reputed. Also, many people attempt to explain this sort of subject and this sort of technology in a street manner. But it ends up sounding like someone's still talking all of science-y. And over people's heads. And it sounds like they're still talking shop. And that's why I always try to keep this as street as possible so that everyone can understand it. Before we get into this music, it's important to understand that the final mastering that these companies do to the final product is redundant and useless. It makes no sense. When you make a single, an EP, or a full length, you first record the tracks. Then you go through a process called mixing, which is basically just the volume and EQ of each instrument individually. And then after the music is mixed, you go through a process called mastering. This consists of EQing everything and pushing the volume up to an even level for each song. Like a consistent volume. There are other things that happen in the mastering process, but you get the picture. The point is that the mastering has already been done. It's pointless and redundant for any final, final mastering to occur. Even the tracks have been separated and organized before final, final mastering. Also, when you hear any of the music I have dissected, you will find that the voices, affirmations are locked in time and beat match to the BPM. The beats per minute of the music. It's impossible for any of this to be a coincidence. I've found it time and time again. And what you will hear is a voice that wraps along in time with the music, locked in time, where there are no vocals at all. The musicians themselves are not doing this. This is being done in this final, final mastering, this department of redundancy department mastering. And I believe it rips through the music, logs all the frequencies, and beats per minute, and then adds the desired messages underneath. Just like I said in the comment, two white raven, it was very hard to find a section to analyze. The reason is because they put these vocals into every spot of the music they can fit them. Like constant emotional verbiage. Are these messages in the vocal areas 200% absolutely impossibly? However, if I analyze an area with vocals in it, the shields and the moles will claim that it's merely the vocals being misinterpreted or misunderstood. This is the reason why I only show areas of music with zero vocalizations. I have analyzed many areas of music with vocals and got the same ominous results, but I just refrained from using those examples in my public work. Also, you must realize that there are many, many people out there whose ears aren't musically tuned. When they listen to music, they hear the entire thing as a whole. Like their ears are not developed. For example, they are incapable of picking out a guitar track by itself, or listening to a bass guitar by itself, or being able to hear the tracks like keyboards, or maybe a baritone sax that is hidden down in the mix. So, if you are interested in this kind of stuff, but are incapable of picking this stuff out, you may want to work on refining your ears. And you can do this by listening to sine wave speech, multilatered music, or analyzing music in general. You need to be able to focus on individual frequency bands alone. Basically, what I'm saying is, if you are incapable of distinguishing what's going on, you have weak ears and you need to work on them. And as always, use decent speakers or headphones. Speakers with a woofer and a tweeter. There is a huge difference between a real speaker and what you have on your phone. Your phone, your tablet, or other device will not do the trick. Listen properly and use decent speakers or good headphones. The best section of music I could find to do this with was Darryl Worley's Have You Forgotten. And it's all about 9-11, and you can read the comments and everybody is going crazy. 19 years ago today, you never forget. Not even in 2020. I never forget either us or us. And it just keeps going and going. Vocals are crammed throughout this entire thing, all these songs. So what I had to do was I had to use the intro. Like the first 15 seconds, let me show you that. So the whole thing is 15.255 seconds. And that's why I was able to get this done so quickly. So let me show you the intro. It's just what sounds like organ and slide guitar together. Check it out. And then the music before the vocals come in. Let me show you that. Vocals. That's where the vocals start. So this is all I analyzed. And it's crazy what's in this very short 15-12. So I'm going to add a little bit of the music. And I'm going to add a little bit of the music. And then the vocal starts. So this is all I analyzed. And it's crazy what's in this very short 15-second period. So let's start with the intro right here. Just that part. So here it is adjusted. And you'll hear the slide guitar come in. So what you have is while that slide guitar is going on in the organ, I'm going to add a little bit of the music. And then the last part, the music. And then the vocal starts. So this is the first part of the music. So this is the second part. And then the next part, the first part, the second part, the second part, the second part, every monotone but it sings on me at the same time. That's the way these frequencies work. I'll play you Republicans by itself. Republicans. So it's very, very strange. The advantage that I've had is that I've listened to this over and over and over. And you're hearing this for the first time. I'm going to stay away from shop terms here. Each section of music has a message in it before the vocals come in. So after that message, the intro, the music kicks in here. Let me show you this. What you get is a voice when that music comes in. Beatmatch. This is several people. Right, I'm going to show you that. And then the voice says get it. Several people did. Right, it's there. It's undeniable. Then you get a voice here that says strangely, sounds like it says don't do that. It's a female voice. It says don't do that. And it's following that whiny guitar. There are a lot of weird affirmations in this. So then after that don't do that. A voice comes in here and it says don't forget the victims. Check this out. Now let me isolate that. Get you closer in. Don't forget the victims. Play you just the victims. Here it is, the victims. Play it again. Don't forget the victims because this is one of the most important lines in it because it is related to what is going on. Don't forget the victims. You know these voices should not be here. Period. But they are related and beat matched to what is going on in the song. It's undeniable. Then in the next part a voice comes in and it says I've gone insane. Play that. I've gone insane. So it says it literally says I've gone insane. I'll play you just gone insane. So then here's a whiny guitar that separates each one. Now that one's tricky because it talks very quickly. Listen to it again. Now what is that saying? It is saying I hate they passed away. I'm going to play it. I hate that they passed away. Let me play you passed away. Now I'll play you that they passed away. Pretty crazy but at this point I am totally used to finding this stuff in this music. It is there. It is 100% there. It is undeniable that they passed away. And then there's another message there but it's very low. It's very weird. And that's right before the vocals come in. Now you have to remember that there were no vocals in that intro of that song at all. So let me play you the whole thing one time. So there you go. So let's go through this again. All the sound Republicans. Several people did it. You have to realize that a lot of these affirmations are very strange and they seem to have a strange context to them as if they're trying to thread thoughts. And that sounds like it says don't do that. Then it says don't forget the victims and that is the most important one in this. Don't forget the victims. Don't forget the victims. I mean it is undeniable. It is undeniable that it's there and it's undeniable that it's in context with the song and what the song is about. And then it says I've gone insane. And then it says I hate that they passed away. Now it's just trying to stir up emotions before the song even gets into the song. Probably. But you have to realize that this was put together by psychologists and shrinks using trigger words basically. I hate that they passed away. Now there's one other thing that I want to show you. This is the ELF like the low frequencies that have been tweaked from that song. The same area and towards the end here. There is a strange voice that comes in. And I'm going to play it for you once. What it sounds like it says here is just another plane. Just another plane and it's really weird sing songy voice. And that's weird I wanted to point that out. But again the most important part of all this is don't forget the victims. Don't forget the victims. I'm not surprised I've seen so much in this music but they are really tugging on your subconscious heartstrings here. Very crazy stuff. So I'd like to thank White Raven for posting this idea. And I'd also like to thank everybody who is donated lately. And with like a cash app and things like that I can't really respond except for like emojis. And I don't like it. I wish I could actually send an actual message for some reason I can't. But anyway this is serious stuff and I hope that it really gets out there. And that's it for now. Look out for Charlie. That's it for now. Look out for Charlie. Oh man I like this kid. This fucking guy is crazy. Look out for Charlie. I want to know what that song is that. I want to know.