JFK: Bagman

Gary King

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Officer James Bookhout posing as Jack Ruby. That is not Jack Ruby. You are witnessing Jack Ruby being framed and Lee Oswald is double crossed, he was taken off in an ambulance and killed later. After firing the shot, the Shooter dove into the arms of the police. Why would he do that? Has anyone else ever done that? No. This is the only time. What was the purpose of it? He wouldn’t do it if he wanted to fight with the police. If he wanted to fight, he’d fight. He’d assume a fighting stance and start fighting; he wouldn’t dive. Nobody starts a fight by diving. And if he wanted to give up, I presume he would drop the gun and raise his arms overhead. Isn’t that how people give up? Who dives into the arms of police?
But, I know why he did it, and it wasn’t to fight. He did it to take cover. He was James Bookhout, and he was working with the police. They were cooperating. The Police had to get him into the jail office without him being seen. So, he dove to them so that they could easily cover him up. And once they covered him up, they were going to maneuver him into the Jail Office though the corner door. But, how did they all know they were taking him to the corner door? Nobody yelled, "Let’s take him to the corner door." Nobody yelled anything. Doesn’t it seem like some of them, if not all of them, would have had the notion to handcuff him in the garage? Don’t you find it strange that no one took out his handcufs in the garage, but as soon as they got through the door, three got the idea at the same time. Reportedly, it was McMillan’s cuffs that went on him. But, why not do it in the garage? And why use the corner door? The big double doors directly behind them were much more accessible. How is it that no one got the idea to go through them? And what was the Shooter supposedly doing the whole time? He wasn’t fighting against them. He wassn’t struggling. He was just going along. But, why was this freaky behavior being done? And why did no one have a problem with it? It’s not normal police behavior. Their normal behavior is to get the violent offender under their control; to not go anywhere until he is in restraints and no longer a threat. There was nothing normal about any of it. The whole idea of them turning a 40 foot walk to a car into a pageant wasn’t normal. The whole idea that none of them saw, or was aware of, or responded to the Shooter until AFTER the shot was taken wasn’t normal. It was physically impossible for LC Graves not to be be aware of the Shooter when he moved right in front of him. The Shooter crossed directly in front of Graves. That he didn’t see him was impossible. It is indisputable that Graves was just pretending not to see him. None of the police reacted in any way until AFTER the shot was taken. All were oblivious to the Shooter until then. And that’s because they wanted the shot to be taken. The shooting of Oswald was a spectacle, and they (the police) were all acting. Oswald too was acting. And of course, Bookhout also was acting. It was all theater. Oswald was not shot in the garage. He was shot in the Jail Office afterwards. The shot was taken downward: it went from the 7th rib on Oswald’s left to the 11th rib on his right. The only way the Garage Shooter could have taken such a shot is if he raised his elbow up and pointed the gun down. It was all an act. This is 2023. Hasn’t the age of gullibility passed? Don’t people today have less respect for authority than ever before? Aren’t they more skeptical than ever? And don’t they doubt what government and media tell them more than ever? Then, why do they believe that ridiculous enactment of Oswald being shot in the garage?
It wasn’t real. And if you can’t see that it wasn’t real, that none of it makes any sense whatsoever, then I pity you.

Category: John F. Kennedy Assassination,The New JFK Show ,The Real Deal
Duration: 06:13
Date: 2023-08-01 16:11:17
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Video Transcript:

All right, everyone. Welcome to the new JFK show. It's been a little while. Larry has some stuff about Jack Ruby tonight following the show we had before and I've got a little something I'd like to bring up and Jim welcome to the show. Of course, thanks. Thanks. Glad to be here. Yeah. Yeah. No doubt about that. All right. Now, because you're the one that's kind of good to Jack Ruby. We're going to do AI. Okay, just small correction. Okay. Small correction there. All right. Now, one of the biggest, most telling things, which has been a bit obvious. If you go online YouTube or whatever, you're not going to get this version. And they seem to cut it up. All right. So what we have going on. This is Ruby. All right. So we want to see this guy right here coming around. He's okay. Yeah, you're talking about that. This is the scuffle and the basement of City Hall. The morning of 24 November when Leo as well was being transferred, you know, to the county jail. And this happened at, you know, what, 1130 in the morning. Jim on the Sunday. Something like that. Yeah. All right. So, and go ahead Gary. Yeah. All right. So with the bottom of the Dallas police station. All right. Now what's happened? The shot is fired. Oswald has went off. And then all these huge men gather around this person. And then suddenly, which is the most telling thing I want you to catch that someone comes with a bag. Here he comes right there. This guy here, but what's that left to right right to left. Yeah, he's about to put the bag over his head right here. This fellow here right right to left right. Here it comes. See the ball. We're talking about. We're talking about book out. We're not talking about Jack. That's right. That's right. That's right. Let me why in the hell would they have a bag handy anyway? Right, right. We play back and forth. There goes the bag over his head. And then we'll show you back. Further. I then everyone blocks the site and they haul him off to a room. Right. Hey, so I have another one. So we have a duration. And here it comes again. Here it comes. Ball head bag over and boom. And then everyone closes in and blocks the camera from all angles like that. Hey, Gary, you got to send that to me. So we can get some stills. Yeah. Oh, I have all the stills. If you want to check them out. Okay. All right. Go ahead. All right. So there's his last time bag over the head. Yeah. All right. Oh, and he's lost his hat by the way. Obviously. Right. Another side. He was a little ball there. All right. So let me find the next one. That's right here. Yeah. Here we go. This is KRLD. Okay. It comes the bag right there. Yeah, yeah, from a different angle, of course. Yeah. And then the haul I'm into this room. And just ask why in the hell would they put a bag over the guy's head, right? I mean, we don't answer. But the point is the public would be scratching their head. Why the hell did I think it one step further? All of us don't want to have a field day with this. Yeah. There's no way. Come on. They don't want to solve the case. I agree. All of us don't did not reach out to us about what he should put in his goddamn movie. He has sold out. He should have started with the man in the doorway. Excuse me. Of course. Of course. So we're going to go real real slow so he can maybe someone who can help us out with what's going on. All right. So that's book out. Right. The microphone is that by his rear end. I that's right here. Yeah. Well, he doesn't do a silhouette right there. Oh, Fritz. Yeah. Fritz. Yeah. Scratching us behind. You know, it shows no interest in what's going on. He knows what's going to happen. Yeah. I mean, the point is it's deliberate. I say you can see this. I'm not going to be a long. You're going to be turning with his hands up. You know, like what the. Yeah. Watch, we'll do it. Watch his little silhouette. See his little dance right there. All right. So let me back up again. All right. So the first guy is with the hat. He more or less grabs the gun. See his right hand. Right. And then there's a little in the background. All right. So then the scuffle ensues. You can see the big man all in black begin to. So that looks like like like a rugby scrum or something like that. Closer to rugby than anything else. I know here comes our guy. The ball had to do. Now. Yeah, yeah, obviously. Yeah. Yeah. There's a right over it. Boom. Boom. Now the scrum. This room over here. All right. And, um, let's, they're all helping out. You know, and then this guy looks like he's going to go lying. They're all get the good line. You know, pushing trying to get that touch. Right. I'm going to play it one more time in this entirety. Yeah. There it is. But the other film that you showed earlier, the first one. Yeah. Okay. Yeah.