Proof that Tom Brady’s Wife Gisele was Born a MAN

Video Transcript:

People are kind of obsessed with you and your lovely wife will live you a while. But she's a different species. Oh, it's a different thing. Yeah, yeah, totally. Yeah, totally. I'm surprised you can like breed eyes color, like literally just about everything. I think I would say my penis is better. I'll go on record, saying I have a better penis than her. I bet you five bucks. You know what, you're probably right. I bet you find bucks you wrong. We're probably tied at best. I bet you have best for time. Welcome to the Jazz House. Here we take a look at Jizzel Bunsen. I think her name's Renance. I really sure on that. But we'll go with Jizzel. So we're going to take a look at Jizzel as part of the model series. And it's worth noting that when I envisioned that series, I didn't really see Jizzel as being part Q. But the way it's evolved in terms of the stuff I've put out since. The first part was Rosie Mack in it. Jizzel Bestvetson as a continuation on. And that she kinda ties in nicely with my recent videos on Callie Minogue, Olivia Wilde. And even to an extent, Fergie would be another woman. Those would be three videos. I probably recommend anybody who is brand new to this and new to the terminology, sensing it. As in the case of the first part of the model series, I'm going to assume that you're already familiar with it. Although if you haven't seen the first part yet, even though concepts that I'm looking at in this video are going to be building on concepts introduced in the first part, I'll go with regard to posing tricks, etc. and perception. Even though I explain that more in the first part, I will be in this part because I'll actually be applying it more in this part. I'll just view them in whichever way you want. So after you view this part, go back to part one and it'll fit in well with what you see here. It may make more sense than this video will, a nice solution. Although overall this video, you both had that part, should make sense to you either way. The photos that you've seen in the background are seen now. This is just Giselle doing her thing. Just regular standard model poses, nothing special about the pose. The only real thing they all have in common that I'm going to get to, but first I want to look at Giselle when she's not posing, when she's just walking on the beach in this case with her sister. And the interesting thing about this photograph is that when I first saw it, although I'm not sure if it was this exact photograph or a different frame, taken by the same photographer at the same location, since there are several pictures of these circling around in a miniature witch video. I'm actually not only sure of which video I like. I use this photo when, but at the time I was looking for pictures of regular women to compare to transgender women and when I plugged down into a search engine, I came back something like this with Giselle and her sister, the two of them walking together. And at the time I didn't recognize Giselle, and in the video, I just said a biological female and someone who based on the biology is transgender. And then I just made a couple of brief comparisons and I moved on. So this time I'm going to break it down into a little bit more detail. And if you've seen some of your kind of posing right now because you're aware that Giselle and being married to Tom Brady, they have at least one kid, the other. And therefore you're thinking, hang on now, have a nice evening her photograph pregnant. In the video on Louis Vuolde, I explain how if that's a mental hurdle for you, then I'll link to that video so you can have a look and get past it. And now coming back to what we see on the screen here. This is Giselle with her twin sister, whose name I'm not sure of. Although I know that they're born five minutes apart. They are of course fraternal twins. And you can see in that twin sister, things that I look for in women and pointed out in women such as Danny Manoe, Linda Carter, a couple of times. So starting up the shoulders, the best way to explain how female Giselle sisters' shoulders appear is by comparing them to Giselle's. And you can see in Giselle, they just go straight across. It's just her shoulders and her toys are together. Forma, a nice neat T-shape. Our words and sister, no, there's no T-shape there. Females have a different shape to the shoulder than Males' date. Comparing her shoulders to her hips, you see in the sister, three shoest, one-to-one. So the hips are about the same distance apart as the hips are. And if you were to draw a line connecting her shoulders to her hips, the line would be pretty straight. In comparison, Giselle, you can see as much, you know, there's no similar symmetry there. Shoulders are brought in the hips. You can see that the hips, they just continue straight up. Giselle, she says the normal male torso, minus the indent that's found among some Males. Now, including some transgendermists, like Jenna can ever get her last name correct either. And it's ta-kla-tova or something like that. When you look at her waist, you can see that she does actually have an indent. All the way to the waist, she looks just like Giselle does. Bone structure was because they were both, Jenna's openly transgendered with Giselle, in my opinion, is the same but not openly. And you can see in Giselle that she has, just like Jenna, they both have male adonis belts, just like I have, just like other men have. You can see in this diagram, the shows what the adonis belt looks like. You notice that in every male to female transgender, any more than, it's visible in every male or in every photo of every male. So it'll be because of visibility will depend on, well, whether or not you can see it, whether or not it's been airbrushed out, whether or not there might be something to kind of screen it, like light shadow, whatever, or whether or not, and maybe this will because of body fat, age and how it affects the appearance of certain features, et cetera. What's very visible on her in this picture isn't always visible, but one is that's a huge red flag that you're looking at. Somebody who is almost certainly transgender, so because that is a male feature that's formed or present, because the male pelvis and hips are shaped differently from the female pelvis and hips. And when you look at her sister, you can see there's no equivalent, just from, you know, those basic features. And everything else to you, also, like Liza's male, like compare a limb length, compare the length of the other arms. She has very long arms and comparison to her sister. However, in the leg region, not so much. Her height is not the product of being somebody who is long-legged, although she can be made to appear to be long-legged by changing the focal point of the camera lens. She isn't. She's simply tall and has a long torso that helps create that height, along male torso. And you can see that she's about, probably two and a half, head spans across compared to her sister, who is two, she's that weak spectacy. Nothing to point out in this photo, because you won't see it in very many photos of just all or anybody else, for that matter, who is modeling or an entertainment in general. And that's the big feet. The big, yeah, the big feet she's got going on there. And you can see the tendons and, you know, larger male-looking hands. That's the big feet. You can also see two, because she has, with the long torso that has longer male lungs within it. There's also a corresponding larger pectoral region. And you can see that compared to her sister. And when you see her by herself, I don't know if it's more striking, the less striking after singer with her sister. You can really see how on one side there's a, like, a ridge sticking out, which that's not a hip bone. That's just a male love handle. It's not caused by a hip bone, although you'll see it often among males who have a low enough body mass index that they're not carrying a lot of body fat. So you can see this in them. And the lower the body fat, the more prominent that ridge will be as well, just like the Adonis belt. This is a younger Jizzle. And you notice that the Adonis belt is hidden. This is her doing runway walk. And I call it hidden, because I think it probably is hidden by one of the tricks that I mentioned that they use. And one of the tricks I've seen runway models use is the wearer, basically, like a body stocking. And it connects to her bra strap. And you can tell if you look at the top of the bra type thing that she's wearing. And you'll see semi-translucent, it almost looks like tape crisscrossing to hold it up. And that semi-translucency is also in this sheer fabric, making up the body stocking that she's wearing, connected to that bra strap below. And you can see that in the sheen that it has. Her skin is not going to have sheen in her legs like that. That's not present elsewhere, except from the sheer fabric that she's wearing. And you can see that the way that it glistens changes the look of the skin. And it will help conceal small lines, such as does it make up an Adonis belt. And another picture of Jizzle is the one that she's taken of herself. What you're seeing is just a hip-lister's owl. In a case of some of your sill having trouble processing what you're seeing and wondering. Big foot from another angle. And you can see the Adonis belt very prominently in this photo, along with the beefy overbody. And I'll point out to you that she looks huskier. And this photo then she did in other photos, partially because the camera angle is tilted down. The angle of the photo makes her look as we've seen in other photos. She's not that husky. She doesn't have a huskier for body. But she does look huskier in this photo then she is. That's just a product of the angle. But it shows how angles can distort the appearance of an image. And in this image we see the reverse effect. The line is positioned at probably below the height of her knees and then angled upward. And the effect is to make her torso look shorter and her legs look longer. Making her look legier, more classically female. And she's also spreading her legs while also kind of squeezing her shoulders, pinching her shoulders together. And then that effect is that it makes her look to have shoulders and hips at correspond to the one-to-one ratio we expect to see. Though as we've seen, they're not there. It's not something she can. She doesn't have any supernatural power that allows her to make hips appear and then disappear. Any more than any other celebrity has. Where they appear to appear and disappear is simply because of usually posing tricks or other techniques that she take advantage of. It's not because of anything supernatural. The next picture is her modifying her appearance to, again, make her shoulders look less broad than what the earth, the cheap ears, to be thinner across the shoulders. And therefore more feminine with the head pointed or the head angled down. And the body kind of do in a bit of a crunch. Also, throwing a hip out just enough at the combination. It creates an effect where we think we see this shoulder and hip correspondence as one-to-one correspondence. Because on both sides the hips and shoulders do because of how she's posing. But when you look at the image and you're not looking for that, you're not actually registering that on a conscious level. Although subconsciously it works. It works on a subconscious level. So that the brain just perceives us, you know, looking female. And we see how it's done through simply contorting the body slightly. Another picture, this is a younger and, in my opinion, more masculine looking. Just a little having not undergone yet the facial contouring that Shender went later on. But you can really see in this photo the same trick at work. Curving the body so that the shoulder and hip form nice and neat lines on both sides by raising one shoulder, dropping the other shoulder. And the shoulder is being dropped, corresponds to the hip that's being raised. Again, creating that sideways crunch. And where we see the symmetry and the lines combined with the curves, we perceive a symmetrical hourglass effect. More in fact, there is no symmetrical hourglass at all because the curves only created on one side and not there naturally, like it is with her sister. And I'm more exaggerated version of the same thing, although she's also in this photo, older, more feminine looking. In my opinion, additional surgery that she's had later on, a cosmetic surgery combined with makeup, et cetera. She's using the same techniques to create the same effect, raising one shoulder, the one corresponding to the hip that's bending in, dropping the shoulder, the other shoulder corresponding to the hip that's being thrust out. And again, the net effect is that on each side, because the shoulders and hips align, and on one side we perceive a hip coming out, then the brain. And because of the emphasis on the photo is on her face, that's what we take in. And the first look at it is her face, the lower half of her we take in through our peripheral vision. And because we do that, and because of how she's posed, and the symmetry that we expect to see, if it's not there, then the brain will create it. And I've shown that before, how the brain will manufacture things out of nothing, out of literally thinner, to create the illusion of things that are not there. Because that's how the human mind or the human brain works. It creates images sometimes out of things that are not there, and things that are not symmetrical, because we expect them to be symmetrical. Or in this picture, we see a face, what it's actually made out of leaves and light and shadows, but no face, no elements of a face in that picture. But still the brain tries to construct one. And if you look at it long enough, you'll even see it begin to construct other things too. And another picture of Jizel, different angle, more exaggerated technique, same principles, though, unless she's not doing the same thing with her shoulders instead, she's simply putting her hands behind her head. But that also breaks and shortens the angle of the shoulders, and the sudden conjunction with her hair, being spread across your shoulders. So we can't actually perceive how broad she is across your shoulders. We don't get a clear view of that, because it's hidden by the hair. But again, we expect to see symmetry, and wish she has her butt out, we create curves. Even though we know, she doesn't have it. And in this photo, same thing again, this is a younger Jizel. And you can see the male hip bones stick out well below the navel. You can also see the large male pectoral region in this picture clearly, to match the long male torso. Also see the squaringness of the jaw in this picture, too, really stands out. Another picture of her doing a very different type of photo, but one that she does many of. And again, same tricks just verse shoulder, because she's looking behind her, is aligned. Both shoulders are aligned with the hips, creating a symmetry expected to see at the same time. She's also, because she's turning her body a bit, the angle created in the photo creates the illusion of an angle in the body. The illusion of curves that we know she doesn't have. So all of this is an illusion. This is how they put it together, and how it's sellable to us as being very feminine. When we look at the base stock that it's built on, we see that it's not another photo, another posing trick, the same effect. But also you lies in the same principles of shoulders and hips aligning on both sides. And she's also trying to make her shoulders look narrower than they are, and therefore more feminine than they are. By actually literally grabbing one arm and squeezing it toward herself. And you can see that in the photo, I mean that's obvious, but if you're not looking for it, on next photo, different tricks to create a different illusion. And again, the attention on the photo is on the face. The peripheral illusion takes in the lower half of the body and creates the appearance of a female, but when you actually look at her, but you can see that what you see in this mostly her thigh and a small male, but rotated toward whatever she's lying on to, in conjunction with what she's wearing, create the illusion of female curves where, as we were sad, the sheet she doesn't have them. And you can see that in the photograph, male butt, long, male back, and there's no female arch. That's just very slight posing to create the illusion, likely taking in front of a green screen. And everything is carefully constructed out of a photo shoot like this. They will choose a handful of pictures to publish and to switch in gears to take a quick look at her facial features. And the contouring that I think that she may have undergone and creating the illusion, the female illusion by feminizing the skull, and transforming the very male skull you see on the left into the, the narrower, rounder, and more oval, female skull that you see on the right. Doing that involves procedures more invasive than what we traditionally associate with cosmetic surgery, like when we think in terms of rhinoplasty, which is just cartilage on the nose, or collagen lip injections, Botox to the forehead to reduce wrinkles. I've even brushed in plants since a lot of this actually involves grinding down bones in the skull, and there's four features that I really focus on. The size of the skull, the brow ridge, the cheek bones, and the shape and squariness of the jaw. You can see whether in profile or directly looking directly at the skull. There's differences between the male and female that are quite pronounced when looking at the skulls, and it's not just when looking at the skulls. As you can see them, even when looking at a face, something because you're so little separating the skin and the skull beneath it, basically in some places a little more than, you know, very small muscles, where there are muscles and skin, and that's it. Versus in the body, you may have a lot more in places, muscle, as well as in some cases, fat too. And looking at the gizzles, the skull, this is a comparison of how many made a composite image. You see two images over on the left, 99, and on the right, and 2003. And these are two kind of compensated for differences in makeup, hair styling, et cetera, and just give you the overall impression of how our faces changed between 1999 and 2003. And the biggest thing to note is that even though you can see clearly that it has, the changes have been done, so, sadly, it's hard to pinpoint exactly what has been done. When looking at one photo to another, you can see your eyes look a little bit different, but it's hard to tell exactly how. Same with the nose, the cheekbones, the jaw. Each looks a little bit different, but it's hard to say exactly how, even when you have a composite image like this showing you like four different reference points to work with. By comparison, when you look at her, zoomed up in this picture, I find that all of it just kind of comes out, and you can actually see the contouring that's taken place to transform a male skull into a female. And what you can't see in that picture, you can really see in this picture here. And this is without the makeup or with a lot less makeup. And because of sunlight hitting her face, you can really see the cheekbone stick out and what looks like contouring or grinding of the bone around the brow ridge down to feminize the face. And by comparison, if you don't see how that looks feminized instead of feminine, compare it to her fraternal twin sister born five minutes apart, and know genetically of course because her fraternal are not identical genetically. But still in the female sister biological female sister, you can see how the face everything there. It's just it matches what you expect to see in a female's at a skull. There's no sign of brow ridges. There's no sign of male cheekbone, there's no angle or angularity to it. It's instead just very oval soft feminine female, just else by comparison. Compare that to the male skull versus female skull shown in profiler sideways versus this picture of her face sideways. It looks a lot more like the male skull than the female. And front on with Tom Brady's face next to her. All of the male you can see despite the makeup, etc. just how the squariness even founderization surgery can take away and it does take away when you look at before and after shots. The squariness that they began with and when a swirr to take a look at where she appears to be doing the impossible, but she isn't. She simply lying on hammock and in lying on hammock sideways. The heaviest point of the body is a point that's going to sink thereby elevating the other points of the body including her upper body as you can see with shoulders and her lower body as you can see with the hip. It doesn't elevate it a lot but between how much it is combined with how much she sinks, it's enough that the effect is even greater than if she were to just stand up and do the sideways crunch pose. So Nisfoto, she appears to be very curvy but we know she doesn't have them and we know how she creates them. And that's her wanted to go with this part of the series.