The Paris and Copenhagen False Flags In Detail by Ole Dammegård

Video Transcript:

I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. I'm going to go to the next room. ** Samsung Music*** It's 1000 gustant. I want to read some coming. It's 200 feet away. Is that so? I've been struggling with a challenge, I hope my age is strong. Is it okay to do this on English? I know I'll let you down a little bit, but it's important to film us and give you a part of this information, important to my point of view. So, it's a big surprise if you're on English. So, I'm okay. Okay. So, here comes Dolph. When I was invited to come here, I put it out on the internet that I was going here. I was going to do a tour in Sweden, Stockholm, Malmö, Gothenburg. And I got an email saying that it wouldn't really be very wise for me to come here. And it would be very if I stayed at home. So, because of that, I come in Kognitu. So, now you don't know who I am. Anyway, first of all, also, I want to say that I thank you for coming here. I really, really respect you for being here. And I honor and salute you because it's people like you who are part of making a change in this world. We are at a point in history, I would say, a very, very important one, and a wonderful one, but very challenging because there are powers that are trying to scare the living crap out of us to be able to control us. And they have been able to get away with these things for many, many years because we have been absolutely brain-dead and asleep. And apparently we have had needed very strong measures for us to start waking up. So, I see this as a time of great awakening. There's a lot of people waking up to what's going on. I see it as a spiritual awakening as well because this is almost like a force between darkness and light. And I also see it as an awakening of knowledge because we have to understand what is going on so that we can start making up our own opinion of how to see, how to deal with it. And also, so we're not duped and tricked into believing things that are absolutely not true. Because they are controlling us with lies, propaganda, and things like this. So, thank you so, so much for coming here. I think it's wonderful. I think that people have even come far, which is amazing. I've come from Spain and so I thank you, Kui Bono, for inviting me. I would also say that Kui Bono, if you listen to the name, it's a very, very well-picked name, I think, because it means who benefits, who benefits. And when you see these types of things that we are going to look at, it's very, very important to see what is actually happening because it's only when you start seeing what is going on that you know where the so-called enemy is because we are being tricked into believing that the enemy is over there. When actually, I would suggest, humbly suggest, that the truth is different. So tonight, since after I was invited here, a lot of things has happened in the world. I was going to talk about the Kennedy assassination, the whole apartment, the connection, all these things. But since then, a lot of so-called terror acts have taken place. And it's come to a point, I've spent like, for you who don't know about me, I'm just an ordinary guy, a former journalist who got very, very obsessed in learning the truth about the JFK assassination in the early 80s. It started for me in the 80s. And then that took me into the assassination of Robert Kennedy, Martin Luther King, and so on. And I spent thousands and thousands of hours looking into that. This was before the internet really, I knew it was before public didn't really know about it. Nobody cared, nobody, it was before the JFK movie, long before that. And it came to a point where I started seeing that, oh my God, we're being lied to big, big, big time. And how is it possible that after all of these years, the lies are still being pumped at us through media, still the same crap about a one-loan crazy guy doing the shooting in all of these different ones. When the facts, if you just use Parma Brown logic, which I am a big fan of, that logic works like this, one plus one equals two. If you say one plus one equals 35, I know that you lie. It doesn't matter if you got a white robe on and a big title and you can show something in 3D animation, it's still a lie. And when you look into these conspiracies and these big events, I like to dissect and take them apart so that you will normal Parma Brown logic can see for yourself what really happened. Because it's only then that you can start tracking Brown back who is behind it, what is the power behind it, who are the people carrying it out, why are they doing and who benefits. I can tell you who loses every time and that has been us all the time for decades and decades and decades. Anyway, so my website is Light on Conspiracies. That is also a very hand-picked name, Light on Conspiracies. Because I come from a point of, I want to totally fearlessly expose the darkness. What is going on, the method they are using, the people naming the facts, all of these things, but from a point of non-violent, absolute no hatred, no nothing. Just I want it to stop. I want it to stop because they have been messing up our lives in ways that most people have absolute, they can't even imagine the magnitude of it. So this one is called Political Motors and Force Flag Operations. Tonight I'm going to focus mostly on Force Flag Operations and especially the latest ones. Just taking it apart, showing you the details, then it's up to you to see for yourself. I'm not here to persuade anyone. I'm not here to ask you to believe me or not criticize me, totally up to you. But I'm here to offer 30 years of my life as a researcher to say, please look for yourself. Become aware of possible different versions than the ones you're being pumped through media. And then you will start seeing that, oh my god, it's here we should focus our attention, not over there. So I have been given a technical device. Let me see. The creation of an enemy, all the way since the old Roman times, we've had small elite groups that have said, we are better than you, and we are going to use you as slaves and control you. But how do we do it? Because we only very few and you are so many. How do you do it? How do you control a population? And the old Romans were absolute experts on doing that. And they developed different methods that have been used ever since. This is a really good news because they are only very few templates they are using, very few methods. So if we can just start seeing how they pull it off, then we can also start becoming aware. So the next time a so-called massacre or so-called terror act happens, you know already to start with, wait until I just hang on a second, let me check out the facts for myself before I buy into the official version. And one of their absolute favorites is problem reaction solution. This is an old Roman one and they pull it off for hundreds of years, dupping us the normal people into believing that it is something else and it is. I'm just going to show you problem reaction solution. The thing is, let's say for instance that I'm the one in power in a country and I want the police to be absolute totalitarian. I want the tanks in the streets, I want the police to be able to kick indoors to put people away forever and ever without the ability to get a lawyer. I want people to accept total surveillance, I'm describing the state almost on a day's. But how would I do it? How would I do it to get the population to accept this type of thing? The only way I can do it, I mean I have the power to do it being in the top position in that country. I could just do it and they did it in Latin America and these type of things funded by the C.A.M. So they did it in a lot in the 70s where they did military coups. So they funded an overtake and boom, overnight a military, their people got in power to go over, kicked out the old president and so on. But what happened was that when the population woke up the next morning saying, oh my god, there's a dictator on the throne, the problem started. Because then you started having problems with operations, demonstrations, guerrilla movements, all of these things. So I, the one who took over, had to put thousands of people in jail, then I had to torture them to tell them where all the other ones who are hiding, I had to put in the end, I had, very, very messy. And in the end I had to have almost as many military people in the streets and police and so on to control the population. So very, very messy, not a good way to do it. The way to do it is to secretly create a problem. I'm the one creating it and nowadays this problem is almost always in the form of a bomb, a terror act, a mass shooting, a virus. Something that was scared of living with Jesus out of you because the reaction, the problem, the reaction they want is that the people, us, will go, oh my god, oh my god. Save us, save us, save us. And then we will turn towards the one that we elected to deal with these kind of problems, not knowing that I was the one creating the problem, the population will turn towards me and say, help us, save us. And I would say, okay, but the only way I can save you is, and here comes the solution. And the solution is always something we would never, ever have accepted. Had it not been for the problem. This is so important to become aware of. Problem reaction solution. And you will see that these ones are carried out in the hundreds over the years. I would humbly suggest that more or less all wars in modern times are based on force flag operations. We find out, like 40 years after the Vietnam War, the Second World War, the First World War, how they were based on force flag operations, you know, like how one country, I'm going to tell you how it's called force flag operation. It's an old naval term. And it was in the old days where if you wanted to go and just knock out a country and invade, rape, plunder that type of thing, the thing is, when you do a thing like that, you can do it, but you have problems with your neighbors. You have problems with other countries that you negotiate with all these things. So what they did was they just, instead of just invading a country and then having to deal with the effects with their neighbors and so on. What they did was, they took one of their own ships, put the enemy flag on it, then attacked themselves and say, oh my god, we're being attacked. And then that justified them just hammering the crap out of that country. Problem, reaction solution, force flag operation. So this is the thing, they secretly create an enemy. They always need an enemy out there to get the reaction from us to come with a solution. Problem, reaction solution. I can't repeat it enough because it is so incredibly, very central in what's going on today. So one of the things I'm going to show today is the Paris one. These are the latest ones and they have been prepared for a long time. They've been carried out for a long time. So I'm going to show you these things. And when it comes to nowadays, the mass shootings is the problem is the mass shooting to get the reaction, oh my god, and the solution is give up your weapons because we're talking about a globally, I'm going to talk about a lot about them, but I'm going to name them as well. And they want the weapons to be the problem. That's why you have all the mass shootings in the states. That's where the population are armed. And that's where when there is a so-called mass shooting, they don't say, my god, we need to get a lot of psychiatrists in. We're not in a lot of mental health care, people and so on. To deal with these people because they're crazy. They're always alone and crazy. So they say, give up the weapons. It's the weapon that is the problem. And it's automatic weapons and it's this and they go down. I mean, in the end, they're going to ask you to give up your knives and forks because it's only you can see that in history, dictators have done that over and over again. When they take over or when they're on the way to take over, de-arm the population. Get their weapons away once that's done, boom, in we move, take over. And here we have, I want to say with these force flag operations, I would humbly suggest that what we're looking at, it's a whole machine. You've got staged event nowadays. You've got PR, like public relations company, marketing companies behind it because they want to go to our subconscious, how to do some minds to accept their solution. That's the whole thing. To accept it so they pump us in many, many ways that we're not aware of. So I'm going to point these things out as well. I'm not saying that all of what I'm pointing out is 100% correct. I don't know. I'm not part of it. I can just point them out and then you can see as a coincidence or not. But when it comes like again and again and again and again and again, you start having to think that there might be something about it. And when you look at big political assassinations or so-called terror acts or blowing things up or these things, for some strange reason, I can go into that as well. But they are very, very, they love different dates like 9, 11, 7, 7, they love numerology, they love ritualistic things, they love picking the site for an assassination or a terror act and so on. They're often very hand-picked and they're symbolic things so that maybe where somebody is assassinated when you look into the history behind it, it's exactly where people used to be executed in the old days or it's a free-mace me, some kind of thing or it's very close to a free-mace me temple or so on. So I'm going to point out things like that as well. The people behind this, I'm going to call them the global elite, they call themselves the global elite. It's a small, then only a few thousand in total, a small group of people, hand-picked people from different countries and gather in secret groups in a power pyramid shaped globally. So I think it's very important to look at this on a level where you're not thinking that the states are doing this and France are doing this and England is doing that as separate entities. We're talking about networks of people in hand-picked in these different countries and some of these networks are groups like the Bill of the Book Group, the Tri-Latial Commission, the Council on Foreign Relations, the Committee of 300. Many people have never ever heard about these groups but that is where you start when you start really finding out who are involved in these groups. You will see the patterns, how one prime minister in one country goes out and say one thing, then somebody on the other side of the Atlantic Sea suddenly says exactly the same, then you have as prime minister over here saying, I totally agree with you, even though we never met or spoke or something, but they have because they're in the same group. So also around many of these force flag operations, you will find out, for instance, with a Bill of the Book Group, which is one group that I focused a lot on, is that the person before Bill the Booker, the event, the person, part of doing things and the ordering of the Bill of the Booker, then the person going out in the media afterwards saying, oh my God, it's awful, it's awful. We have to do all of these Bill the Bookers, the people supporting them in other countries saying Bill the Booker, or in Paris when they gather together, these are hidden networks. It's not by coincidence these people are walking side by side in Paris saying, oh my God, we need to confront this. I would say, problem reaction solution, they are the solution. Why are they because they are in it? So am I totally of my rockers, am I fantasizing, am I totally into a world of conspiracy, or is there something about what I'm going to tell you? Now the latest theme for this global elite is that part of the structure is the power structure behind the state of Israel. I'm not talking about Jewish people as a religion or a group, and we're talking about the power structure. And at the moment, I would say that especially lately, they've had a lot of problems because they've been criticized so much for their dealing with Palestine. So now they're trying to get out of that one to, instead of being the bad boys, point at someone else. This is the trick, they want to divert your attention over here so that we are the victim. This is my take, I'm just suggesting it, that this is the theme at the moment. And what they've done is that they're using historical things, and now it's 70 years since the liberation of Auschwitz and other things. The whole spring here was the end of the Second World War, where we got rid of Nazism, and where the Jews were the victims, the people of the Israel and so on. I hope very much that you understand this has nothing to do with anti-Semitism or criticism of these people. I'm just showing the theme that is going on at the moment, to the theme that could possibly explain what is going on. We have here a situation where they want an attacker from the outside to threaten the population so that they can come in as a solution. The solution is every single time more and more centralized power to fewer and fewer people, more militarized police, more surveillance control, you give up your liberties. You give up your rights, you give up your civil rights, you accept more and more bondage, you accept them spending billions on things that you have absolutely no use for, had it not been for your protection. It's always for your protection because they care very much for you, not. Here we have a so-called terror act, where if you haven't seen what happened in Paris, it said that we have two Muslim brothers. Can I just say about Patsy, part of these force flag operations is the Patsy, they need someone to blame it on. And the Patsy, in the old days in the Cold War, where the Russians, the Bulgarians, the East Germans, those were the Boogiemen. You see James Bond movies, who are the bad guys, the East Germans, all of these things. Then when the wall came down and suddenly there was no Cold War, who are we going to blame? The Bulgarians doesn't work anymore, the Russians are our friends. I mean, what are we going to do? So they tried for a little while with the outer space, the alien threat, that didn't work because we were like, not scary at all. So what are we going to do? We need another Boogieman. The Danish people, it doesn't really work, they don't look threatening. What are we going to do, Polish people could do, but it's a bit out of date because they used to be the Boogiemen. No, South Africa, in the Black population, we've already used a lot as Black equals criminal, that's a pump it in, pump it in, pump it in, has absolutely no truth in it. But that's the media pump it in there, so who are we going to do? Who can we use? The Muslims. That's a great group because they look really good in media if it's about a Boogieman. They've got big moustaches, black eyes, black hair, dark skin. They come from countries you have absolutely no idea where it is and their name can be Abdul Mahmoud Bahalah. My God, he is scary, that's the one. So that's what they used. So they said, because the thing is, if you said that John Smith came with a bomb in a bus, no, come on, you're pulling my leg. If you say Abdul Karim Karim Karim came with a, with a Koran and a bomb in a bus, you would say, oh my God, I need protection here because Abdul Karim Karim Karim, he is dangerous. I know that because look at him, he looks scary, I'm sure he's got an eye for his bad and so on. So this is, it's just like in the old days and the old Wild West movies, you know, the good guy, white hat, white horse, white shirt, the bad guy, dark skin, on shaven, black hat, black horse, black shirt. It's like we're so thick sometimes, no disrespect, I'm one of you, I'm one of us being absolute, so open to ping pong with our brains. So this is, I would suggest how the Muslims came in to this and this poor group of people, oh my God, have they been hammered when this thing? Because we've been so pumped over the years with this propaganda, Islam, Islam, Muslim, Muslim, terrorism, bombs, all of these things. That nowadays, if you say Muslim, I bet your your brain will say, oh, he's Muslim or Islam terrorism, I know that one because they want to take over the world, that is for sure, I know that they want to kill all of us because I know that because I heard it somewhere and I'm sure they want total world domination and they're breeding, they have so many babies and so that's it, Abdul Karim Karim Karim terrorist. I would very much suggest that most Muslim people are just like every other people on earth, they would look for a happy life, they want to take care of their children, they want to have a party with their friends from time to time and just have a quiet peaceful life. They are so not into world domination or blowing up bombs or anything like that at all. Anyway, so because I always also want to say that at the moment somebody like me is the new terrorist, I don't know if about you but I don't feel very violent or threatening, but we're coming to a point where true seekers are the new ones. So I'm not kidding, I'm already on list joined by other people that I really admire. So anyway, that's why I have my shades so they don't know who I am. Anyway, so the theme of this spring is they need to get away with this, to get away the bad reputation of Abdul Karim, the bad reputation at the moment from I'm just going to wait for them. Do you see how easy we divert our attention? This is one of the things they do also, when they do these bomb things or something like either it is to accomplish something, to blame someone or it's to divert the attention. This is why they say when something happens, do not look at that. Sometimes I give a speech like this, I have a small explosion or balloons exploding in the back. Everybody turns around, I move around, maybe I change my shirt or something like that, when people turn around, back, I'm here. So I'm saying, so what happened? Oh, it wasn't anything, nothing happened. I mean, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm not saying that, I'm I'm not saying that, I'm not saying that, I'm not saying that , I'm not saying that, I'm not saying that, I'm not saying that my faith was gone, I'm not saying that my faith had risen, but at the start I put it, and when I didn't find out why British doctors would use it, when I decided to give a sum, that I would use the money I couldn't get it, I wouldn't do it, I wouldn't do it, but rejectingly, but then Google did do it, to get Ecu victolists, I wouldn't do it, but then Google is the hellhard thing to accept new, banned, and bad enough, and bad enough, I wouldn't do it, I wouldn't do it, I wouldn't do it, I wouldn't do it, I wouldn't do it, I wouldn't do it, I wouldn't do it, I could give a sum, I could have Deviants, I couldn't have done it, I would never lie to you, you're giving it up, have alternative, have a wide angle because diversion or problem reaction solution. So we have this thing in Paris. And one of the things that they love doing because we're so intelligent and so open-minded that we would never buy this if you do not hit patriotism. That's the one that always works. You're not a patriot. Oh my god, I am. Or the freedom of speech because then it's a matter of me and somebody threatening me. So they love that one. That's the theme for the current team. They use the people behind these operations are not very clever in my opinion. They have not a lot of imagination. So do reruns of old shows. And this one, the latest one, started with the Salman Rushdie, the satanic verses, if you remember that, where Chomene, Ayatollah Chomene, he put a death threat on a righte called Salman Rushdie because he had written about the prophet, mother, and not very, I think it was the mother, and not very nice wordings. Had Chomene not put a death threat on him, nobody had read the book because it's not a very good book, I think. Instead, it went global, there was this massive thing. I don't know if that was a false flag or not or a sign up, but there was an incredible attention about this book and the whole thing about Islam and you can't say anything about the prophet. That was part one. Then part two was a Danish magazine called Yulans Posting that made cartoons on Muhammad. Oh my god, boom. Then you have these pictures of people burning Danish flags in Iran, Pakistan, and so on. I have been in Iran, I have been to Pakistan. I also seen TV teams film a riot. I was standing here. People were writing there because they were paid for it. They were like 30 people throwing rocks. It was quiet. It was good. It was nice. People were sitting in the cafe, but there were where they were filming. There was a riot. Do not buy into these things. Filming flags. Do you know how easy it is to get children? You give them an ice cream and say, here's a match. Could you please like that one? And then it's the American flag. It goes all over the world. Oh my god, look, the whole Iran, Pakistan, Sudan, Libya, they're crazy and they were world domination. Know they wanted an ice cream. You gave them an ice cream. They got an ice cream. Don't buy into it. I love the one. The US were, I think they were invading Somalia or Eritrea or something like that. They came in army boats and I've seen different cuts of it because they came, the Marines come, they jumped down from the boat. There's some local military people. They chopped them down and they, all of these things. No, and then you hear, no, can you do it again because the sound wasn't really good. Sorry, sorry, back in the boats. No, you need to, you have dry pants, please. You can't, that you already been. Okay, he has to redress again. Are you okay there? Yeah. I have some gunfire in the background. Little more. Maybe a bomb, that's it. Keep it going. Okay, landing. Up. And it's done. Done. Okay, standing better. Yeah, thank you. But this is what we have been pumped these type of things. So I would humbly suggest again, what will you look at, just because it's through this black box doesn't make it true, possibly true, possibly not. So anyway, the theme is attack of this freedom of speech. Also there's a theme at the moment saying that the Jewish population has to come back to Israel. I'm saying this because that is the solution that is being presented after these actions. Come back, why they want that, I'm not sure. Anyway, so you've got two brothers who have gone, they have said, okay, we're Muslims. And here, I said, the Danish newspaper did cartoons about that. There was this whole thing going on. Then a Swedish artist, Lord Wilkes, made an awful drawing. It is so bad about Muhammad. It's really ugly. Very badly done. He's not a very talented artist. Muhammad and the body of a dog, okay, that was in 2007. So these Muslims, they didn't have anything better to do, maybe reacting against unjust wars in their countries, millions of people killed. No, no, no, that drawing really pissed them off. So Lord Wilkes had death threats and had bodyguards and still has, since 2007, is the official story. I'm just pointing it out. I don't know, doesn't really make sense to me, that it's only like eight years of body guards because he made an absolute awful drawing. Then we have three, chapter three, Charlie Hebdo, cartoons on Muslims, and then we have the fourth one in Copenhagen. Lord Wilkes again, welcome back, our total favorite. And he was at the meeting where he had made drawings of Muhammad as a dog. So here are these two brothers. They love brothers when it comes to terrorists. Why they do that? I've had it explained to me by people who know better than I. They say that the brothers or the twins are part of a ritualistic, when they sacrifice things, including the twin towers. There's a lot of films where there's twins, where there's two towers, where all of these things, I don't know, I'm just pointing it out. Anyway, so here again, we have two brothers, and these brothers were so upset with this newspaper. Once again, not that thousands of people or children were being killed in Muslim countries like Iraq and Sudan and no, no, no, that drawing. So what they decided was we're going to go on a suicide mission because it's worth it. We're going to kill a lot of people, and then, well, we're going to make a lot of mess along. So they were very, very careful. They said, okay, what I'm going to bring, I'm going to bring an automatic weapon, no two, because we're two black clothes, bala clavas, and nobody can recognize us. Boots and my ID, I mustn't forget my ID. Okay, thank God for that. Okay. I just want to point out the ID that they found, please remember the passport from 9-11. Also this is the thing, you know, you have this once again, suicide bombers, what are we going to do, we're going to hijack the hits. It's a national flight, it's not an international flight, but I mustn't forget my passport. I brought the VHS how to fly a 757. I brought the Quran, bala clavas, the cutters, what more, what more, my passport. Okay. So you got these two 500,000 tons building coming down, being totally polverized with a method that is still to this day, a bit of a mystery. Everything that it, there's no furniture, no bodies, no not everything, just get polverized, except one passport. And then I'm very sorry about these nine of these hijackers, I think it was at least nine was still alive afterwards. Messy, messy, messy. Okay. So thank God they remembered that his ID because otherwise they would never have been able to track them down. Okay. So they have a random spray of shooting, they go of course this newspaper, they hate the newspaper Charlie Hebdo. I mean that's the target of their hatred. So of course they know where it is, no sorry they did not. But they did know where a woman who was working there, left her to her daycare, her child in the daycare center. So they stalked her and got her to show where the newspaper was. I mean they could have the phone books, the internet, I don't know if that is too much to ask, but no sorry they did not know. Okay. So they grabbed her, she was there on a way to a meeting. So she was there to pick up her son on the way to the meeting. Normally if I go to a meeting I would drop off my son and then go to the meeting, no the son was with him. But then on the way to this horrible massacre the son just disappears. You will see that it's also a recurring thing that people drop out of the timeline. Not the two shooters in the car, everything. And suddenly the guy that is there to kill and murder and have to take the whole blame, one person. I would say clumsy. Okay. So what they do is they get her to show them where the newspaper is. There's sometimes you hear there were guards outside that was killed. Then other versions say that she told the story that no, no, no, she had to let them in there. Then they go in there and they do this whole massacre. I am not sure if there were people killed here or not because with these force flag operation nowadays it's very, very hard to know what is real, what is not. And sometimes there are people getting killed and part of it is fake but to blame somebody else. In this occasion I do not know. I will come back to when I know more of the evidence here. So they massacre all of these things, all of these people. Then they jump into the car, they take off big time. And then there's this, I'm sure you've seen this video where they jump out of the car. There's a police officer. They shoot him. They run by, give him a headshot, run back into the car, take off. Then there's a big gun fight with a police car. The police car takes off. It just accelerates and it goes on and on and on for days. So you see it's all over the place and suddenly they had two more people and who are the other people? We're back to Muslim, Muslim or black skin. This is the thing. Otherwise it doesn't work. So we start looking at some evidence or just look at the crime scene. I try to always come to the crime scene without any pre-opinions. I just look at the facts and see what happened, how was it carried out? Because the truth is very simple. What happened happened if I dropped something, it goes from here and it's there. There's no light, the angles, the shadows, whatever. You will all see it fold. You can have different angles but it's still the thing that happened. So when it looks to something like this, it should be continuous, it should be correct. There would be no differences. It would make sense. I want to point out also that I spent many years in Sweden here looking into the assassination of the Swedish prime minister. I was part of this little group that the media called Privat Spahnana and I lost two friends that was murdered. I was threatened. I left Sweden because they were getting too close. So I moved to Mallorca. I'm on Mallorca because we started from absolute scratch. I got a job everywhere I could and one of the jobs I got was at Palma Pictures which is a Swedish-owned film company down there. So my job since I'm an awful actor was a background. I was an extra. So I was one of these people that you see on films. I can walk from here. I'm really good at that. I can chew chewing gum at the same time. So the thing was I was sitting, I even, I must say, if I can break, I played against Daniel Craig as an extra. I was running in the background. You can see a film with him and my elbow is in there. Anyway, so I spent many, many hours because it's very, very boring. It's such, I mean, often you have to, as an extra, you have to be there at five o'clock in the morning because there's so many of you so they do the make up, the dressing, all of these things. And then once you start getting close to the actual filming of it, then they come in with the actors and the director and all of these things. So it's very important to see how, at least I spent many, many hours being bored at these, so instead of being absolutely bored to tears, I thought it was interesting. How do you make films with what are this cable for and how do you do the lighting? How do they do the make up? And I was just also because I was hoping to get a job with them. I was helping them everywhere in film productions. And most of the time, the things I was part of was like chewing gum commercials. I've done phanta. I'm one of the people sitting on the beach in the background. Or I've done Italian chewing gum. I've done, I've been SCD Clom, I was the night guard who says, so you're working late, but in Swedish. These type of things absolutely branded the type of work. But I got a view into how they make films. And one of the things where you have a film shoot in a town, the way it's done is the producers have to go to their local authorities. They get the permission to cut shut off the streets because they need total control of the area. All the vehicles moving in the background, their vehicle, all the people walking in the background doing whatever it is, they need the background to be continuous. The same, whatever take they use or cut together, the background needs to do the same. Because you can't have, for me, if I stand here in the background, and then the man talking to the woman, then they cut back and then suddenly I'm standing over here. It would just jump like that and people would say, come on. So every time you do a take, they would put cue markers, what is called cue markers, a white dot, for instance, like that. They say to me, okay, you miss the brand that extra, this is cue, this is point A. And when we screen background action, you walk towards point B. Okay, so background action, I start walking. And what they also say, do not look into the camera, whatever you do, do not look into the camera. Okay, so because if you have people like this, it doesn't, it's not good. It's not good. Or also you need total control of the people involved. Because otherwise, I've seen this on a fan-to-commercial, on a beach on Mallorca, where there was a German nudist who came into the background. I tell you, I was laughing my head off. He was standing like, and the director was just starting crying, get that naked guy out of here. So you need total control of the area. So, and everyone in the background had cue markers. So if Patrick was there, he had from working to there to there. I was here to there. All of everyone in the background, including vehicles and the vehicles, cars, because you need camera angles lighting, all of these things. So they would say, okay, the car comes in there. And you need to stop there. They make cue markers so the driver could see where to stop and so on. So often the cue markers were in this direction and in this as well. So the driver, okay, here, so that he would do exactly the same every time. You can see that also in action movies where cars are turning over and like that. Check out the asphalt. You will very often see if a car comes skidding around like that. There's four or five before already. When the budget is bad, low, the high quality movies you don't have that. But you will see, because there's been rehearsal. So, okay, the car comes. Okay, an action again. Okay, you changed the van go. Okay, that's good. Okay, and now go. So you have the tire tracks. Yeah. So, we look at this thing. I'm sorry the quality is not so good. But here we have an awful event. If what happened happened awful. You have these two brothers that they stopped the car. They run out and there's a shooting going on. You see that there's a very lucky coincidence. There's a guy up on the balcony filming. And it's authentic because the camera is shaking. That's authenticity. Oh my God, it's an amateur film. So it must be real. So the camera is shaking and then you see these guys. They jump out and run over and you hear the shots, blah, blah, blah, blah. The camera goes over. There's this police officer here. High tech. Rolling around saying, oh my God, I've been hit. And then they run past and shoot him in the head and run it back into the car. If it happened, absolutely awful. We have a look. Every single take in Paris were in small back streets. No other traffic at all. Only park cars. No pedestrians. Nothing else moving except what we were being shown. So here you have, we look here. You see the line there right under the center of the car. This is what they normally show you. Like when you come driving, okay, here, go, okay. And then you have sideways. That's where it's supposed to stop. So this is how you normally do on a film set. I would just say that line is what it would be had it been on a film set. And here is a trainer. That trainer belongs to the people because when they run back into the car, they grab it and throw it in the car. So, but you check out both of them got shoes on. You hear the shots fired. In the background, if you turn off the volume really loud, you will hear in the background they're playing, their children playing, laughing. Then the shots are fired. Like this. And you listen to the sound. Children playing, laughing. Naturally, if you've been to war zones or if you've been where people start shooting, people freak out. People scream or get very quiet but they run, you know, our mothers say, come, come, something like that. Here, children laughing. I'm just pointing out things and then you can make up your own opinion. And you will also see, I'm sorry, you cannot see, but when this guy runs up here, there's a white cue marker on the pavement. There's a white spot. Exactly the ones, like the ones that I used to walk towards. He passes, he runs by the police officer and when he's the place where he runs, he goes down from the pavement again towards the street, white cue marker. In the street where he turns back, white cue marker. Exactly the way it would have been, had it been a film set. So you listen to the sounds. You have, when the camera's shaking, you have the gunshot, boom, boom, very loud, gunshots, very impressive gunshot. You analyze the sound and I've done sound engineering and different things, film engineering and so on. You check out the sound, the echo on the sound and you check it with a shot being recorded where there's an open space, where there's a building on one side with an open space or where there are buildings on both sides. The sound echo is recorded as if there were buildings on both sides, the echo effect. On that side there's an open space with a park, but because it's a sound between houses, the effect is much more powerful and the idea should this be a fake event is to get the emotions going, oh my god, it's awful. So you look at, so we got this sound strange, we got the position, we got the shoe strange, and also I'm going to show out later that this car, as far as I've been able to find out, it's a Citroen C3 2014, where these lights there and chrome side mirrors. Now the car that was found, oh sorry, where the ID was a Citroen C3 from 2013 with black side mirrors, different wheels, I mean, come on guys, clumsy I would say. Then you have, shots are being fired, the police officer is already down there, he's rolling around like this, so he must have been hit or something like that. And the normal human reaction, if you get hit or hurt is you put your hands on it. If it's a gun shot, of course, there should be some amount of blood because we're talking like a high velocity automatic weapon, AK-47. And so of course, when the so-called terrorist runs by him or towards him, he goes like this, so is the blood on his hands? No. Normally I would say blood would be on his hands like this. Then you have the awful, awful headshot as well. Anyone who's been to war zones or seen homicides, it's an awful, I mean, it is really awful. And the impact on a head on that distance with a weapon like that, oh my god. Then you see here, if you slow down, slow motion, slow motion, zoom in, there's no recoil whatsoever from this AK-47. That is not the way it is. It is a powerful weapon and no recoil whatsoever. There is a sound from a shot though, but that sound had the echo effect from being recorded somewhere else. Okay, so you see him, he runs by, he's totally relaxed as well because if you've been to situation like this, that normally if it's a real thing, there's a lot of adrenaline, a lot of pumped up, the people are tensed, of course, and it's a shootout. So you would be like that, you would be aware of these guys, having a jog, boom, headshot, one, I don't even want to look, I don't bother, did I hit, did I not, he's just taking a run and then back into the car. Almost like this is not the thing, this shot that they think was the one who would be in use, I would say this would be that they used that maybe for some reason, it was a better angle or something like that, but it doesn't seem like they were really the ones that were going for, at least they're very relaxed. You see no record, you see no impact on the head whatsoever. There's no blood, there's no brain matter, there's nothing where the head should move as explode from a shot like that on that point blank distance. Then you see there's a, it looks like, okay, so he missed the head and there's, it looks like there's a ricochet from the payment, but when you really zoom in on it, you will see that the smoke comes from his left hand and you will see there's one frame, if you go frame, frame, frame, you can see there's a little black smoke canister in his hand. The smoke comes upwards and then it'll right angle from his hand, so he's rolling around like that. Then afterwards they added their side. I would say what we're looking at, no shots fired, this is the action and then smoke goes off and then afterwards they timed it with the sound to make it sounds like it was for real. I'm just saying farmer brown logic, okay. Then we have the body that was, of course this head shot, I mean my god, his head was exploded all of these things. You have the medical staff that comes to the scene, what do they do? Of course it's a head shot with given CPR. I don't know about you, but if I had a hole in my head, this would not be the best thing to do. Is it? But it looks good. It looks good. So they take this poor guy, who is a Muslim by the way, bit of a bummer. I mean here we are, revanging the Muslim honor and then we kill one of our own. Anyway, so they take the body up on the stretcher, is there blood on the payment? No, is there blood on the stretcher afterwards? No, it's only a head shot from a massive gun. Okay. Then afterwards we have BBC. BBC is a wonderful network that have a very, very strange habit of appearing when it comes to these things. Do you remember 9-11? Do you remember building 7? Do you remember the English reporter, the female saying, oh my god, it's very tragic because they, building 7 have just come down. I'm very sorry, you're 20 minutes early. Please come down. The building is still standing behind you. Bad timeline, problems with time differences, time zones. It's not easy. I don't envy these people because it's not easy to carry them out. But anyway, so BBC, that was one. And then BBC, here I'm going to come back to BBC. I love them because they really can mess things up. And on this one, you have this reporter afterwards and he's standing there. It's an awful tragedy with standing here on the side. You can see here they put, there were three flowers and two candles or something like that, really. Because I think people are waking up to the fact they're not buying into it as much as before. So he's standing there and then here you can see where the blood has been put on the payment. So you check out where is the blood that has been put on the payment. Of course, they put it exactly where it's headwired. No, sorry, it's for the media out of shape. There's a poster and an ad sign where you can measure the distance from the body, the head, everything. Sorry, we missed up. But who cares? I mean, they're not going to, they're untouchable anyway. And of course, it's just a little blood. Because no, there was no blood there. No, it's like four square meters of blood all over the place. So what do you think? Was it a real event? Was it not? The balance is almost there. And then here we have, I give to you, the Citroen C3 2014 chrome-synch, the C3 2014 chrome side mirrors, others wheels, there's the lamps. Here's the one with the shooting. Yep, you see this book. And here's the one they found. Different wheels, different black side mirrors, bit of a mess. Not so good. Anyway, I would say, made your mess up. Come on, guys. Sometimes I think, I'm going to go there. My finances is not so good. High and me, you know, I know what to look for. I know what to be aware because this is what I focused on. So, but I was joking there. I would never deal with these people. So here we have the next real drama. Oh my god, it's so dramatic. So once again, we have a street, back street. Absolutely. No other vehicles, no pedestrians, nothing. And of course, as this dramatic shootout, it's a one-way street. But of course, the police is driving from the other way. And somehow it's standing. It's a very, it doesn't matter. But it's a strange angle for the police car. But these two guys, they think that they're James Bond. Before this photo is taken, he's hanging out on the side doing all of this really. And both of them are shooting. They drive up and do, do, do, do. So you look at this police car. It's apparently hit here. You can't see that when it's happening. But you can see it when the car crashes afterwards. Because the police car starts reversing very fast and goes this direction. And there's another street here, a small empty street, where it passes right across and hammers into a parked car. That's still a feature story. There are bullet holes in the police car and all this is very dramatic. So of course, I just want to point out one thing also. Here, this window is shut out. There's no glass in it. The car that is later abandoned and found this glass in the real window. Magic windows, magic cars, magic models. So here, this police car has just gone absolutely. Wow, wow, crashed right into this car. So of course, the impact must fit. But if you see the dent in the car is up here, not down there. And when you see the type of car, the impact should be down here. Do you see what I'm saying? Because sometimes when you look at the voltage beheading and other things like this, you will see that the vehicle has just been taken there by a tow car and put a bit of a boom or two left. Thank you, and lower it. Thank you. And we're going to put it together like that. Looks good, but it doesn't fit. This is the thing. Had it happened in real life, it would fit. And the impact on this car that was parked here is also like a bit strange. So magic wonder. Here you have the car. The real windows is complete. This is the one they've abandoned. This photo is taken, I don't know, who took this photo. If you notice, you will find very little private footage of these things. Even though they're in front of thousands of people, you will only see the official videos again and again and again. How come? Where and everybody's got mobile phones nowadays, with cameras. Where are all these normal pictures? Where are they? No, you will see the same photos again and again and again. So of course that car is standing exactly where the car was found with the evidence. This is the one. So you see these ones. You've got pedestrian crossings and you see these poles where they parked the cars. So this is a photo where I've got one that is not cut like this. I should have taken that. But you see this pedestrian crossing and there's one, two. You see one, two, but the car is over there. You see one saying it's not in the same position. And this car is not the same. So I would suggest that you... I think that they put... They had the one first, the one that they were used in the thing itself. But then they needed the new one where the evidence and everything prepared to point to the patsees. So they just parked them next to each other and then they reversed and took away the other one. Because the distance between where that one is parked and that one, can you see? It's the same one. You could get a car in there. I want to say one thing. I don't know if I'm pushing it too far if I'm being too cynical. But to me it seems like they always... It's almost like they started selling ad space on these four-splag operations. They know that millions and millions of people are going to watch it. Millions and millions of people are going to watch on news and YouTube and all of that. So you see this car? This is not a good quality part. That car is polished like it's a showroom example. It is a showroom polished version. And it's lifted up very slow. So it's like... Citroen C3. Then you have in the newspaper room where these journalists or drawers were shot. Not sure if they were. I need to look into that more. But there are very strange things with that crime scene as well. Then you have the blood. I don't know if you've seen that photo. There's a big puddle of blood on the floor. When it comes to blood, depending on where the wound is, if the blood is very oxygenated, if it's a blood coming from the lungs, where it's being pumped, it's pinkish in the color. When it comes back to the heart, it's darker. But always on these days, we're Boston bombing, all these four-splagged, it's bright red. It's like so red. And it keeps red hour after hour. You see the crime scene five hours later. Still there, the impact. It doesn't work if it's brown. Is that really blood? No, it's red. Oh my god. So you have to look at these things as well. And there, with this blood, where people are taking photos, oh, it's so tragic, there's this big red red thing. And then there's an office chair put on top of it. And it said that the person who was killed was sitting in the chair. So of course, there would be blood on the chair, or maybe a bullet hole going through. No, it's just put there. Absolutely intact. There's no blood on the wheels. It's like, in my opinion, blood, okay. And then we need to, it doesn't really look so good. We put a chair there. That's more like it. Okay, can you take it? And then what are we looking at? Right next to the blood. There's a red bag where it says, Puma. It is right there like Puma. So we got, I'm just suggesting, Citroen, you got ISIS, all, every single vehicle, everything that is connected with ISIS, Toyota. You have every, as far as I know, every terror act that has been filmed, or where the terrorists have filmed themselves, GoPro, action camera. Okay, and this one as well. I was just waiting for it. The guy off on the balcony, well, I was using my GoPro camera. I'm not calm on. So I would say, look into these things. Also like the Rothschild family, they just happen to buy the Charlie Hebdo newspaper, just a few weeks before. No. Poor guys. They only made like 10,000% profit. They went from 60,000 to 7 million copies. Look at Jerry Silverstein before 9-11. Oh, just by coincidence. So these two skyscrapers, we have all kinds of problems, all of this. Let's ensure them for the lot, and let's include terror acts, including flights, airplanes, that they are built to resist, but just in case terror acts. Double, double because there are two different attacks according to him. Look at before the JFK assassination, the Olof Palma assassination, check out the stock market. That's where you see the insider trading. People are aware of it. And just before it happened, loads and loads of things are going on that just makes an absolute, billion-ballon-bufflin for these people. So the Olof Palma assassination, what a tragedy, yes, but not for everyone. It was almost the all-time high on the Swedish stock market. People made absolute fortunes, one of them, air-penser. Okay. So the thing is that I've looked into so, so many of these false flag operations, trying to find out, they are not. And at this point, I don't even think that there is such a thing as a real terrorist. I mean, the one that we think, a lot about this one, I don't think that every single time I looked into it, inside job, and if it's done by people, then they've been trained, equipped, and financed by the same elite group through the FBI, the CIA, the Mossad, where we, the normal people, think that the CIA, the Mossad, the FBI, the CIA, and these things, that they're, of course, there's separated entities down here, but when they are, but the higher up you get in the power pyramid globally, the more they're connected they are. So when people say, was it the CIA, yes, was it the Mossad, yes, was it the mob, yes, was it the... This is the thing, they work together up there. Anyway, since in 2012, I came out open, it sounds like I was gay, but I'm not, but, it's like when you're in this world of conspiracies, at least I found out very early that there are two ways to go, if you want to stay with the rest of the living, human race, one is, either you need to get the spotlight big time on you, so that if something happened to you, you, it will just confirm what you've been saying and amplify it. This is why people like David Ike is still alive because he has maintained the spotlight on him, and they are very afraid of creating icons or martyrs, because a martyr is somebody that will, you can see in countries like Iran or Latin America and so on, poets and so that they executed, thinking that they got rid of him, but then the name became even bigger and stronger than the person before, and it can be, you can't fight a thing like that, because it's just too big for them. So they're very afraid of getting rid of people in this spotlight, but since I was Mr. Absolute Nobody, that was really not an option, so what I found out early on, that I need to go very discreet and be, if I want to be part of the rest of us. So I think Absolute No One, I've heard about me before 2012, 2012, and then I just felt, once it started, I just felt I need to get the spotlight on me, so I've been doing like, 1, 2, 3, 4, 5 interviews per week, just to keep it on me and get the info out there of my shoulders. Anyway, one of the things that has happened through this is that I met absolutely amazing people, absolutely incredible human beings, very courageous, very honest, strong, like Haley's husband, for instance, and Haley as well. She's the wife of Christopher Bowlin, who's been here speaking before. I mean, very courageous people that stand up for what is true and right and so on. I also get a lot of emails from people that are absolutely no idea who they are, some of them are very weird, and some of them are very interesting, and some of them are, I don't know, is it true? Is it not? They say, I missed it, but from the CIA or the CIA or the CIA or the FRA or whatever. I don't know, it's just an email, even when I meet people, I have no idea, I don't know who you are, and you just know me as you see me, you have no idea if I've got a double agenda and so on. I'm just saying it, so be critical, just because I or anyone else says something, be critical. Use your own mind, use your own brain, and see, does it make sense and so on. Anyway, so a while ago, the fall a few months ago, I was sending emails where it said that this is inside information, the next target that they're going to hit is Ireland, France, Denmark, and Italy. So, okay, fine, that sounds interesting. I have no idea, I've put it in a folder. Then a while later, I heard rumors that there had been a bomb thing on outside Dublin, and at the same time, I was sent an email saying that I saw this very eerie image being circulated in Irish press. Okay, and he said, I don't know, I'm just sending it to you, but I thought it was really tasteless and a bit scary. I had a look at it, this is the one he sent to me, and it was tweeted around us well by somebody called Israel in Ireland. Once again, I'm not against Israel, Hader or anything like that, I'm just pointing things out. And on that image that he was talking about, it said Israel now, Dublin next, and there's this, it's like the grim reaper type of statue that I think is not a very nice one. And then the next one, Israel now Paris next, Mona Lisa with a chador and a bomb there. Israel next, Israel now Denmark next, a little mermaid with a machine gun, and then it said Israel now, Italy next, and some Italian statue with bombs on it. So when I received this one, I thought, hang on, this is what this other guy, this source, I was questioning, so I thought, okay, I started looking into the thing on in Dublin, there was a bomb thing that was aimed at the intel plant outside Dublin. It was defused, nothing happened. And ISIS, sponsored by Toyota, took the responsibility for that one. And then suddenly Paris happened, I thought, oh, when that happened, I thought, is Dublin, oh my god, oh my god. I started looking into this one, just like we've done. And right away, it's very obvious at least in my eyes that it is for a false flag, some kind of set up thing for us to react so that they could come with a solution. So I thought, oh my god, if that one was, if that happened, and then that one, this could mean that Copenhagen would be next. So when I did like, I went out in several different interviews, and on Facebook saying, please, please be aware, when these false flag operations are carried out, one of the main ingredients is a so-called drill. The drill is an event where they say that they're having this drill for your protection, it's always for our protection, they're so caring. And the reason, in my opinion, that they have these drills that have the exact same scenario as the real thing that later happens is because in that way, they can get the vehicle's infosition, they can get explosives in there, they can get the extras in there, they can, without people reacting, no, it's just a drill. For our protection, they're just doing setting this whole thing up because they care about us. And then halfway through suddenly, the drill goes light. And many times people who are taking part of the drill have absolutely no idea that it's a live action. You can hear that around 9-11. There are several drills going on with Nora and so on. You can hear the interaction with the radio communication in the air for, they say, is this the drill or is it real? Is it drill or not? You got the seven-seven bombings, there was an drill doing the exact same scenario as what actually happened. So there was even English police that was there outside one of the subway stations. There was standing there, boom, the bombs went off just like it was supposed to do. People were stumbling out, there were smoke, people were screaming, dying. And the police was just saying, like, oh my god, it's so realistic. I can't believe it. It really looks real. He looks dying, I tell you. So they weren't even helping the people coming out in the streets and so on. This drill is the thing you have with Estonia. There was an identical drill down several times, the exact same scenario. Even there was the same commando words where I think was Captain Skylock light. One and two were some of the commands that was used in the drill. And this was just to get some people because of fire in certain positions on the ferry. They trained this drill several times and the whole scenario with the explosives put exactly where they later blew up, exact same place where the ship went down was part of the drill. And while the accident happened, people heard over the inter, what do you call it? Exactly, they heard the exact same commando, Captain Skylock one and two. Exactly like this. I'm saying a drill is a very thing. And when you look at, for instance, the Boston bombing, there you had a drill as well. The Boston Globe went out in just a few minutes. We're going to have a bomb drill. Where were they going to have the bomb drill? Just outside the main library, you see the bombs exploded. You go down on the street. It's the street level. You go Google map, you look there. That's where the bombs exploded. You do a 180. You look straight into the entrance of the main library. Exactly where they said the drill was going to take place. Where were the so-called bombs placed. And the similarities with these fours are incredible because they use the same thing again and again. If I jump a little ahead, I want to say why was it in front of the library? Because when they set these things up, they need logistics. They need cafeteria, they need food, they need toilets, they need makeup, they need electricity power. They need a place to put the vehicles, they need all of these things. Make-up equipment, also to hide all the extras and so on. So when the whole thing goes live, boom, then team A, out team B, you stand by. And sometimes they even got collar coding where they have straps around the neck with the name tags and collar coding. Because team A, team A over there, team B and go in, blue team in. And so it's like this. You will see Boston bombing, all of these things. Look out for the straps. Sandy Hook, all the parents going home. Blue, blue, same necklace, same necklace, Boston bombing. I saw it at the Builderburg meeting I was invited as one of the key speakers outside the hotel in the Builderburg meeting in 2014, where I humbly believe that I managed to pull a stop-affors flag massacre there that they had planned, just by seeing the signs there. Anyway, so why was it outside the library? Because the library on pages, they always love these dates and then very symbolic dates. Patriots day was closed and that is the perfect location for to have all the equipment, everything in there, so normal people cannot see it. And then when it opens up on Monday, everything is cleaned and everything is gone away. We go, we are jumped to the Copenhagen thing. You have the synagogue that where the second shooting was. You look at that one, back street, no traffic, no nothing. The synagogue is here. You go down Google map, you do a 180, what are you looking at? You are looking straight into the main entrance of the Copenhagen library. Anyway,