01. The Boston Unbombing - How And Why The Boston Marathon Bombing Was Staged _ TyrannyNewsNetwork

Video Transcript:

Du bist almost start. Im Sommer Attack Future Future Welcome to the Boston Unbombing. How and why the Boston Marathon bombing was a staged a false flag event. For those of you who don't know, a false flag is a covert operation which is designed to appear as if it has been carried out by political enemies, and which is used as a pretext to start a war or to enact draconian laws in the name of national security. A false flag can be an event of real violence, whereas in the case of the Boston Marathon unbombing, it can be an event of make-believe violence, and either case the ultimate objective is the same. Before proceeding, I have two introductory passages to read with some commentary. The first is a reading from the Gospel of Matthew. Jesus said, low, I send you forth this sheep in the midst of wolves. Be ye therefore, wisest the serpents, and simple as the doves. I'm starting with this passage because it's a warning, given by the man from Galilee himself about being naïve. Don't be naïve. Beware of the con-artists. Beware of the wolves. Do be simple, but also be wise. And now a reading from the Gospel of progressivism, the Gospel of the wolves. Verily, verily, the ends justify the means. Historically speaking, progressivism is the philosophy that calls using the state to control every aspect of your life, progress. A more clear word for what I'm talking about is statism. Statism is firstly authoritarianism. The adherence of statism are arrogant and entitled authoritarians. They are the pseudo-liberals and neo-conservatives in government, and are also found amongst the upper echelons of all large institutions that act in collusion with governmental authoritarians. The kind of control to which they believe they are entitled extends right to your perception of reality, which is why they lie. They lie and con and deceive and launch wars and proxy wars and displace populations with impunity, because the jury of their peers always finds them justified. They are complete materialists, and the day we stop believing their lies is the day we begin on a long overdue spiritual and cultural renaissance. End of sermon. Here we go. The official story is that two bombs were exploded within 12 seconds of each other, near the finish line of the Boston Marathon, on the afternoon of April 15, 2013. We'll start our investigation with an overview of the scene. First of my presentation will deal with the first explosion site near the finish line, because there is so much more photographic and video footage of the first site than of the second site. But I will cover some aspects of the scene at the second explosion. Also this is the last slide in which I will use the word explosion, for what occurred that day. From here after I will be saying, Pyro-Technics Display. Here's another view from directly overhead. Here's another view. Looking up to the medical tent from the finish line, which has a little bridge looking over it. Here's a view from just a few steps past the finish line, incidentally taken at five minutes and 44 seconds after the Pyro-Technics Display. You can see the white medical tent up the block and also see some empty wheelchairs on the side under the viewing bridge. Asserting the proximity of medical responders and equipment, an important fact to note is that according to a FEMA assessment of the Boston Marathon so-called bombing, there was no lack of wheelchairs or stretchers near the scene. The report says, quote, volunteers and bystanders used over 100 wheelchairs and stretchers positioned around the finish line to transport victims to the medical tent. OK, this is a view from the finish line camera. The time of this picture is almost two hours after the winter across to the finish line, and yet here a group of cameraman are eagerly poised at the finish line. The video I'm about to play shows the first Pyro-Technics Display occurring just as the finish line clock changes from 40943 to 40944. These pictures show us some mainstream media camera men at work soon after the Pyro-Technics Display. The only images of this event that the vast majority of the public has ever seen have come from mainstream media sources. The major source of both photographic and video footage comes from the Boston Globe. Additional mainstream footage comes from Fox News, ABC, NBC and CBS, and a few professional freelance photographers. There were a few non-professionals and non-insiders who approached the scene and took some cell phone video or photos before being driven away by shouting police or by shouting bystanders. There were also two people who took many photos from nearby windows, one from more or less above the scene and another from down the street distance. In the next two slides I'm going to introduce the two sets of photographs taken from the nearby windows. This is the first of the Thorn-Dike set of photos. Altogether there are 26 photos and they capture two through 14 seconds after the Pyro-Technics Display near the finish line. This image is taken from the Aaron Tang or Ha-Ha Tango, which is his flicker moniker, Set of Photos, which were taken from a window farther away than the Thorn-Dike Vantage. There are about 65 photos in the Aaron Tang set, which captured the scene near the finish line, from 19 seconds to over 20 minutes after the Pyro-Technics Display. This is just to show you the locations of Thorn-Dike and Ha-Ha Tango. This is the only photo I found taken from a window on the other side of the scene. This photo captures exactly one minute and 38 seconds after the first Pyro-Technics Display, before anyone was taken out of the area by wheelchair or by stretcher. Note that there is actually not a lot of people on the scene in this photo. Altogether at the first Pyro-Technics site there were 27 victims lying or sitting down on the ground, appearing to be injured. Not all of them clearly visible in this photo, of course. Plus there were a number of people who stayed standing and walking around at the site and were later reported as injured. And at the second Pyro-Technics Display site, a block down the street, there was a much smaller amount of victims. We will soon be discovering that all of these victims are actually crisis actors. Now when I say crisis actors, I don't mean professional actors or professional crisis actors. I mean people of various purposes, who are not in the same position as the others. I don't mean professional actors or professional crisis actors. I mean people of various professions and walks of life, who were recruited to be crisis actors in this particular event. Though most of our focus will be on the first site, here is the site of the second Pyro-Technics Display, which is a block further back from the finish line than the first site. The alleged epicenter of the alleged blast, aka Ground Zero, in this picture, is between the tree and the dark green mailbox. This photo was taken 13 seconds after the second Pyro-Technics Display. The picture is grainy, but there are several so-called victims on the ground between the mailbox and the tree. There's several more to the left of the tree and behind the barricade fencing on the left. Altogether, there's around a dozen so-called victims near Ground Zero in this scene. But the stage of the second Pyro-Technics site was wider than just the immediate area around Ground Zero. By the time this photo was taken, there were a number of so-called victims who were taken away or ran away from the immediate area of Ground Zero. Plus there are some so-called victims who show up in the media footage who were probably never close to Ground Zero at all. From all the available footage, there are no more than two dozen crisis-actor victims on the entire stage of the second Pyro-Technics Display, which is to say nothing of their accomplices, the crisis-actor heroes, the people who played the roles of the un-injured helpers. So, the official story is that there were 264 people injured at the Boston so-called bombing. But in reality, they kept the number of crisis-actor victims a lot smaller than that. The number of crisis-actor victims between both sites was somewhere around 70 people, and I should mention that quite a few of them appear to have missed out on the injury makeup and fake blood. Anyhow, there was certainly nowhere near 264 crisis-actor victims, and there was zero real victims. Because the entire event and all its transpirings was not real. But before we go into the particular transpirings of the Boston unbombing, we have to have full context. So I'm going to shift gears for a few moments. The first thing you need to know is that the Boston unbombing was, in a nutshell, a disaster preparedness drill gone live. Meaning that the Boston unbombing was carried out by people within various federal and local government agencies that have been involved in running mega-disaster preparedness drills across America for years now. But what's the use of telling you that the Boston unbombing was a large disaster drill gone live if you don't know what a large disaster drill looks like, and what types of participants and props and effects are typically in use therein. In order to have the necessary context, we have to go over some of the basic elements of large disaster and emergency response training drills. So here we go. Even crisis actors get a coffee break. These are crisis actors that are recent large disaster drill in England. Fake wounds and fake gore are called moulage in the special effects industry and are an element of hyper-realistic emergency response drills. Moulage is our word for the day. Here's some more media coverage of the same drill in England. Lots of actors, lots of moulage. That cut leg looks like it hurts. Moulage is an art. Here's an amateur homemade moulage wound made of various silicones and putties and paints. The funny comment says she's going to pick the kids up from school with that on her arm. Not bad for an amateur. Now let's see some work from the pros. Pretty realistic and pretty gross. This is professional work by the UK-based firm Trauma Effects. Gag me with a spoon. And more from Trauma Effects. Grody to the max. And more from Trauma Effects using an amputee crisis actor. I really don't like looking at this. This is just a palette cleanser after that last image. This is an advertisement for silicone sleeves with prefabricated wounds. Silicone sleeves and silicone skin wraps and silicone patches are common elements in emergency response drills, as well as movie special effects make up. Here's a different silicone sleeve you can buy from the same company. Collect all 12. But you should also get a fake blood pump kit if you're going to do the job professionally. Notice in the picture at the top that the fake wound is bleeding. Of course it is. Bleeding is an important part of trauma simulation. Why not visit Etsy and get yourself a silicone trauma simulation sleeve with a dynamic bleeding tube included. As the description says, this sleeve works with a hydrosim. And here's the hydrosim Trauma bleeding simulation system. It's basically a small pack containing a fake blood supply and a pumping mechanism and some tubes. The ad reads, a rugged realistic and affordable solution to the chaos caused by external hemorrhage. The three photos at the bottom are a few of the more sophisticated fake bleeding rigs on the market. Some of them are battery operated. The photo at the top is an emergency training company advertising the simulation effect of fake blood squirting frighteningly from a fake leg wound. You might have noticed the word squib under one of the pictures here. Squib is a word used for fake blood packets in the field of trauma simulation and also in the movie special effects industry. Any professional emergency response drill or military drill makes use of fake blood in a variety of forms. Blood capsules, blood sponges, blood syringes and blood squibs. A simple blood squib is a pouch designed to break with impact and we've already seen some of the more complex squibs on the market. There are all kinds of squibs using various kinds of pump and tube assemblies. This is an article from Fox News about the benefits of hyper realistic medical emergency training. The article reads, quote, make up artists create combat wounds that bleed actively from hidden tubes, unquote. At the right is a still frame from the video accompanying this article and it shows a crisis actor using the fake blood delivery system. I'm sure you get the point by now, but here's another product that includes a tube that sends fake blood squirting out of a gruesome moolage wound. Of course, you'd probably want to hide the tube a bit better than that and a disaster drill or a trauma simulation drill. Now, if you're doing an emergency drill, you don't really need a super duper realistic silicone moolage sleeve, nor would you need a particularly deceptively hidden fake blood tube delivery system. The photo at the top is a demo of a fake blood tube simply tucked under a flesh colored sleeve and simulating bleeding through some holes in the sleeve. That wouldn't pass in a Hollywood movie. The silicone sleeve on the bottom, on the other hand, is quite convincing. You can hardly see the edges. Sneak a fake blood tube under there and you're ready for the big screen. As for the Boston Unbombing, the Boston Unbombing was not quite ready for the big screen. Remember I told you about the Thorn-Dike Set of Photos? This is Thorn-Dike 7, capturing five seconds after the pyro-technic display. Now we'll magnify the area of the picture where the blue arrow was pointing. This fellow was a crisis actor named Eric Welley, who, according to the official story, had his pants blown off by a shrapnel-filled bomb. We see no evidence from this angle that his legs are bleeding. We do, however, see an anomalous line all the way across the top of his left thigh, which is direct evidence as several more photographs over the next several slides will prove that he is wearing a thin silicone sleeve over his upper left thigh. The photo on the right has the contrast enhanced in order to see the line on his thigh more clearly. Just to help you out, on the photo on the left, I drew a blue line over the line across his thigh. Just to be extra clear, the area now colored green is where the silicone sleeve is pulled up over his upper thigh. Okay, please understand that I'm not asking you to come to a conclusion from this photo alone. I will soon be showing you other photos, including a very clear high resolution close-up of this silicone sleeve over his upper thigh, with a fake blood tube under it. But our purposes for now are just to establish that this line around his leg was there immediately after the pyro-technic display. Here's another photo showing us another angle. Yet again his legs aren't bleeding, and now we see from another angle that the same line that we saw across the top of his thigh is also going around his inner thigh. So we notice something he is wearing around his leg. As we've established, silicone sleeves and coverings are commonly used in the field of special effects makeup. But of course we should be asking all the logical questions at this point. We should ask if this line is some kind of shrapnel gash across his leg, but if that was the case then he would be bleeding here at five seconds after the pyro-technic display, and he is not bleeding, and that line across his leg is not a wound. He rolls around a bit, and we don't get too many good pictures of this leg in the Thorn-Dug set, and this one is a bit out of focus, but nonetheless it clearly shows us again that anomalous line on his left thigh. This picture was taken several minutes later. Now Mr. Wally has been moved several feet away from where he was, and he is in the process of being tended to by the first responder special effects makeup team, and there's that same line around his left thigh. I put a close-up on the upper right and a close-up with contrast enhanced on the lower right. Now for the kids in the back of the class I'll draw a blue line over the line around his leg. There it is. And there it is. Clear as day. Notice how the large red stain is coming from under that line on his thigh. That is because the fake blood is pouring from under the silicone skin covering or sleeve. There is a tube under that sleeve, and it is connected to a hidden blood squib. If you look at where the white arrow is pointing on the close-up, you can see an anomalous round indentation under the sleeve on the back of his thigh, which looks just like the end of a tube because it is. I'll put a blue highlight on the indentation and then take it off. There it is. And there you have it. Clear as day. By the way, I promise that the vast majority of this multifaceted presentation will not be images of moulage and fake blood and gore. We'll actually be done with the real gross pictures in just a few minutes. Alright, here's another photo of Mr. Wally, which provides more conclusive evidence. Here we see the same anomalous line from another angle on both sides of the back of his thigh, and the same evidence of red staining on only one side of that crisp line, which is only possible if the stain was flowing out from under that line. Mind you, this man has been rolling around every which way with his leg up and down in all directions, including the bend that is pictured here. So, if there was a real wound on the back of his thigh, then the blood should be and should have been pouring down his upper thigh towards his butt, whenever his thigh was raised like this. But the blood hasn't done so, and instead we see a clean line of demarcation, because fake blood is pouring from under a flesh-colored silicone sleeve, which is a commonplace element of both trauma simulation and cinema special effects. Now this photo is several minutes after the previous photo, and Mr. Wally has been moved into a wheelchair. As with the advertisement we looked at earlier for the trauma effects sleeve, the edge of this sleeve is difficult to discern from certain angles, but we still clearly see the edge of the sleeve at the back of his thigh, and also that a bit of the fake blood flowing out from under the sleeve has now spilled over the edge. I should mention here that Mr. Wally wasn't the only person at the Boston Unbombing with a fake blood tube tucked under his pants. This gruesome photo was circulated widely within hours after the Boston so-called bombing. The crisis actor in the top center of this photo is Jeff Bauman, who was already a double amputee before the unbombing. We clearly see the end of a tube coming out of the back of his pants. At the bottom right of this photo I have included a cropped and magnified portion of this photo showing the tube. We even see a bit of blood splatter right at the end of the tube. We will investigate Jeff very in depth later in this presentation, but I also want to point out here that there is no tourniquet on Jeff's clearly visible leg in this photo, which was taken almost exactly three minutes after the pyro-technic display. The plentiful photographic and video evidence reveals as a fact that there was one medical doctor and one paramedic bending over Jeff at exactly one minute after the pyro-technic display. And that at two minutes and eleven seconds after there was exactly three medical doctors and one paramedic standing in a circle around Jeff and looking at him intently. And yet here is Jeff in this photo at three minutes after and no one has managed to put a tourniquet on his leg. The official story is that a cowboy hat wearing Latino man named Carlos got to Jeff before anybody else did and was the first to put tourniquets on Jeff's legs before throwing Jeff into the first available wheelchair and helping to run Jeff off to the medical tent. But the official story is complete and not her bullshit. Again, this photo of Jeff lying on the sidewalk was taken at three minutes after the pyro-technic display and they actually left Jeff on the sidewalk here for another full three minutes after this photo. While wheelchairs came and went, and I mean wheelchairs were brought directly to Jeff and Carlos and were then put back on the curb empty to wait and wait until Jeff's moulage was fine-tuned and ready for the big photo op. Which is as much as I'll say for now because this will be covered in a very thorough and in-depth investigation of Jeff and cowboy Carlos later in this presentation. But we haven't fit a proper farewell to Mr. Wally of the silicone thigh sleeve yet. So here's one last picture of him. Here going back to the thorn dug said it four seconds after the pyro-technic display. The picture is hazy, but it shows that the back of his legs are not a bloody mangled mess. Again, the official story is that a shrapnel bomb blew off his pants at close range. But it is impossible that the shrapnel blasting out at close range and at great speed and force would leave his legs so clean. Okay, now we will move on to another crisis actor who demonstrates exactly what a shrapnel bomb cannot do to close in skin. Mr. Wally wasn't the only person who lost his pants at the Boston Unbombing. A sure sign of unreality in this event is all the people who had clothing torn off according to the official story by a shrapnel filled blast and yet their skin remained unbleeding. The guy in the middle of this picture with the shredded clothes I call running boy. According to the official story both of his pant legs and one of his shirt sleeves have been torn off by a shrapnel filled bomb. And that which is left of his pants and shirt have been quite shredded. And yet he has no bleeding shrapnel wounds on his legs or arms or torso or face or anywhere else. Here we see one absolutely non-bleeding scratch mark on the side of his lower left leg. This guy is not bleeding. He would have suffered real and horrific injuries from a real pressure cooker bomb filled with gunpowder and BBs and nails and other shrapnel. Such a bomb falls under the category of a low order explosive bomb. If you are close enough to such a bomb to lose any clothing then you are literally in the zone of fire. In the literally fiery thermal burning zone and you are also in the direct line of shrapnel fire which is like getting shot by many BB guns at once but much much worse. You are not in your safe space. Looking good. Looking ridiculous. Again if a shrapnel filled bomb really tore apart and shredded this guy's pants his legs would be bleeding heavily and he would be in very bad shape. So far we saw one scratch mark and zero bleeding. His lower back doesn't look injured. No burns there. Sure don't look burned. Now we see he's taking the shredded shirt off and he's in a black t-shirt. And there he goes. Run away running boy. Now would you believe that running boy's injuries include severe burns to his left arm and lower back and multiple shrapnel wounds to both of his legs and his left arm resulting in multiple procedures to pull all the projectiles out of his body? Me neither. But those are his reported injuries. His identity is actually not a mystery. His name is Kyle Laro and there's a bunch of mainstream media articles about him being a Boston Marathon bombing victim. Of course those articles were not accompanied by the pictures we just saw but he is in fact running boy. At the upper right is a picture of running boy aka Kyle Laro being attended to by some cops later that day. At the lower left is a picture of him from a Harvard baseball team video. Same guy. I should also mention that when he was a kid he was a cast member of the TV show called Zoom. Which I only mention because in this picture of his zoom days he's making exactly the same face as he is in the picture above it. Don't worry running boy. We know you're not the bomber. Okay. Before the next piece of direct evidence we're going to revisit the art of moulash. Here's an example of the artistic process from a moulash specialist. A wound built on a silicone sleeve that is wrapped around a limb. The finished result here looks pretty good though it is just a demo and not too fine tuned. Even when it's done well the essential problem is that rubbery look. That's a problem whether it's a silicone sleeve or patch or an entire fake limb made of silicone. There are a whole array of blood gels and blood paint additives to mitigate the problem of fake blood on naturally beating up on silicone. I can relate as a house painter I learned the hard way that paint only beads up on pure silicone caulk. Anyhow the point is that the state of the art of moulash is still not quite like reality and even the pro work looks rubbery and unnatural under close scrutiny. Like this photo for instance of the lower leg of a crisis actor at the Boston on bombing. The whole area around the wound has that rubbery silicone look. Not only is the wound fake but in fact the whole lower leg is fake. The wound is part of a silicone prosthetic attachment and the crisis actor wearing the prosthetic was already in amputee prior to the Boston on bombing. To be more precise this photo is a still frame from a video. The video was taken at the scene by another crisis actor pictured on the bottom right with his camera in hand. At the scene near the finish line a few minutes after the pyro technique display. For almost two years after the unbombing this footage was unseen by the public thus escaping the initial flurry of scrutiny and investigation in the weeks and months after the event. The fact that such blatant evidence of fraud was ever released at all is a testament to man's perennial hubris. I know this wound is fake not only because it looks completely fake to me but because I also showed this image to a trauma surgeon and asked their opinion. Though I'm not at liberty to disclose this person's identity they told me that it looked ridiculous and specifically mentioned the unrealistic rubbery look, the unrealistic rolled edges on the sides of the wound and the unrealistic way that the fake flesh is torn. But we don't have to rely on hearsay or anyone's word for it to be absolutely sure that this wound is fake. Because we can directly prove from the early thorn dug photos that this wound is fake so let's do that now. Here are two photos showing the same fake lower leg wound at eight and nine seconds after the pyro technique display. These photos are magnified portions of two photos from the thorn dug set. If this wound were real then the medical impossibility displayed in these photos would be that this very severely wounded lower leg is not bleeding. Thorn dug photos six through seventeen showed that this lower leg stayed at the same spot for at least six seconds in which we see that the wound is not bleeding at all and also that the pavement on both sides of this wounded lower leg does not have any blood on it at all. When in reality there would have had to be a large amount of blood spilling onto the pavement. Zooming out a bit I want to point out that the girl with the fake lower leg wound whose name is Rebecca Gregory by the way isn't the only person in this area who should be bleeding heavily onto the ground but is not doing so. According to the official story the man at the left side of these photos with the white hair and the red jacket named Bill White suffered a severe lower right leg wound. So bad that doctors had to amputate his lower right leg. He should be bleeding all over the ground. Look at the ground around his leg in the bottom photo. It is eleven seconds after the blast and no blood. To make matters more ridiculous notice in the top three photos the guy wearing shorts standing up in the middle. Actually I should say the guy wearing partial pants because his pants are supposed to have been blown partially off by a shrapnel filled bomb. Anyhow notice how in the top photos his right leg is right next to the right leg of Bill White at the left. The official story is that this guy in the middle named Pete Di Martino just had 90% of his right Achilles tendon blown off by the alleged bomb. Notice in the bottom photo when Pete moves his leg away that he should have bled all over the ground in the same area where Bill White should also be bleeding all over the ground but isn't bleeding. Because the official story is a lie. Also consider that if a shrapnel filled bomb really shredded Pete's pants off of his legs then he should be bleeding heavily from multiple areas of his legs. You can see in the bottom photo that Pete did manage to wipe some fake blood on his leg but the irrefutable tell tale evidence is that no one has bled onto the ground here. Eventually however Bill White does manage to spread some fake blood onto and around his leg as we shall document momentarily. So back to Bill White. In the photos of the top we see it 12 seconds after the blast that Bill reaches his hand down to his right leg which as of yet is not in a puddle of blood. And then at the photo at the bottom we see that when he pulls his hand away there is finally blood at 13 or 14 seconds after the blast. Again the official story is that his lower right leg was severely wounded. The problem and the medical impossibility is that there was no blood for the first 12 seconds. The explanation is that Bill has been supplied with a blood squib. Every crisis actor in this false flag event was supplied with various blood squibs and blood capsules. There were also several moolage makeup artists on the scene who in addition to setting up and fine-tuning the fake wounds and fake blood were also busy dousing the ground and fake blood. Moving on these photos are magnifications of a photo showing us a young female crisis actress being wheeled away on a stretcher from the first pyro-technic site. I have placed a blue arrow on the photo which points directly at a silicone moolage sleeve or covering that has been placed over and partially around her left leg and not very well placed at that. The pictures at the right are a further magnified section of the photo with contrast adjusted at the bottom right for better clarity. I will briefly highlight the edges of the silicone moolage sleeve covering with blue lines. There it is. And there it is. Clear as day. The light blue arrow is pointing at it. The photographer just happened to be at an angle to catch it. The red arrow is pointing to part of her real leg and you can clearly see that part of her real leg is disappearing under the right side of the silicone moolage covering. And you can also see down by the shin of the leg that there is a wide gap between the bottom of the silicone covering and the lower leg that it has been placed over. This is a very blatant example of fake injury props and use. Zoomed out to the full picture we see that this photo was taken while the stretcher was still near the sidewalk curb. They will do a little further moolage adjustment before they make their dash across the finish line towards the medical tent. Now they are crossing the finish line. After the adjustment and from other camera angles the silicone covering is not noticeable. Though having seen it we can now spot some anomalous outlines at the close up on the bottom right. By the way this crisis actress is named Crystal Campbell and the official story is that she died that day but in reality nobody died at the Boston Unbombing. For the next several slides I am going to focus on evidence of clothing cut into scissors or razor type way with unbleeding skin underneath which is impossible to be the result of a strappinal bomb. For starters here is a real oddball from the second pirate technique site. This fellow was named Bim Costello. The vertical cuts in his shirt are ridiculous. Real bomb strappinal goes through fabric making holes and clothing and results in much dramatic bleeding when it does so. Strappinal does not cut a shirt like scissors but scissors do. His pants are supposed to be blown apart by a strappinal filled bomb but while he is marked up there is zero sign of him actually bleeding. This photo is just ridiculous. Speaking of clothing being cleanly sheared here is a photo from the first pirate technique site. Here we see a fat lady in a purple shirt exiting the scene less than a half a minute after the pirate technique display with scissors in her hand. The woman in the red shirt next to her is her accomplice. I call them the cutting crew. Here is a close up and this photo the scissors are closed and the next photo they are open. This guy has recently met with some scissors. The two photos on the left are from the Thornduck set and we see this fellow's pants neatly sliced open just a few seconds after the pirate technique display. The two photos on the right are from Ha-Ha Tango and show him minutes later displaying the tailoring for a cop. He told ABC News that his jeans were blown apart by a bomb. His name is Colton Kilgore. Yes I see the reddish color of his right leg on the picture at the right and I've already established that fake blood abounded that day. It is the absolutely kooky crazy cutting of his pants that I'm pointing out as an impossible result of a shrapnel bomb. Let's listen to him. Now it was really an honor to get to represent my fellow survivors. Punk? Okay so we actually want us to believe that his jeans were blown apart like this by a shrapnel bomb. Again in the photos at the bottom we see in the Thornduck pictures from around six seconds after the pirate technique display that ridiculous cut in his jeans with no bleeding skin underneath. Moving on I want to briefly point out the unfortunate soul who was underneath the fat purple lady in the first two photos from the Thornduck set. It's this woman under the white arrow. Here's what she told the Boston herald. My shoes were blown right off apart of my jean but my glasses stayed on and we had that blanket. Okay ripped jeans are a fashion so I wouldn't assume anything but she herself says that a shrapnel filled bomb blew off part of her jeans. But even more bizarre is her statement that a bomb blew off her shoes and yet apparently her feet were not affected. Maybe instead of shrapnel the bomb sent out of fat lady with scissors and an appetite for sneakers. Here's another crisis actor sporting a ridiculous scissors or a razor type cut in his jeans with totally clean unbleeding skin underneath. Obviously not a fashion statement. These are still frames from ABC News footage. This guy is being wheeled out of the first pyro-technic site. Here's a photo of a crisis actor at the second pyro-technic site. The mainstream media blocked out her lower right leg but we see some silly scissors cuts in her lower left pants leg. Shrapnel bombs simply don't cut clothes like this. And of course we see that the skin underneath the silly scissors cut is not bleeding. Now this is supposed to be very soon after the pyro-technic display and the guy applying the ternicette is supposed to be her heroic first responder. No medical professionals have been cutting her clothes for any reason at this point. Let's investigate the larger ridiculous story to these characters. This is the first photo we see of them, about one minute and five seconds after the second pyro-technic display. The official story is that this guy, named Shore Salter, heroically rescued this woman, named Roseanne Sadoia. You can see the mailbox in the tree back on the sidewalk. That's ground zero of the second pyro-technic site. Now this guy somehow moved this lady from the scene on the sidewalk to this spot in the street. Here we see them standing there for a moment before he lays her down and applies a brown belt ternicette to her leg, as we shall see in the next slide. The official story is that her leg was massively wounded by Shrapnel and that she was in her own words, bleeding very, very badly. At the right is a cropped and magnified image of her legs from the same photo at left, with the exposure lightened for clarity. There is definitely no belt ternicette on her leg as of yet, which proves that this woman and man are total fakers, because it is impossible that she would be standing there with a massive Shrapnel wound, grotesquely contorting her leg, with no blood pouring out of her leg onto the ground. I should mention that according to the official story, her leg was medically amputated when she got to the hospital. But her leg is careful not to bleed on the clean Boston street here. Another point to ponder is that this guy allegedly carried her to this spot, and yet his sleeves are still perfectly white. What she really needed was one of those fancy battery operated blood squibs with the pump and the tube that you can tuck under your pants. The two photos on the right are the only photos I could find of this guy applying the ternicette to this woman. Both photos have been cropped this way by the mainstream media, and again, in the lower right, her leg wound has also been blacked out by the mainstream media. But we see enough to be certain that they are out in the middle of the street, which you can tell from the white crosswalk paint and the metal barrier fencing visible in the top right photo. In both photos we can see that the brown belt ternicette is being applied. Again, the photo on the left is them standing there with no ternicette, and yet she is not bleeding onto the ground. By which we can conclude that our hero and damsel in distress are nothing more than two unfortunate victims of the governmental con artists who have convinced them to participate in this elaborate fraud. As long as we are at the second pyro-technic site, here is something else that demonstrates a hoax in action, and that is a lower leg from which a foot has been amputated and yet does not bleed onto the ground. The leg belongs to Paul Norden. The photo at the left is twenty seconds after the second pyro-technic display. And if this were real, then by now there would have to be a huge puddle of blood under that missing foot on the sidewalk and the sidewalk curb. The photo on the right is forty-five seconds after, and we can see that his leg stayed at the same area by its proximity to the railing and the red and white sign and the stormwater drain, and also to the plastic yellow bottle on the street by the curb. Lake Rosanne, Paul Norden had some fake blood smeared on his leg, but there is no sign of him actually bleeding onto the ground. In reality, by twenty seconds after, let alone by forty-five seconds after, there would simply have to be a very large puddle of blood on the ground all over the area under and around his missing foot. But the reality is that the event was a fake staged hoax. Moving on, here's another ridiculous lie from the official story. This is the account given by a fellow named Bruce Mendelsson, who claimed he was knocked off a couch by the blast wave while he was inside a nearby third floor office. Quote, a blast wave immediately blew me off the couch upon which I was sitting and onto the floor. Here's where Mendelsson was relative to the pyrotechnic display. This same story is repeated on his store-of-five blog, quote, a blast wave blew me off the couch upon which I was sitting and onto the floor. Bruce's story is beyond ludicrous. The official story is that the pressure cooker bomb was loaded with black powder, also called gunpowder, which is categorized as a low explosive or low-order explosive. Low explosives, when used in a pressure cooker bomb, can be horrifically destructive, but they simply do not generate the kind of blast that can knock you off a couch inside a third floor office at the distance-mending point of time. On the other hand, high-energy explosive materials create a supersonic blast wave of pressurized air that can knock people down that a distance well beyond the incendiary zone. If there had been a high-order explosive detonation, then yes, there would have been a huge knock you down blast wave, and there would have also been a crater in the sidewalk and a wide ring of dead bodies around the detonation site. Just by analyzing the footage, you can see that plenty of people who were actually close to the pyrotechnic remained standing. Both of these images are from one second after the pyrotechnic display. Lots of people on the sidewalk are still standing. Why didn't all the people in the street get knocked over by a blast wave? No one on the street fell over accepting one old fellow named Bill Ifrig, who was a member of the Crisis Actor crew. As for Bruce Mendelssohn up in his third floor office, Bruce Mendelssohn, you're fired. Actually, there was also a guy over in the bleachers who said he was knocked over by a blast wave. Like Bruce Mendelssohn, John Mixham was allowed to run onto the scene and play hero. And the article here from the Portland Press Herald, Mixham says that the blast wave knocked him right out of the bleachers, to which I reply, Fibermiggy, you're fired. There was no bomb, but we all saw something go boom, so let's briefly consider the question of how it's possible that what we saw wasn't a bomb. Is it possible that special effects experts could conduct a fairly convincing simulated explosion in a crowded area without injuring anyone? The answer is yes. They do it in the movies all the time, and also in military training battlefield simulations, as featured on this slide. And they also do it on stages at entertainment events. Of course, Hollywood pros can do much better, but here's an amateur small-scale demo of an explosion effect at close proximity. Now if you try this at home, better to get someone you're not very fond of to stand there while you film from a safe distance just in case. There is gunpowder involved in this, but the cloud is mostly dusty soil and fireplace ash. Notice that absolutely no part of his clothing was burned off. I should also mention that there are all kinds of explosion simulation effects which don't use gunpowder at all. There are pneumatic compressed air mechanisms, there are smoke machines, which come in a variety of shapes and sizes, and there are cryogenic CO2 jets. Often several different effects devices are used simultaneously in combination. Just add a well-timed flash of bright yellowish or orangeish light to simulate a flaming core. The area within the railings would have been an ideal area for explosion simulation mechanisms, including smoke machines and cryogenic CO2 smoke jets. They could have possibly hit in pipes within the railings, or they could have possibly utilized the built-in metal pipes sticking out of the sidewalk in front of the building. Again, I'm only talking possibilities here just to make the point that simulating a bomb explosion at the site would not have been beyond the ability of special effects professionals. It's worth noting that in the 6th and 7th and 8th Thorndike photos we see a guy reaching under a board that appears to have a hole in it, and he picks something up from under the board. It looks like he's grabbing onto a handle. Could be a smoke machine. Could be a smoke machine disguised in a black bag. Just talking possibilities. And in Thorndike 910 and 11 we see him walk towards the marathon sports store with whatever he retrieved. The smoke could have been coming from several locations, and the photo at the top from two seconds after the initial moment of the display we see that a lot of the smoke is actually further back on the sidewalk towards the buildings. The photo on the bottom is from five seconds after, and we see that the flags that were not blowing outward from any wave of the so-called explosion that two seconds after are now blowing outward spuriously. It was a windy day, so who knows. But something else in this photo that we see is a stream of smoke apparently blowing sideways and downwards out of a window as indicated by the blue arrow. Blowing smoke or fog out of the windows would have been easy enough to do. And that concludes our questioning of whether it would have been possible to simulate an explosion. It would have been a cakewalk for the professionals. Just a bit of industrial light and magic. Alright, now we're going to focus in depth on one of the most famous and iconic episodes of the Boston Marathon Unbombing. And that is the heroic rescue of Jeff Bauman, who lost both of his legs by Carlos Arradondo, who wears a cowboy hat and carries an American flag. It must have been some wheelchair ride. Jeff is looking pretty pale on the photo on the left, but appears to have regained his skin color in the photo on the right. Here's Carlos heroically jumping over the fencing to get to the scene. The star-spangled banner is gallantly waving in his hand. And here's the award-winning photographer in the process of taking the iconic photograph we just saw. Okay, let's hear some interviews. Here's Carlos telling the Democracy Now program what happened. And we removed the pencil to help everybody to come into the scene. And then I concentrate and I join men who lost both of the limbs. I repapa tissue and another gentleman helped me out. And we put this toiletess in the legs. And then the first word, wheelchair, they arrived. You know, I picked him up and put in the wheelchair and I dragged him out of there because I still... Okay, to summarize, Carlos says that he first removed some fencing and then concentrated on Jeff Bauman. He says that he ripped up a shirt and with another gentleman applied strips of the shirt as turnickets to Jeff's legs. And then picked Jeff up and put Jeff in the first wheelchair that arrived and got Jeff out of there. Here Carlos gives the same story to CNN. And then we start to clear the area of defense in particular and then we start to pretty much post-training on one person. And I myself, I need in the ground to help this young man who lost both of his limbs. And I pretty much, we tied up, stopped bleeding this week as we came and gave him out of there the soonest weekend because he's washed him. So to summarize, Carlos says that he jumped onto the scene, worked on removing fencing and then went to Jeff. Carlos says that Jeff was bleeding when Carlos got to him and that he applied turnickets to stop the bleeding and then put Jeff in a wheelchair and got Jeff out of there as quickly as possible. Here's Carlos on Boston's Denison Callahan show giving us more details on his interaction with Jeff. So he was on his back and he hadn't seen what had happened to his lower legs. Is that right Carlos? He was trying to move, but I avoid for him to see what happened to his legs. Right. Right now, a lot of blood was coming out of his limbs. So I reached a swirah in the ground and I ripped it apart and another scenario that came along to my side. He helped me out to stop the bleeding there. So you put turnickets, you and a fellow Samaritan put turnickets on both of Jeff's legs. And I put turnickets on both of Jeff's legs. You held the artery in your hand, correct? We see the picture of you with the femoral artery. Yeah, the soonest I picked him up in the wheelchair, somebody came running where I was chair. I grabbed it right away because I know Jeff was needed to get out of there. So to summarize, Carlos says that when he got to Jeff, he saw that Jeff was bleeding heavily from his legs. Carlos also repeats the story that he ripped up a shirt to use his turnickets, which he applied with the help of another man to stop the bleeding. And then as soon as someone came running up with a wheelchair, Carlos grabbed it right away, he says, and got Jeff out of there as soon as possible. The other Samaritan mentioned by Carlos to Dennis and Callahan is the man pictured here, Dr. Alan Panter. The official story is that together Carlos and Dr. Panter got turnickets onto Jeff's legs. Panter has been quite vague in every interview about his interaction with Jeff, but let's listen. And Dr. I know you encountered one man who had had both lower limbs amputated. Yes, he had lost both legs below the knee and then started working on a cumulating. Were you able to comfort him at all? He was pretty much as you would describe in shock. He was mumbling words, but not clearly. Teresa, you were about 0.2 miles from the finish line when the explosions took place. You were turned back, but you knew your... So that's Dr. Panter. Here's a diagram from South Florida's Sunsensonal newspaper, which gives us a step-by-step based on news and witness accounts of the official story of Carlos and Dr. Panter. Please pause if you want to study it in depth. Jeff Bauman also gave an interview to Boston's Denison Callahan Show, and Jeff's account is an abbreviated version of Carlos' account. Jeff was laying there on the ground thinking he's going to die and then Carlos ran up and picked him up and threw him into a wheelchair. I was like, I am going to make it, but before that, no way. Carlos told us that two things he wanted to accomplish with you, Jeff, was to stop the bleeding as best he could, which he did a pretty good job. The other thing is he didn't want you necessarily to see exactly what had happened to you. At what point did you see what had happened to you? Were you aware of what had happened? So that's what Jeff has to say. Now we'll follow Carlos and Jeff through the extensive photographic and video footage. The evidence will reveal that the official story of Carlos and Jeff is in fact just a lie, and that Carlos and Jeff are about two members of a larger cast of crisis-actor victims and pretend heroes and make believe bystanders, all carrying out their given roles. Let's begin following Carlos with the first of many photos from the ha ha tango set showing his actions at the scene. Here Carlos is jumping over the fence. We also want to know where Jeff is on this stage. See where the blue line shows a brick paved section of the sidewalk? Jeff is on the bricks in front of the black lamp post, as the next slide will reveal. The Thorndike set of photos shows us exactly where Jeff is. This photo is from the Thorndike sequence and captures seven seconds after the pyrotechnic display. Jeff is circled. You can see his legs dumps up in the air. Looking from the street he is in front of the black lamp post on the paved brick section, where the left edge of the bricks meets the cement sidewalk, as highlighted by the blue arrow. Now that we know where Jeff is, let's get back to following Carlos. We'll start with video footage showing Carlos jumping over the fence and proceed from there. So Carlos jumps over. We see him putting his cowboy hat on, flag in hand, from another angle. Here comes an EMT over the fence. To the left we see Dr. Panter is now over Jeff. From another angle. This is almost exactly one minute after the pyrotechnic display, and an EMT and Dr. Panter are standing directly over Jeff. So who needs Carlos to the rescue? In this photo we see the EMT is turned around, and he's going to walk back a few feet and reach over the fence for his medical bag, as we shall see. Carlos at this moment, however, is crouched by the fence, preoccupied with his flag and his camera. In several interviews after the event, Carlos displayed his blood soaked American flag and said that he dropped his flag on the blood soaked ground after jumping over the fence, and that he also snapped five photos, oddly enough. Here's Carlos showing his photos later that day. At the bottom of the slide is a portion of a Florida Sun Sentinel article for which Carlos was extensively interviewed. He says he snapped five photos right after he jumped to the fence because he thought it was important to record the moment. Okay then. Okay, now we're at three seconds after the last photo, one minute and twenty seconds after the pyrotechnic display. The pyrotechnic retrieves his medical bag over the fence and goes back to Dr. Panter and Jeff. Carlos is still by the fence at one minute twenty eight seconds after. Carlos at one minute thirty seconds after. This is a still frame of video, keeping track of Carlos at one minute and thirty nine seconds after. Carlos at one minute forty eight seconds after. Carlos at one minute fifty eight seconds after. Two minutes after, Carlos still by the fence rolling up his flag. At two minutes and six seconds after, Carlos is reaching for some scaffolding. Carlos moving scaffolding at two minutes and ten seconds after. Remember that Dr. Panter and the EMT were already over Jeff at one minute after the pyrotechnic display. Now on this photo, at two minutes and ten seconds after the pyrotechnic display, there are exactly three medical doctors and one EMT standing around Jeff. So who needs Carlos to the rescue? The official story about Carlos being Jeff's first responder and being the point man for Jeff's turnickets is demonstrably false at this point. Let's keep following Carlos. There he is at the right at two minutes and fourteen seconds after the pyrotechnic. Okay, we have some more video. We see Carlos still working on the fencing. Then we see this guy walk up who I call a scene director and he talks to Carlos, gives Carlos some instructions. Now a man in a yellow jacket hands Carlos a large flag. Here you look flags hold this. Dr. Panter steps out to talk to a cop and the same man in the yellow jacket motions panzer back with four ways of his hand. Again in slow motion. Waving panzer back, not looking directly at panzer, just greatly telling panzer to get back into his place on the stage. Now the guy taps Carlos, takes the flag back from Carlos and converses with Carlos. And there they are at two minutes and thirty nine seconds after the pyrotechnic display. No turnickets yet for poor Jeff. Ha ha tango, call them standing there also. A few seconds later and the next ha ha tango photo, Carlos is standing alone by the pole. Maybe he is wondering where the wheelchair is for his big moment. Maybe Carlos is wondering why the empty wheelchair is being wheeled the wrong way and why that other empty wheelchair is just sitting there. As already mentioned, according to a FEMA assessment, there was no lack of wheelchairs or stretchers near the scene. The report says, quote, volunteers and bystanders used over one hundred wheelchairs and stretchers positioned around the finish line to transport victims to the medical tent. Here's a photo of a guy right near the finish line rolling a wheelchair at only nineteen seconds after the pyrotechnic display. Unfortunately, he is going the wrong way. Maybe Carlos is wondering if anyone has thought to put turnickets on Jeff's legs in all this time. I should mention that the use of turnickets was highly commended all around in the days and weeks after the Boston Unbombing. So let's consider Carlos' story that he and Dr. Panther quickly put turnickets on Jeff before Carlos' whisked Jeff off on the first available wheelchair. Here we see that Carlos has not gotten to Jeff yet, but we have already seen that Dr. Panther and an EMT were standing directly over Jeff at just over one minute after the pyrotechnic display. And we saw the paramedic retrieve his medical bag and bring it right back to Dr. Panther and Jeff. Here they are. Surely the Boston EMT knew that turnickets would be essential for Jeff. Here's the basic treatment protocol for victims of explosions. Quote, limbs that are partially or completely amputated should be treated with the application of a turn ticket. It's just common sense. Then at almost two and a half minutes after the pyrotechnic display, we saw four medical professionals, three doctors and an EMT standing in a circle around Jeff. So has anyone put turnickets on Jeff by now? The answer is no. Half a minute after the previous photo, the man on the left circled and indicated by the blue arrow comes onto the scene for the first time. He was not there before, but he is entering now and he is easy to spot wearing a white visor. Note that he is also wearing camouflage pants and tan boots. Another half minute passes and we see that the man in the white visor and camouflage pants and tan boots is now standing very close to Jeff. Note that a woman is being taken out on a stretcher. Her name is Mary Daniel and she was right next to Jeff on the bricks. You might not have noticed her next to Jeff in this video frame showing Jeff between Dr. Panter and the EMT. There she is. Mary Daniel is being taken away on a stretcher so there will now be an empty spot where she was on the bricks. Here is where we find out if anyone has put turnickets on Jeff yet. This photo, which we have already seen, was taken just after Mary Daniel was removed and here we see that the guy with the camouflage pants and tan boots has arrived near Jeff. Here we clearly see that there is no turnicate on Jeff's exposed left leg. His other leg is partially wrapped in Dr. Panter's jacket, but clearly his left leg has not received a turnicate, which completely contradicts the official story and also contradicts common sense, given the number of medical professionals seen surrounding Jeff up to this moment. As already pointed out, one other thing we notice in this picture is a tube coming out of the back of Jeff's shorts. Well well well. Holy moly. Nobody at the scene cares about getting a turnicate on to Jeff because everybody knows that Jeff is a crisis actor. Remember that Carlos said that when he reached Jeff he saw that a lot of blood was coming out of Jeff's legs. There is no way that a bunch of medical professionals wouldn't think to put turnickets on Jeff's legs. It really is common sense. Just for perspective, consider this news report about a kayaker who had his foot bitten off by a shark. His friend put a makeshift turnicate on his leg and a nearby charter boat rushed him back to the dock, but he still bled to death before even reaching the dock. By the way, I forgot to mention who took this photo of the non-turnicated Jeff lying on the ground at three minutes after the pyro-technic display. I'll give you one guess. Kill again? You guessed it. Cowboy Carlos took this photo. The image at the top left is from the video clip we saw of Carlos displaying his camera to an interviewer. Compare the photo of the camera to the photo at the bottom right. I labeled a few of the identical features. It's definitely the same photo. You may recall that Carlos told the Florida Sun Sentinel that he quickly snapped five photos just after jumping over the fence. In reality, Carlos took this photo almost two and a half minutes after he jumped to the fence. And he released the photo to the public that very day, within mere hours after the unbombing, as the screenshots at the bottom show. Again, aside from the lack of turnickets, the most revealing feature is the tube coming out of Jeff's clothes above his thigh. Okay, so back to this picture at three minutes and ten seconds after the pyro-technic display. In this photo, we see that Carlos has finally arrived near the non-turnicated Jeff around the same time as the guy with the white visor and camo pants and tan boots. Now, if you think that Jeff will be getting out on a wheelchair anytime soon, then think again. As an overview of the whole scene at this point, we see that the area is fairly flooded with first responder medical professionals of all stripes. I should also note that by now several crisis-actor victims have already been taken away by wheelchair or by stretcher. Some were wheelchair-ed out or walked out by way of the sidewalk as indicated by the yellow arrow on the left and some by way of the street as indicated by the green arrow on the right. Let's keep following Carlos. The next we see of Carlos and the ha ha tango set, he is fiddling with an ID on a landyard. There's also a blue wheelchair in the background. There's been a number of wheelchairs going all around the area. The time here is four minutes and five seconds after the pyro-technic display. We know the exact time in this photo from the man in the upper right who was crossing past the tree and past the guy in the grey shirt with the medical volunteer's arm on his back. Boston Globe cameraman Steve Silva captured the guy about to pass the tree in the guy in the grey shirt with a volunteer's arm on his back at four minutes and three seconds after the pyro-technic display. There he goes. Now this guy in the grey has been walking around the outskirts of the scene with no visible injuries except for a possible toothache but he'll get a wheelchair ride out long before poor Jeff does. Moving on, next we see of Carlos, he is putting the ID lanyard on over his hat. The clock is actually being lowered for removal at this point, four minutes and nine seconds after the pyro-technic. Under the clock that is being lowered, the chief of Boston EMS, James Huli, is entering the scene with a wheelchair in tow. He's probably pretty concerned about the fact that Jeff and so many others haven't been wheeled out of there yet. After all, it's only one block to the medical tent. The professional muleage artists are taking their time. They're not used to dealing with reality, but Huli is and is starting to look bad from the medical responder side. On the right side of the picture there is a medical volunteer girl and a red hat standing in front of the pole. She is holding onto a wheelchair and you can see by the arm padding that the wheelchair is maroon. Here's a close-up of the last picture showing the girl holding the maroon wheelchair. Just a few seconds later, from the other side of the scene, a photo shows the girl bringing in the maroon wheelchair. Carlos is still trying to get that dang ID necklace over his hat. Dr. Panther is right next to Jeff. You can see part of Jeff's left leg between the blue jeans of the guy in the orange shirt. Notice that there was no one at all between the maroon wheelchair and the spot where Dr. Panther and Jeff are. Now we see the girl with the maroon wheelchair is right behind Carlos and Dr. Panther. There is no one between them and the maroon wheelchair. Are they going to finally put Jeff into a wheelchair? This is the next picture of the Ha-Ha tango sequence, four minutes and twenty seconds after the pyrotechnic display. In the bottom right of this picture we see that Carlos is now standing directly in front of the maroon wheelchair, actually leaning into the wheelchair, which couldn't be any closer to him. Jeff Bowman is on the ground next to him. As Carlos going to put Jeff into the first wheelchair he could get his hands on, like he said. No, the crew decides to put the wheelchair back onto the street. We have video footage. The blue arrow points to the girl and the maroon wheelchair. And she puts the wheelchair back, incredible. Now if we look to the front of the tree that is to the right of the wheelchair, we see that at least our toothache victim in the gray shirt gets a wheelchair ride out. In the next Ha-Ha tango photo we see the maroon wheelchair is back on the street. Toothache Timmy is getting a wheelchair ride out and there is a little huddle going on around Jeff. It's now four minutes and forty-three seconds after the pyrotechnic display. My guess is that they are having trouble with Jeff's moulage. No one wants a fake leg bone falling off on the iconic wheelchair ride with cowboy Carlos. The lowered clock is now being removed because no one wants to see a clock on the iconic wheelchair ride showing how much time has actually passed. When the script is that Carlos threw Jeff into the first wheelchair that came along and whisked him off to the nearby medical tent, just one block away. Next we see of Carlos that's almost five and a half minutes after the pyrotechnic display and he is holding something up in the air. Precious time is passing. A girl pushing a blue wheelchair has been circling the area for over a minute. The next Ha-Ha tango photo unfortunately doesn't capture the whole scene, but we see at the right that the girl with the blue wheelchair has finally moved close to Carlos and Jeff. The next Ha-Ha tango photo we see of Carlos, he is taking Jeff on that iconic wheelchair ride. Now how long did it take him to get Jeff into that blue wheelchair and whisk him across the finish line? On the day of the event a brief bit of footage was aired which when magnified and stabilized shows the marathon clock that had been set to the side on the ground. And there you have it, the marathon clock says 416-16. They crossed the finish line at six minutes and 33 seconds after the pyrotechnic display. But every last article in the mainstream media forwarded the lie that Carlos immediately rescued Jeff. Here's a typical report from GQ. Mind you the pyrotechnic display was at 249 pm. Here is GQ's account of Carlos' rescuing of Jeff, happening at 250 pm, one short minute later. Quote 250, a man in a cowboy hat is leaning over Bauman etc etc etc etc. And still at 250, quote, a woman appears with a wheelchair. He's got to go the man in the hat tells the woman, he turns to Bauman. I'm going to pick you up now and quote. The important point is that the mainstream media got their story from the first hand accounts of the people directly involved. For example, here's one of the many medical professionals who participated in the hoax that is the Boston on bombing. In this first person account of his experience in the medical tent, this male nurse forwar