Jim Fetzer The Real Deal Ep # 104 More Allan Powell on the Sandy Hook Hoax update 2017

Video Transcript:

In Dallas, Texas, three shots were fired at President Kennedy's motorcade. It looks like one of those scenes of an old building being purposely animated and blown. When we are successful, I'm getting the chance to see. And we will be. You ready to make to come to the microphone? So, we'll listen. A new world order. This one is Robbie Parker. They might have appeared that way, but from my close-up inspection, there's no evidence of a plane having crashed anywhere near the Pentagon. Let us never tolerate outrageous conspiracy theories concerning the attacks of September 11th. President Kennedy died at 1pm. Live from the media broadcasting center. This is Jim Fetzer, your host on the real deal. We're very, very pleased to have a return engagement from Alan Powell from Down Under, who has been doing some of the most sensational work on Sandy Hook, of all which is astounding to me since he's not even a resident of the United States. Alan, welcome back to the real deal. Hello, Jim. I'm on a privilege to be back. I'm just delighted. Since we have some 94 slides to cover, Alan, I'm happy for you to begin with slide number one. Okay, slide number one. As we're looking at police evidence here. All of these slides are going to look at police evidence. They're not going to be the ones that I got led to that we have shown on the previous program. Now, this shows that Detective Payet appeared at HupR7 on the day on the fateful day. He's the guy who took the video. Now, I suspect that, well, no, I don't suspect. I know that Detective Payet knows that this is a complete fraud. And perhaps to have it said on an internet show isn't much, but hopefully someone will tap him on the shoulder somewhere and say, what's the story? Is that video you took at the land'sest place? No, this he didn't bother to turn up till 724 in the evening. He probably had something better to do today given that this was just a drill. He also took a lot of video at night, which is a completely pointless exercise. He was out in the garden wandering around like a buffoon with a video with no light, no flashlight, flood light on it. Hence showing that this was a drill, this was a drill. He also took a video during the day. This is because what they really wanted to happen under the FEMA sit man, the situation manual, was two sets of different circumstances for the drill, one video at night, one video during the day. Now, if we go to the second, or by the way, there's no time record. Of when the police first attended the Ogananda Street, or how they forced an entry, but we'll get round to that show. We'll look at image number 2 now. We can see that as fairly early in the morning. We can see if we look through the trees that there's one roller door up and one forced and broken. Now, logically, if that was broken, when they got there, that means that Adam Lanzer couldn't have driven his car out. If it wasn't broken, when they got there, that means that they broke in that place. Another point is that you had the guy who delivered the oil, the fuel oil. Now, if he's walked around the back there and driven his truck up to fill up the tank, I think it highly unlikely that he didn't see that broken roller door there. Now, who did this and when? Who broke these doors and when? This is a big question. Because the official stuff says that it doesn't give you the time. When you look through the official police evidence, you've got all these statements. We've mentioned one chap. We might mention another later. But you have nothing in any of this police evidence to show what time they got to the lands of those. Now, that's because from these shadows, we can see that it's probably early morning. I doubt very much that that is December. If that is at the earliest, it would have to be 10 o'clock. For them to know that Yogan and Astrid is involved, because they wouldn't have known that Yogan and Astrid was involved until 10 o'clock, until they got the identification from the car. The black Honda decided it was registered to someone who looked at Yogan and Astrid. And on the 14th of December 2001, Alan, the temperature was 28 degrees Fahrenheit and there was frost on the ground. There's no frost there, my friend. Now, we've also looked... And if we look down here, this is not a crime site yet. And to tell me that the police helicopter was no date, no time, indented on the picture. And it is a police helicopter. We know that because the evidence is from the police files. That's wrong. That's wrong. There's no yellow cord and tape anywhere at all. There's no police up the drive. There's no evidence of police there whatsoever. So, something's happened a lot earlier than this. And whatever it was, it's left all of the doors open, smashed. As in a raid. Now, let's look at the next picture. Picture three. You might recall that when we talked about Sandy Hook before, we had a picture of the Lauren Russo. I actually included a picture of Lauren Russo's car here, seems to have disappeared. But if this is the earliest that they got to Yogan and Astrid by helicopter, there's no Lauren Russo car there at all. And I revisited the picture of the Lauren Russo car. And it actually looks like it's parked in the car park at the school, not in the driveway here. That might be something for a future reference. Now, let's go to the next shop. We've got that look. That's a big wide open door. There's no getting around that. That is an open door. We're locking through. We can see the steps, the stairs. Sorry. We can even see the map of the drift there, the carpet, the drift. Now, what we're supposed to be looking at, of course, is the house. But if we forget the house for the moment, and we look at the two brown bushes in the front flower bed there, we see that in between both of them, and next to each of the dead bushes, is quite an amount of greenery. Now, if we look at the next slide, from the door, we'll see that all of that greenery has disappeared. Now, if you can see it from a helicopter, but you can't see it in a shot like this from the front door, it's either been removed or the photographs are taken at different times. One is taken, obviously, when the greenery is there, and the other is taken when the greenery is not. Now, I'd suggest that the helicopter shot there is taken sometime in February. Well, after the incident. Valor, you're talking about photograph four or photographs three. I see more greenery of three than I do in four. Well, go into photograph four again. Now, look at the flower bed, just in front of the little pathway there. Oh, yeah. You see two brown bushes, two brown flower bushes. Right. If you look between those two flower bushes, you'll see on either side, there are, it probably doesn't show up to the well here, but when you get the original police evidence and blow it up, there are two green flower shootings there, and they're quite large. You can see them from the helicopter, they do show up. Okay, I don't see them here, but yes. But when you go to five, you can't see any greenery there at all. There's, apart from something that's probably got, it's on its last legs, I think, it looks to be three quarters of the way of the space between the two brown bushes. And this is where the nonsense starts here. You see all this dirt everywhere. On the steps, there's dirt inside. Though it doesn't show up to well on the bush to the left, there's a large rut or scour. Now, that looks to me like it was made by somebody dragging something along through the bushes. That's one of those things that you jam the door with. You hit the door with to open it in a swap rate. I don't know, but we've got all this dirt there. So somebody has come through the dirt or the dirt has been placed there, but there's definitely dirt. Now, let's go to the next slide. Well, the door, of course, has been forest open. Oh, yeah, that's what we're supposed to look at. That's the thing to look at. Now, here, the thing to look at as well is this other door that's also forest. And this wasn't any kind of a gentle forcing just to see if everybody inside is all right. All of the scream curtain there is ripped. This has been done with falls. Now, why would you do this to two doors? You wouldn't. Now, there's another thing to notice here. If we, and this is just a smaller side, but it shows how dopey these people are with the lack of continuity. If we look up on that wooden bookcase, there's a photograph. It's a photograph of Ryan just after his graduation. And he's got a graduation gown with a yellow stripe. Are you talking about the top shelf? Yeah, yeah. There's a bunch of white books and there's a photograph there. Right. When you blow that up, that's so Ryan's, Torrey, with his graduation garb on his mortar and his gown. And he's got a different gown on to the one that he's photographed in, in the other photograph. Now, he may have bought a different gown, who knows, but generally out of custom, you usually photographed in the gown that you graduated in. What is enough, having participated in innumerable graduations? What is enough? Yeah. I look high of mine. Now, let's go into picture seven. And once again, we've got another entrance. This is the basement door. Now, you'll notice that in both of those doors have got latches on them. You can simply open them from the inside once you're in. But what these photographs show together is that there was a swap type raid. It's not mentioned in any of the documentation. The documentation that I've got. I've only been through 12 pages of about three and a half thousand so far. And they're all entirely inconsistent with themselves and internally. And you're not told when the police actually got to the organ industry. Now, that's a big, big omission. And something I wanted to say, we've got a, um, out of a slide that was missing the very, very first slide, had, um, part of the police records saying what time the police attended. It's not their chance. Don't, don't bother looking for it. Um, and the, what it says with the, um, state police responded at nine forty one. Now, what does responded mean? Does it mean they picked up the phone? Does it mean that they sent in order that somebody attend? Does it mean that they got there at nine forty one? We don't know. But whichever way it is, let's just, let's just slow down and take later. Take this thought away to a quiet place and digest it. If it means that their best performance at nine forty one, whatever it was, means that twenty six people were killed in reality, then their performance is shit house. Their performance is terrible. And it doesn't auger well for any argument about taking the guns away from American citizens with which they protect themselves. If this is the best they can do, and it leaves twenty six dead, by their storyline, take the logical thought away that they cannot prevent these things and the only people who can are the people who are there at the time. This was a school. It's not completely unforeseeable. Schools might get attacked by nut casings. But none of those teachers to have a firearm to be trained and to have an idea how to protect the students in their charge, I'm saying, is negligence on their part. If it's not negligence, it's certainly extremely foolish. Now anyway, let's go on to the next slide. That's my little lecture, Dunley. Not quite well taken. But I say to people on that again, I say to people, just go and sit quietly and think, what do you want to rely on? A phone call to somebody who says afterwards that they did the best they could, the twenty six people died. Do you want to rely on that? Or do you want to rely on yourself with a firearm? I know what I've rely on. Anyway, let's leave that subject. Here we've got some more dirt. Wow, this is like Cludo, isn't it? What are we supposed to be looking at now? There in mind, too, that this guy has come along during the day here because we just saw through the door it was daylight. So this isn't Mr. whatever his name was, pay it, turning up at night. This is a during the day game of Cludo. We've got this dirt on the floor and we've got these lines going up the stairs. We've made an enigmatic line. Well, let's follow the line to where it goes. Next photograph, we've got dirt on the floor there and we've got two lines. And then let's go to the next photograph. Here's what we're supposed to do. We're supposed to concentrate entirely on this upstairs. We're being led upstairs by these photographs. We know this guy who's taken the photographs has been told there's a corpse upstairs in one of the bedrooms. Okay, so up we go. Next shot. Up the stairs. Now, as you would expect, if there's dirt outside, you've seen a couple of photographs of dirt here there and everywhere. If we look in this photograph, there's also dirt down by that green map. There's also a piece of the wood from the door down there which shows probably that the swap people went in that direction to the kitchen too. But look through the back window there. It's now nighttime. So we've got two sets of photographs, one for day, one for night. Now, if we have a proper look at this dirt on the stairs, it's been sprinkled there. I don't know about you, but when I walk, I usually walk one foot on a stair and then the next foot on the next stair. And it tends to leave a pattern of left right, left right, left right up the stairs if you've got something on your boots that fall off. I know this because my wife has kicked me up the arse and I've times about it. These dirt instances are spread across the stairs. It's highly improbable that anybody would walk upstairs with a gate that requires their left foot to go across the length of the stair and then their right foot to go across the length of the stair. We're supposed to infer that this loose wire running upstairs was there when the house was occupied. Are you just stolen my thunder? Who does that, Jim? Who puts loose wire on stairs except idiots? Maybe a videographer needs an electrical connection, but you think you'd have a power pack and he wouldn't even need that. No, he's got to have some kind of connection with the story here. I'll spoil it a little bit for you. The reason that this telephone line is going upstairs is because you've got to have the idea that you've got this nutcase killer who sits on the internet 26 hours a day. He's got a den upstairs where he plans all these murderous activities. This is just childish in the extreme. It is. You've got to have this internet connection. If we went back to the other photographs, we don't need to. If we were to see that the two wires coming around the bottom of the door there magically meld into one. Now let's go to the next picture. Now this is complete idiocy. We're still being led by the nose here by this photographer. We've got two sets of carpets there and under them we've got two sets of carpet. On one of the carpets, the gray one, the dirt is sprinkled. Now let's just bring physics into this. Supposing the carpets were where they should have been. That would mean that the colored carpets would be over the gray carpets and there would be no chance for dirt to be sprinkled on the gray carpet. It would be sprinkled on the colored carpet. So why is the dirt on the gray carpet? Imagine the idiocy of having two carpets over each other on a polished floor gym. It would be better than a skating rink, wouldn't it? Especially at the top of the stairs. There's been no thought applied to this. Yeah, yeah, yeah. To promote falling down the stairs and breaking your neck. Indeed. Indeed. What's being promoted here is just a trail. You just have to follow the trail. And low and behold, when we go to the next slide, what do we get? Well, we get what the daily mirror called the baby face killers mass murdered, a den of black silks. That's what the daily male call it. That's ridiculous. Well, marvelous, isn't it? I've got to say that again. The baby faced child killing mass murderers, den of black silks. Now, that was the headline from the daily mirror. Now, so what are we supposed to look at in here? Well, there's a stock, well, forget what we're supposed to look at. This is supposed to be something like the daily mirror termed it. But forget all about that. And look at the little blotch of red there, which is a game controller. And underneath it, we see some more of the dirt. We don't see a track of dirt across that carpet to that point. This is probably because they're running out of dirt by now. So let's go to the next. Are we supposed to believe that Adam Lonser came in trailing dirt so we can follow all of his moves by the dirt? I mean, this is so simple minded, Alan. There would be no reason for him to have to go outside and trail in dirt. No, this is just one of the stories from the sit man. You can have a variation of different stories. You could have something along the lines of from the sit man for the drill. You could have had something like Lauren Russo and Lanzer storming that has to kill Nancy because of it just goes on. You've just got to use your imagination with these things. And the good thing is that the people that rightly sit mans have got no imagination. So they write in cliches. And they do cliches things like put a clump of dirt next to a computer which has been taken apart. Now, the point is not to get inside the computer. The point, I think they're being very, very clever here. They open up the computer that take off both of the side panels. And they pretend that what they show in these two pictures is the dirt that collects around the panels inside the computer. Inside APC. And what we can see there is someone's got some kind of powder. It looks very, very much to me like fingerprint powder. It's certainly not the kind of dust that I've ever seen in all of the computers. There's several hundred that I've taken apart. That dust is always a light brownish or a light gray. It's never white. But what have we got here? We've got footprints. Jim, this is like a game of Cludo. This is not a crime scene. This is various things being thrown into the mix just so they can be photographed. So that 18 can be taken along to a site can be requested to do these things, photograph these things as an exercise. Just simply to perform the exercise, probably to get some form of qualification too. Now, this is run by FEMA and DHS. It's run by FEMA so that they can and DHS so that they can get people who can set things like this up. There was once a time when forensics people were used only to document things that could be found at a genuine crime site. More and more in the future, you will have non-genuine crime sites where you will need people as gullibles this in their professions. But we'll do this kind of thing because they think misguidedly they're doing something for America. Well, here's news for you guys you're not. You'll be trying your country. You just don't know it. Now let's go to the next photograph. This is where the Cludo continues. We've got all of this stuff on the ground. We've got... That's a vacuum cleaner hose. We've got a more dirt too. If you get this from the correct source, when you blow it up, you can see that there's more dirt on the... Strangely, there's no dirt on either that you can see on the carpet in the foreground or the pine floorboards there. Now if we look to the left, we can see ODEA guncases. Oh, this all looks bad. But let's take a step back. What we've got so far is we've got somebody who knows there's a corpse in the master bedroom, but has led us first into a computer room where there's no corpse. Why would they do that? Because they're more interested in setting up the picture of Adam Lanza than the real crime. And we know there wasn't a real crime. Now if we look into the bedroom here, we can see a gun. We can see a gun on the floor, a rifle. Let's look at the next picture there, please, chance. There we are. We can clearly see that gun now, and we can see the dirt on the floor. So what's this dirt? Where does this dirt come from? Is it Adam Lanza? Is it the SWAT team that broke in? Does it come from some kind of imagined part of the sit man? I don't know. I really don't know. But none of it's genuine. Now if we look at 17, now what we're supposed to see here, according to some of the evidence by the cops. Now we're going to name a name here. And it's Sergeant Forest Ruddy, who says that he went into the bedroom. And what he saw was a body of a middle aged woman supine on the bed. Now as far as we can make out from this, and you really need to download these pictures yourself and look at them, there's no body there. We've got three pillows and a towel. We've got a piece of red stuff in the middle, which is really, it's magic blood. It doesn't flow down onto the mattress. If we also look, we can't really show it in great detail in these pictures. But you can see it on your own computer if you want to go to the Connecticut police site and download all of this nonsense. This corpse also has no legs or feet. And it's supposed to be lying on its back. We see no arms, we see no face, we see no legs, we see no hair, we see no flesh at all. And more importantly, we see no blood. We see a piece of red cloth on a piece of white cloth. And excuse me. Sergeant Ruddy says that the orange and green thing, just behind the steam iron there, is an orange and green towel. I think it may be, but it looks more like an orange and green silk cushion when you get the photographs for yourself and look at them. Now, this woman is supine according to Ruddy. What he actually says, I'll read it to you. I can't believe she's supposed to actually be on that photograph. Alan, it's ridiculous. I don't see anything remotely body like there. No, there isn't. There's a bundle of clothes in the middle. The coverlet is turned down halfway down the bed. There's no, nothing even that would look like a head, up near the orange and green towel or cushion or whatever it is. But what the deceased is covered with blankets from the waist down. She's wearing a polka dotting pyjama shirt. I can't see any polka dots there. There aren't any. A head is turned south to its side. So the head would be towards us. It's not. There's nothing there. Now, she's got, according to the evidence, she's got three shots in the eye and one through the forehead. Anybody who's ever been near any firearms and thinks of three shots in one eye is immediately going to say, well, that's going to make a mess. Yes, it is. There's going to be a fountain of blood and brain matter out of either the eye that was shot or the other eye. And there are three shots with a 22 long rifle cartridge. The power of a 22 long rifle cartridge would be from 90 foot pounds. I think to about 120 depending on which cartridge you're using. But three of them takes us there into the range of having a fairly powerful hand, the equivalent of a fairly powerful handgun cartridge. Well, certainly would have blown a hole in the back of her head. No, these didn't. These were magic bullets. Jim, you'll find your CIA or your FBI or DHS, the heavily into magic bullets. And if we go to the next picture, we'll see the magic call, not the magic course, but the magic woman. Now, she really is magic. I'm not disputing that because in this photograph, she's got the sun to shine on her from three different angles. And she's also been able to have the blurry hair on her head from movement. Actually, as a fixed shadow behind her, the incompetence of the people who are fixing these images is just mind-numbing. It would make the cat laugh seriously. It would. Let's go to picture 19. Now, picture 19 is down the side of the bed. I do not see one spot of brain matter, blood, bone, anything. Shooting someone in the head is a messy affair. There's nothing here to show that anybody got shot in the head. Now, if we go to the next picture, we see this little thing here with a little red dot, a little black thing with a red dot on it. And if we look at 21, the next picture, we see that it's not there. Now, I think what that thing was was some kind of blood, like blood applicator because it doesn't sharp anywhere else. It looks like some kind of a black tube with a bit of red on the end. Now, if we go to the next picture, this must be the most ridiculous forensics picture in the history of the universe. Since when do forensics people cover up blood stains so that it doesn't appear offensive? The whole point of a forensics investigation is to show what is there, not to cover up what is there. Now, if we look briefly at this side table here in that picture, we see, the only red we see there is a red glasses place. If we go back to Sergeant Ruddy's, well, it's not even a testament. Let's talk about this too. Sergeant Ruddy has given some kind of a statement here that's not a personal narrative, but it's added to police evidence. It says, it doesn't say I entered the bedroom, I saw, I approached anything of that sort. It's not a personal narrative that says the north, north of the closet is the master bedroom. There is this, there is that, there is a blood like substance. It never says there is blood, and the reason they don't want to say there is blood is because they know there is not blood. There is blood like substances. They can get away with using that growth. Now, what it says is that there are small drops of BLS, blood like substance, they call it, I call it bullshit like substance, observed on all items on the nightstand. There are small drops of BLS observed on all items on the nightstand. Keep that in mind, let's go to the next shot. Now, this is ridiculous. We have one splash that we see there by the bedpost, which has come from above and been splashed down. The same with the little tiny splash up towards as far as we can see the end of the bedstead. But the most ridiculous thing is this perpendicular drip of blood. Behind, then, it would have been behind the mattress, behind the bedstead. So, a splash of blood has gone up in the air. It's managed to go down between the bedhead and the wall. It's found the wall, and there's been just enough of it to make a very, very thin red line. This is nonsense. Perhaps more indicative of something is the fact there that you can see that the telephone line plug has been ripped out just by the side of the bedstead. But as for this show, there's no blood, there's no evidence indicators put up on the wall, on the bedhead. This is just nonsense. Now, here's the really funny one, the next one. Here is supposedly the desk bed. Now, you have to ask, well, that drip of blood that we just saw, how the hell did that get there when you had the mattress covering that part of the bedhead? You've got a pillow on the floor here that's got some pretend blood on it. You've got something that looks like blood, but to me looks more like a pomegranate color, something or other. There's no corpse. There's nothing in the bed that if you look, there's some kind of bump in the bed, which looks like something that was made to look like a body in the bed has been left in there. Why would the cover be up that far? Why would a forensic person leave the cover up that far? They wouldn't. There's another pillow in there. There's certainly not a body in there at that stage, not the we can see. And we can't see that orange and green towel or cushion that we saw earlier. So that's gone somewhere else. Are we convinced then Jim that there's a body in this bed or? Oh, it's all right. It's ridiculous. Alan. It's so bad. It's insulting. Now, speaking of insulting, one of the, one of the people who are put something on one of your sites, I know when you put this on YouTube, lots of people watch it. And one said, well, who is this Alan pal? What in Jim fits to give him a rundown? So listen, you don't need credentials or a CD to think, CV to think common sense. You only need to look at some kind of phenomenon and to question it. What do you think that piece of paper is there on the bottom of the ottoman? Jim. Oh, it's the evaluation form for setting the stage. Bingo. That's what I think it is. Now, the dead giveaway is this next picture where we see these people are so dopey that they don't realize what they give away. Look in not the mirror that we're supposed to be looking at, but look in the mirror to the left. And there we see, download this from the police site. Look at it for yourself. Blow it up. There we see a nice cross section of the bed up to the bed head on the right hand side. And we see not a trace of red. I mean, am I being dumb here or is there something going on? These guys, these guys who set this up, we're not rocket scientists. And when you have somebody who's very astute as are you, you can shred it. Well, let's go on to the next slide. Now, it was the sergeant who said that there was blood. All over. There are small drops of blood like substance observed on all items on the nightstand. I've observed for very, very tiny passive blood drops there. One is on the glasses case at the front. Two is on the piece of white paper under the drink bottle. Three is on the same piece of paper. And there's a teeny weeny one on the telephone. The telephone has been pulled out of the wall, but has been taken away from the cable very carefully. Now, if you pull a telephone out of the wall, by its, in this case, by its wire, you may be likely to overturn this bedside piece of furniture. Why has somebody gently taken out the wire and placed it over the bedside furniture in this fashion? I don't know, but it doesn't look normal. It doesn't look normal at all. I suggest that this might be some kind of an incident to, I mean, something that is done when a SWAT team goes into a place to isolate it, pulling the phone out of the wall. I don't know. I would think this kind of phone, a modern phone. There have been questions about whether they've got surveillance capacity. Perhaps that might be part of the HS procedure to immediately dislocate any phones for security reasons. I don't know. Someone somewhere does. And it would be great if someone could come forward and say, Alan, look, all of this stuff you're saying is absolutely nonsense. Perhaps you need to just sit at home or go out fishing or something. But I ask all of these questions, and I don't get any answers to them. Let's go to the next slide. Now, do we need proof that there were two sets of photographs taken? Well, here we have it. Why would you take a photograph of a mailbox during the day and a mailbox in the night time, the evening, 7.25 or whenever it was you got there? I don't know. There's no good reason. There's no good evidential reason. In fact, for most of this stuff, there's no good evidential reason. We have to go back to the reason why a forensics team exists. A forensics team exists to provide factual information. Nothing else. And what it does is it gives factual information, usually clear prosecution, to a prosecutor, for a prosecution, so that facts can be established to prove a crime. Now, let's, again, let's see quietly somewhere and think. The woman was shot through the head. There's a rifle on the floor. Somebody was shot here. Why would you need two sets of photographs, one day, one night of it? You wouldn't, unless it was an exercise. Why would you need anything to prove that she was shot in the head, other than the photographs of her being shot in the head? You wouldn't. Why would you go into Adam's room to look at what might be there to prove a crime? You wouldn't. Those things are irrelevant. So either the 26 murders at the school or the murder of a Nancy Lander, if she actually exists, at the home. They're collecting too much. It's a snow job. They're giving us too much. Now, let's go to the next shot. This is part of a statement by a police officer called Scott Weissner. And if we look at the fake fuel bill and detective Weissner's handwriting, we see, wow, that looks similar, except that one is a close four and one's an open four. Well, I'm going to give Mr Weissner, sorry, detective-wise, detective for 23 years and he resorts to this stuff. It's enough to make you vomit. I'm going to give Mr Weissner a chance to explain if ever it would come into the public domain, but he also uses closed and open fours. I've got the documents that show like the signature looks more like a John Woa or something like that. That's the judge. That's the judge. His signature is where it says, debt, detective. Oh, yeah. I see it now. It's Scott Weissner there. I see it. Now, there's other documents that Scott Weissner has printed in his own hand. The shows that he uses open and closed fours in exactly the manner of the way the date is written there. This fuel oil bill was discovered both during the day and at night. Why? Because the situation manual required it to be. All of this documentation that you see back in this up, this is all nonsense. This is all provided later to try to. It's all fabricated and fake. Those all fabricated. Now, when I spoke earlier about Mr. Oh, sorry, Sergeant Ruddy. You'd think that his report would be pretty close to the date. Well, in fact, his report is getting on for eight months later than the event August. Let's go to the next slide there, shots. What do we know? It's about this tree taken in December. Scott, pretty big buds for having been taken in December. This is not December. This is late February, early March. And someone is telling us this. Now, I've I'm afraid I've, I've agonized over this point for quite some time. Somebody within the police network is giving us clues here. And they're doing it quite purposefully. They're showing us for no other reason that there is a tree in Bud. They're showing us this is not December. They give us another clue inside. Next slide, please. Anybody who's got a schoolboy passing French knows that front-point is spelled not with an M, but an M. This is something that's superimposed on the wall to show us. That the season is wrong. Literally, the season is wrongly spelled. And literally, the season is wrong as well. Let's see the next slide, shots. Here we've got a shot of the outside. What on earth would this do for evidence? It's irrelevant. It's entirely irrelevant. But what the guy is showing you is that there are two bushes here in Bud. This is not December. What is also showing you, and you have to enlarge it, next slides, please. If you can get those to Bud during December, good on you. I think you could. So this is late February, early March. And what has happened is that the bogus Sandy Hawk event has happened. There are too many people who have asked too many questions. So there has to be some kind of story put in place. February or March, they troop out to the house to try and come up with some kind of a story. The murderer. They've got all the stuff from Sandy Hawk. The stuff they don't show you. You never see any blood or, as you should get any detail about even the dead. But don't even tell you the names of the dead. They always refer to the blood as a blood like substance. It's because the whole thing is figued. So quickly backpedal here to try and get some background on this Adam Lanza guy. So they've got the house up. To make it look like he lived there. They took on too much. They took off on a big history. Now this guy is showing us this. I think he knows what he's doing. I hope he's moved on. I hope he's not going to get into the trouble that I think he could get into. Or putting this evidence in the official police evidence. But it's all there for us to see. The only people we can blame for not seeing this evidence is ourselves. We are simply too stupid to see what is in front of our noses. Now, if this chap is still in the police, I'm very, very sorry. But you're in there. You've done it. And you've got to wear it. I'm sorry. That's my code. You do it. You wear it. And if I've caused you any danger, I'm very, very sorry. But you shouldn't have done this bloody kind of stuff in the first place. Next slide. You might remember Jim. When we looked at the lands of the house, we had four different versions of this room. Yes. Yes. I remember. Well, guess what? There's a fifth. And here it is. Next slide, please. This is the fifth version that I found. Next slide again. This is two versions of the same room. Next slide. That looks like a third version of it with some books, a creative book there. Now, next slide is very, very interesting. We've got an earwig and a woodlass. And they've been taped out of the garden. They've been trying to get under the door, but someone has put cellar tape. You recall when we looked at the doors, they were all smashed in. Well, somebody stuck cellar tape along this to keep the door closed. And they've kept these poor little things from getting out. Well, here's the news about earwigs and woodlice. They're not in houses in winter. In winter, they're out in the backyard. That's when they mate. If you ever look for an earwig or a woodlass in your house, you're going to have to start around February once they've done all their mating in the yard. But these are trying to get out. So when were those woodlice there? I don't know, but they're very, very good indicator of when this thing happened or didn't happen. Now, the next shot, is a bit of a giveaway as well. This is this picture I was talking about of Adam Lanza. Ryan Lanza, sorry. He's got a completely different gown on there in that picture up on the left. Right, sorry. And left. The money has on in his graduation. But also you see that the pictures moved here, and so is the clock. Now, forensics people don't go into scenes of crimes and change things around like this. Unless, of course, they're completely incompetent. So we've got two setups here where somebody's just gone in and thought, yeah, this will do, except that, well, let's just change that picture there of Ryan. There's no other explanation for this because the clock is physically moved. So is the picture. Next picture, please. Now, this looks like nothing, but what it actually is, is two different settings. Only slightly different. In one, there's a role of paper towel from the background, and it's thinner than the role of paper towel in the other one. The brand paper bag is also gone a bit delinquent and opened itself. And well, I don't show it here. That silver canister that's up on the work surface there doesn't appear in the same photograph. You can look this up for yourself, people. I mean, it's all there. The next thing, have a look at the next slide. We've got under Adam Lanza's bed, which is absolutely pristine. Now, some people have said he's a weird teenager or a weird 20. He certainly is a weird 20 year old. If he's got absolutely nothing on his bed, anybody who's ever had a teenager, this is nonsense. There's not even dust there. There's not even a spider web, small spider web, a small spider. There's nothing there. Nothing as if the thing has just been photographed after it's been put there. Next thing, look at, is the... This thing. Get the picture. Look for yourself. It's absolutely pristine. They make up compact. Go and have a look at one of your wife's got. They never look like this. They've got fingerprints on them, especially if they're this kind of shiny plastic. And they also have a lot of the compact dust around them. It's a fact of life. But this one's got absolutely no fingerprints on it. Nobody's fingerprints. Next shot. Here's a touch phone. It's supposedly belonging to Nancy Lanza. There's absolutely no fingerprints on it. A touch phone with no fingerprints on it. Take that one away. Sit and think quietly. A touch phone with no fingerprints on it. Next one, please. But here's a knife with fingerprints on it. This is supposed to belong to Adam Lanza. Now I'm not a betting man, but I've got 50 cents that says that I was fingerprints. Don't belong to an Adam Lanza, a Ryan Lanza or any Lanza at all. I think they belonged to the FBI man who stayed at the Lanza's place setting it up in various ways. Or the man who was sent there first to get it ready to be set up. And the reason I think that is because of the next slide. And the next slide is the FBI use target that was found behind the police station. So far in the basement. Now we've gone through this before. I've said to you that somebody stayed in the basement. This sergeant says that it does not appear that someone sleeps in the room on a regular basis. Well, we've seen the bed. We've seen the bed made up on a previous program, Jim. Those who can't read the little words on the bottom of that target are FB. I use FBI means federal bureau of investigation. And these are the targets they use Adam Lanza must have been then in the FBI to use these. No, the man who stayed in the bedroom was in the FBI. And he probably forgot that he went out one day for a bit of a shoot that arranged. He brought the target back and just stuck it out the way. And then somebody found it and he thought, oh, shit, yeah, that's the one. Oh, well, let's put that in any way because it's all gun related. We're trying to show how bad guns are. So let's throw that in any way. But I'd like to know how Adam Lanza we've got this. Alan, we have just one minute before our break. Okay. Well, this is probably a good place to just hold for a minute because of something. Okay. This is Jim Fetzer with my special guest, Alan Powell from Down Under, who's going through the Adam Lanza home again to explain how it was an empty house that had to be furnished as serve as a prop in the sandy hook scheme. We're taking a break now. We'll be right back. We can now say with moral certainty and considerable scientific authority that the depth of JFK was committed by a meticulously executed conspiracy which was obscured by an extensive cover-up. Murder in Dele Plaza, edited by James Fetzer, goes to the heart of the JFK assassination. You'll read new and up-to-date information regarding the secret service, the Lincoln limousine, the medical evidence, the cover-up, altering the film, framing the patty, and the silent historians. Also, 16 smoking guns each one crushing the government's loan assassin scenario, a world-class chronology of November 22, 1963. Chapters by David W. Mantic, Gary Aguilar, Vincent Palamara, Douglas Weldon, Jack White, Ira David Wood III, James H. Fetzer, Doug Horn, and a classic essay by Bertrand Russell. The complete story in the pages of one single book, edited by James H. Fetzer. Read it now, read it again, you'll use it as a reference. Murder in Dele Plaza, available at Amazon.com and major bookstores around the world. It's Murder. Less than 3% of you people read books, because less than 15% of you read newspapers. Right now, there is a whole and entire generation that never knew anything that didn't come out of this book. This tube can make or break presidents, popes, prime ministers, television is not the truth. Television is a circus, a carnival, a traveling troupe of acrobats, storytellers, dancers, singers, junglers, side show freaks, lions, aimers, and football players. We did it illusions, man, none of it is true, but you people sit there day after day, night after night, all ages, colors, cream. Broadcasting live on network radio. So turn off your television, turn them off, power, turn them off and leave them off. This is Jim Fatser, your host on The Real Deal. In Dallas, Texas, three shots were fired at President Kennedy's motorcade. It looks like one of those scenes of an old building being purposely animated and blown. When we are successful, I'm just a shot of it. And we will be. A new world order. This is my name's Robbie Parker. They might have appeared that way, but from my close-up inspection, there's no evidence of a plane having crashed anywhere near the Pentagon. Let us never tolerate outrageous conspiracy theories concerning the attacks of September 11th. President Kennedy died at 1 p.m. Live from the media broadcasting center, center, center, center. This is Jim Fatser, your host on The Real Deal, where I have a return engagement from Alan Powell from Australia. Further elaborating on the studies he has done that demonstrate that the Adam Lanzahome was in fact vacant and had to be furnished in order to serve as a prop in the Sandy Hook hoax. Alan, please do continue. Are you familiar with this photograph? No. This is supposed to be Ryan Lanzah being taken somewhere by his father after they've just left a building. I can't give any more description of that because that's all I know. It comes from a video. It's identified as a writer's photograph. Well, it's actually a screen capture from a video. And once again, we're looking at the wrong person. Let's go to the next slide. And here's the handwriting of Daddy Lanzah. Now, doesn't it look like the handwriting that appeared on that little thing that the sergeant, any plans are supposed to have written? Look at that. Now, what what evidential consequence have either of these two documents to be in evidence? That's the question. The answer is nothing. Not a thing. But what the document that's a birthday card or reports to be a birthday card proves or tends to prove, is there such a person called Dad Daddy Lanzah? And with Daddy Lanzah's writing on the little Adam Lanzah. The drawing on the right is childish. I mean, a five or six year old might draw something like that. Yeah, it's supposed to be, it's supposed to be Adam Lanzah when he's young. And that's Dad's writing on it. So that's kind of establishing a legend. Now, let's have a look at the happy little family together here in this map. Next one, 17. 47, chance. Oh, 47, sorry. Well, here's Daddy Lanzah. And there we are. We're all looking at Ryan in the middle. He's the center of attention. We're looking in the wrong place. This is what we're being shown. We're being shown someone who supposedly is a Ryan Lanzah who establishes that there's someone called a Peter Lanzah. And that's the Peter Lanzah with him. And by the way, as an aside, the guy in the background is pretty interesting. He props up in several places. He's got a program all to himself somewhere in the future. Now, have a look at 48. What you're not seeing is Peter Lanzah. What you're seeing is someone wearing a mask. Look at the wrinkles on this supposed face. If you have ever seen anyone with wrinkles radiating out like a compass from their ear, then you have seen a lot more different people than I've seen. And the ear looks completely fake. Have a look at the eyebrow. Do you see the five or six lines where the eyebrow has been pasted to the person's real eyelid? Yes. And if you have a look at that big thick line that comes out from the shirt there, it goes up. Just before it gets to the ear, there's a line that goes backwards. That's where part of the mask ends. If you look up behind the ear, there's part of an appliance there, whatever it is that affixes the ear, or rather the mask behind the ear. But if you can say that you've seen somebody who's got wrinkles in their face in that fashion, you're much more experienced than I. I've never seen it. Now, let's go to the next picture. Here we have the public pictures of Daddy Lanza. If the American public are not intelligent enough to see the second photograph on the right, bears a false nose, then there is no hope for them. How does a man's nose grow to be the length it is from the photograph to the left to the photograph to the right? And the picture below, which of course is supposed to be Peter Lanza, one time partner of Ernst & Young, though they won't confirm that he was, and then subsequently the tax partner, or sorry, the tax executive at GE, and the only photographs we can get of him are one from, say, ten years ago, and two photographs of him being drunk, and one photograph of him pushing his son along the street into a car. There was a purported interview of Peter Lanza in the New Yorker that was such an obvious shotty piece of fiction I couldn't believe it. Yeah, that came from the literary folk Andrew Solomon, who is a complete charlatan. I'd love to have him on your program, Jim, one day to talk to him if you'd give us that space. Great idea. I challenge Andrew Solomon to come on your program and to give us details about this person that he says is Peter Lanza. Now, the idea that this man having the professional details that he does, that the only pictures we can find of him, we can't find anything from the Wall Street Journal, we can't find anything from any business magazines, the idea that the only pictures we can find are these three, it's just pure nonsense. One of them is Carps, and one of them where he looks like actually a host from a television show. It means this is a character and a script, not a real person. It's a fiction, it's an entire fiction. Now, the next picture shows how... Fifth floor. Fifth floor, these people direct themselves to detail. Look at the fingernails of the man wearing the mask. They're very, very broad. They're very flat. They go across the complete top width of the finger. Compare them to the fingernails of the drunken buffoon, which are study, study, and thin and longer. These two pictures do not show the same man. They show one man with a mask on, and the other picture shows some other man. I've done some more comparisons of fingernails, and I think I'll be able in the future to tell you who the man with the mask is. But anyway, is that the last one for this lot? So, what about that bunch of photographs I think? Clearly, let's take a different attack entirely. Let's say that all of those photographs are faked, Jim. Let's say I've spent two weeks or longer than that, coming up with a lot of photographs that are faked so that I can get on your show and get some kind of fame from it. Even if all of those photographs were faked, wouldn't that be enough to call for an inquiry into what I'm saying, at least? Of course, if there were a legitimacy to any of this or if the Connecticut authorities were not corrupt to the core, Alan. If not, now, Monty Frank, I've got to mention Monty Frank. Wolfgang keeps sending me his emails of what he's doing, and more power to him, and if he can give him some money to fight these, I don't know what to call him, but these people. If you can give him some money to fight them, do it. He's pretty much a voice on his own at the moment. I said Monty Frank, a lot of this stuff, showing what his customers, we're sorry, his clients, were actually doing, and what he knew they were doing. And of course, there's no response. Now, I think as an ex solicitor, I'd say that less of each of his ethics, showing that his clients are perpetrating a fraud, and that he's protecting them. I mean, that's a breach of his ethics, but anyway. Alan, just for the benefit of any new viewers, during the previous show, you not only demonstrated that the lines of home would have to be furnished to service a prop, that moving vans came to Sandy Hook School, to refurbish it, to make it look as though it were a functioning school, where you had some devastating images that were completely revealing. And here, you're doing some further explanation of elements of the hoax at Sandy Hook School. Yeah, this is the second set of the more you look here, Jim, the more you find. So, here's a photograph. What do we see that's strange about that? Well, there's a FEMA truck up the top there. Now, you try finding what a FEMA truck looks like. The only thing I could find was the pattern for its paintwork, and the pattern for the paintwork that I found seems to match basically the pattern on that truck. It's a white truck with a big blue stripe on it. I'm saying until somebody tells me different, but that's a FEMA truck. I'm also saying that this is a shot because I know it's a shot taken when there was no mortuary there. I'm also saying it's very early in the morning. I'm saying that because of the shadows of the cars. These are very, very simple things. There's also two black cars that appear to be Hondas. There is one there in the no parking area, and there's one behind it. That's important later. Let's have a look at the next one. This is an extremely beautiful picture. I wish it didn't have that 94 evidence marker, the shell or the... I don't know what you call it, the right angle square thingy that it's got there. Why is it beautiful? Because right at the very top, it shows us some vegetation. It's still green that has fallen off for the bush. We can time exactly when the photograph is taken from that and from the lovely assortment of brown yellow and green leaves on the floor, on the ground sorry. I don't mean the bits of the bush on the right side there. Get this image from the police evidence. Blow it up to full screen. There's these marvellous little pieces of fallen leaves that have still got green and yellow on them. That plant that's just above the 46th markup looks like it's some kind of long leaf plant that has only just started to decay into winter. The 94 marker. I'm saying this is November. The fake stage photograph of the string of kids was even taken in October. I wouldn't argue because I don't know. One of your listeners or watches has contacted me to give me some information about winter and Connecticut when the frost comes down and when it leaves. That's quite important for things like this. Now the next picture shows us the mortuary tent there in the morning. The flag looks like it's full mass. Well we know that every other picture of the flag after the event is down at half mass. We also know that if it's early morning and there is a picture or rather there's an image here at the mortuary tent, this has to be after 14. The mortuary tent couldn't be there early in the morning on the 14th. I'm saying this is 10 o'clockish if it's December in Connecticut. And I'm saying that mortuary tent couldn't have been there otherwise it would have to have been there directly after the shooting. I think this is the first time I've seen the mortuary tent, Alan which is rather stunning to me. Yeah. Where did that come from? Did it just sort of fly out of the air and land there by itself? No, no it didn't. This is the terrible thing that's happening in your country Jim. The Department of Defense is also involved in things like this and that is where that mortuary tent came from. It's very hard anyway Alan because allegedly all the bodies were left in the school overnight and only removed in the dead of night. Supposedly, which doesn't fit with chief examiner's medical practice, that's not what's done. No, I know it's already ridiculous. It's already ridiculous. Let's have a look at the next slide. I think this one is a seroptitious slide. I think somebody's crept in there and seen something's going on and taken a photograph. And what he's just showing us is those people lounging around probably before the drill and we see two black Hondas there. And in the foreground, which is more interesting, we see on the ground, we see really a kind of a full scenario there with some plants just dying, some green and brown leaves, but we don't see December. It's not December again. Now, next photograph. Now, this character claims to be a witness to, I've read different version of it, four or six kids who suddenly appeared out of nowhere on his green. What do you think this is? Gene Rosen? This is Gene Rosen, yeah. Without his glasses. Where are his glasses? I don't know. Where is this integrity? We can ask lots of questions about him. The thing to notice here, of course, is not Gene and is very, very bad acting. He probably should have put some pepper in his eyes before he pretended to cry. What we see is yet another Honda. We've seen two down at the school and we see one behind Gene. And what was he doing? Giving it a wash. What's that big white towel over the window for? Well, let me hazard a guess. This Honda is one of three that was supplied to the school for use in the situation manual activities. They wanted three because they were going to do various things, various scenarios just like at the Lands of Home. Now, I'm saying that one of the Hondas that was used is behind Gene. And I think as part of the situation manual, it had to have its window, its side window smashed in, passengers window smashed in, because of some detail in the situation manual. Now, we're going next. That's a driver's window. That's the driver's window. Of course it is. Yeah. Well, it makes not any difference, but just shows what an idiot I am. Well, you know, I don't know about. We just run it on the UK and the UK, of course, we drive on the United States. Same in Australia, we've got the fifth wheel on the other side. And the next photograph is very telling. I thought it was very odd when I put it up because we had three license plates. Is that a triple exposure? No. It's the three sets of magnetic plates stuck on the back of one of the Hondas until I decide which Honda is going to do what? That's pretty bizarre, Alan. Well, okay. Really, that is really bizarre. Okay, I'll withdraw it if it's not. No, no, no, no, what I mean is. What I mean is that they should have been so blatant about this is just stunning. Oh, I don't think they knew that anybody got this. I think this was taken by the same guy who took the other syrup to show off. I think he was just there and took a quick couple of snaps and then someone told him to piss off quickly. That's what I think happened to that guy. Now, let's go on to the next shot. Well, why do I like this shot? Well, I like this shot because of all the lovely bushes there, which again show me it's not December. And if we had a nice botanist from Connecticut who could tell us, given the range of plants there and the condition of their foliage, if they could tell us or tell you when it looks like this photograph was taken, would be streets ahead. But what I also like about this photograph is that it's got the reflection of a theme of a van in the window. Or a theme of a house. Yes. Now, with these shots, apart from the two that I've told you are serotonous, we're using only the police evidence itself that's available to anybody for them to download from the police site or anything that's available on the internet when you do a simple Google search. For Sandy Holt. Now, the next photograph. Shows us that this. This paradigm of all that one needs to be really, really blown up a bit, but when you look at the the blueberry there or blackberry or whatever it's called, I don't know. I've never had one of those. Never thought I'd want one. It's got no fingerprints on it at all. So it's called the same disease that the the other one had at the Lanza House. I'm realistic. The iPhone at the Lanza House has got that same shine to it. Nobody has got a touch phone or a blackberry that has got absolutely no fingerprints at all on it. Now, next one. We looked at this last time, but this shows how dumb I am. I've been looking at these pictures for a couple of weeks. I don't realize that one of them shows the designation of this bushmasters being an ES and E2S. And the other one shows it as an E2.5. So I missed that one. Wow. Wow. Nice. I'm sorry. That's a different weapons. Now, number 10. Somebody said on one of your sites that they couldn't make out some of the pictures. So I thought this one had to be shown again with another explanation. The first bushmaster picture shows it as having an R in the circle. The second shows it as having an H in the circle. And the third shows it as having an X in the circle. These are people who are not familiar with firearms. These are people who are not familiar with the registered trademark symbol. Now, the next one. Oh, by the way, these images and an explanation have gone to Sudentsky. Steven Sudentsky, the Attorney General. And I've had nothing. He was the state attorney from Dan Berer who conducted the investigation. Had nothing from him, nothing at all. Now, let's have a look at this image. This image is part of a map of what supposedly happened on the day. Now, let's go to the next slide. And let's give this fellow some accreditation. I have TFC. What's that? Technical forensic consultant consultant or. Cretin Joseph J. Rousseau. I wonder if that's a person who's related to the Thomas Rousseau who set up Sandy Hook in the Connecticut government or refuses to answer my emails. I wonder if he's related to him. Whoever Joseph Rousseau is, he ought to be shot himself because he's been given all this information. It's nothing he's seen firsthand. And he's come up with this collision analysis and reconstruction squad. Graph or what would you call it? A map, the drawing, a pretendie drawing. Here's a close up diagram. Yes. When we look at the next one. Charles. The, oh, look at that figure in an almost fetal position after putting a 10 millimeter slug through his bonds. You get anyone in a fetal position after 10 millimeter slug has gone through their head. They've been arranged that way. Look also at the position of the bush master down in the lower third of the picture, which very, very conveniently. He's pointed at a 50 degree angle to the window, which means that it was probably shooting by itself. It's a magic one. Now, if we look at the knees and feet of the pretended supine, sorry, fetal. Oh, there's another thing. Here is fetal. And in some of the reports from people like Wisena. He's lying supine. You can't be both. You can't be fetal and supine. But we've got these first hand images. The people who say he was fetal and someone says he was supine. Other people say the firearms were on him or other people say the firearms were around him. But we've got, I presume, the glock up there. That little right angle thing near room 10. So he shot himself in room 10. The cartridge from the glock was expelled. It would have been expelled to the right. It was expelled to the right, rolled out of the door. And you see those two dark rectangles? It came through there, parallel to the wall, actually up against the wall. We not only have magic bullets now, we have magic cartridges too. Now, look to the extreme left of the picture. And you'll see Mr. Rassos indication of the directions that the bullets left the wall. He's got them going everywhere. Well, let's have a look at the next slide. And we can see, and we've looked at this before, we know that the bullets only exited that classroom at a perfect 50 degree angle to the window. We've seen them. We've seen the pink straws put through the bullet holes, which all indicate a firing area of 50 degrees to the window. Now, the next picture is really, really telling. What can you tell me about the length of the shadows there, Jim? Well, they appear to be in the afternoon at my room. Well, they'd have to be late afternoon or early morning, wouldn't they? Yes. Now, if we take the corner of the school to be north, and the shadows are going towards the west, that means the sun has just come up in the east. This is very early in the morning. This is before anything has happened. And it's so early that you've got the SWAT team on their little truck right at the very bottom. Do you see that thing that looks like a little fire truck, I say? Yeah, since this is before an event, what in the world are they doing there? Unless this was because of the last team doing there. I'm going to say seven o'clock in the morning on the morning of the event. Also, let's have a look at this. If this is after the event, then we've got entirely the wrong area cordoned off as a crime scene. We should have from, how can I describe this? Look at the big lump of green and brown on the right-hand side. Now, imagine that's the triangle. Well, it is. And then go to the apex of the triangle and you'll see three gray cars there. And they're pointing towards the school. Now, we've seen before photographs of pretend blood between two of those cars. And those cars cordoned off with yellow cordon tape, police tape. But that's not where it ends. Go down to the very bottom. To little swap truck. Let me go up a bit and we see a little black car there. Let's go yellow tape on it too. So, in fact, the whole of this car park should be the cordoned off police area. It's not. And it's not because there are only limited areas involved in this drill. Now. So we've seen a little swap truck down the bottom there. Let's go to the next one. And there he is again for anybody that's got any doubt. A bit later in the day. And we can see the toilets there clearly. This is on the day of the event. Let's go to the next shot. This is the swap truck up at the fire station later in the day. To me, that looks like it could be midday. But then I'd have to say, what's a swap truck still doing at the scene of an offense? A couple of hours after they've done what's what people do. They don't hang around and do things. They do their bit. Then they go and get on with other swap things and other places. Well, they were there early in the day. Let's have a look at the next slide. So they're early in the day. And there they are all out before the sun has actually hit the cars in the car park. You can see the top of their swap truck in the left of the picture. And you can see their little heads above the cars. Get this picture yourself. Blow it up and have a look. I am not misleading anyone. They were th