UVALDE TEXAS ROBB SCHOOL AUDIO - ACOUSTIC SURVEILLANCE AND STRANGE EVENTS

Video Transcript:

I've seen this before. Who is it? It's The Guy. What guy? You know, the guy we were trying to get to do Nazi stuff. You know, come on. Do Nazi stuff. Oh yeah. Still haven't been able to get him to do Nazi stuff. Now, what will we keep trying? No, no, no, no, no, no, no, no. You got to say I'm sorry. I wonder if he'd be willing to do just a little bit of Nazi stuff. Rats. This is one of those things that I was hoping that someone else would notice. because so many people had gone over this e-bully footage. I thought it was really obvious, but nobody brought it up. I'm just gonna use like the first 20 seconds because that's all we need, really. But before we get into that, I wanna first say that the voices that are clearly in this audio are very similar to what I've picked up with the SWAT rat and picked up in the past, which is regular recorders. They're not human, but they're not demons and ghosts. They're electronic pulse communication. Period. We can prove that. A microphone and a gadget and a camera and whatever, an electronic microphone is not a human ear. It's going to hear different frequencies. So what may not be audible to a person in this hallway is picked up by the microphone because it is not a human ear. People need to understand that before they start running their traps. It could be something that only one or two people in this hallway could hear at most. And everybody's hearing is different. There are people that cannot pick out instruments in a song and those are the people that would not be able to hear this if they were just listening to the regular audio. There is a wide range of hearing. Some people can hear things that are happening in a block away quietly, where other people are absolutely and totally oblivious to it. So with that said, let me show you the SWAT-RAD evidence real quick. That's for sure. And there you can hear that it is a robotic pulse communication voice. It's not a human being on the other end. Here is one where I rack an aerosol pistol and it responds in its strange Commodore 64 style. I rack it once and then it talks about I kept shooting. PEPSHIN. PEPSHIN. PEPSHIN. And then the voice says suicide. PEPSHIN. Well, you can see the rest of that on the actual acoustic surveillance video. I just want to show you an example of this that it's not unusual. It can be picked up and it is surveilling things that are happening. There's a part of a surveillance system. Now let's get to the subject of the evolving shooting. Here is the original clip with the audio that we'll be going over. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. So let me show you the audio just boosted. You can hear this. It's clearly there. You don't have to do anything to the audio. You can clearly hear it. It's a bit too sweet, boosted, but barely tweaked. I did very little to this. I trimmed off some high-end and just made it more presentable. Here we go. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. Let's get into it. Let's actually get into the audio itself. Okay, first off we have voices in the very beginning. In the very beginning. PEPSHIN. It says you can't stop. PEPSHIN. PEPSHIN. And then it says something here. PEPSHIN. PEPSHIN. So it says you can't stop. Something, something, something. PEPSHIN. PEPSHIN. But the most interesting one is right here in the very beginning. It says. PEPSHIN. I'm working on someone right here. PEPSHIN. I'll play you. I'm working on. PEPSHIN. PEPSHIN. And then some one. It's separate because it's Paul's communication. PEPSHIN. PEPSHIN. It's not even debatable. I'm working on someone. PEPSHIN. No, no one's in the hallway. I can't try to pull that shit talking loudly for the gunmen to know where they're at. It's a voice that is not a human voice either. So you can't pull that. And it's a Paul's communication that says I'm working on someone. PEPSHIN. PEPSHIN. Now, that's pretty strange. But moving on. Another voice comes in here and it's a little more garbled. And it sounds like it says I don't think that guy can do it. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. Very strange. Got a lot of communication. It's just salad communication through the whole thing. That's why I was very surprised that no one even noticed it. Here a voice comes in. It's sort of a maternal sounding, a robotic maternal. And it says you're tired. PEPSHIN. PEPSHIN. I'll loop it. You're tired. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. Let's keep going. Now, this is all communication here. Yeah, these are the same exact voices that I have pulled up for years. In a border town in Texas. PEPSHIN. PEPSHIN. Now, here are the first shots. PEPSHIN. Right after that first shot, a voice comes in. It's a little garbled, but you can tell it's a voice and you can tell it's communication. And it sounds like it says I got him in the school. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. I got him in the school. I'll loop that for a minute. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. Now, none of this is parodolia or any of that bullshit. You can't try that anymore because we've proven that it's there. So, this is pretty much show proof and more proof. So, I just wanted to show you this. It's just the very first 20 seconds. And there's this much in it. And you can hear it just by boosting it up. This is a tweaked version, but this was just the boosted version that was barely tweaked. PEPSHIN. PEPSHIN. And you can clearly hear a voice say I'm working on someone. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. So, why are they here? What is going on? And if you don't know, go and watch my acoustic surveillance videos. So, here I've synced the adjusted audio up to the original video. Now, let's watch this synced up. And you can actually hear this adjusted audio with the original video. Let's check it out. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. PEPSHIN. Very interesting, right? Listen to that. Nothing, Bock! I think you can clearly hear I'm working on someone. And then right before he goes in, you hear that I don't think that he can do it. Very, very, very interesting. And, uh, yeah, there's something going on here. Why it's there? I think I know. There's a lot of fakery to a lot of this bullshit. But in some of them that aren't completely fabricated, there is a patty. And the patty can be driven to do crazy things to make it appear more realistic. And that is it for now. Look out for Charlie. Hello, we're trying to warp your perception of technology through Hollywood. Hello, dad. Look out for Charlie. I'm going to bring a whole fucking diseased corrupt temple down on your head.