NETFLIX AND CHILL OR NETFLIX AND PIZZAGATE!

Video Transcript:

This is a call for an uprising. Welcome to today's show. I'm going to show you a trailer. And you tell me if this looks like some type of wholesome film. If the comments in there about how oh artistic and amazing the work looks, I'm sure after you watch the trailer, you'll be horrified yourself. And then I'll discuss it. Take a look at this trailer for the kindergarten teacher. And no, it's not a sequel to kindergarten cop, but I think after watching it, you wish it was. Tell me about you. What do you do? I teach kindergarten. The sun hits her yellow house. It's almost like a sign from God. Was that a poem? That was a poem. I think we have a young Mozart. If you stay curious, then you can see the world however you want. But a god. I've asked Jimmy to recite a few of his poems at a poetry reading. Forget it. One Thursday has been a spot practice with his friend. He's gifted, Mr. Roy. I want my son to have a normal life. Jimmy, hi. It's Lisa. Why are you calling me? It's like a sign from God. Town is so fragile, it's so rare, and our culture does everything to crush it. Hey Jimmy. Hi. Hi. Turn. Push it to the left. Mozart was nurtured by kings and queens. A massage to his tired hands. They fed him candy. Hello. Can you help me? So this is not the first time that we're seeing this stuff, right? I talked last year in great detail about the film, Call Me By Your Name, which was about a man who fell in love with a teenage boy. Of course it was nominated for an Oscar. Of course it was. Because they have to push it down everybody's throats. We've discussed Nambla dozens of times. And there's just absolute disgustingness that's becoming normalized, that they're telling everybody out there that there's gifted children that are smarter than other children and they're smarter than adults and now we need to break age barriers. Well this trailer is a perfect example of that. And if you're stomach didn't cringe while watching it, then maybe you should watch it again because you either weren't paying attention or I don't know. But I almost threw up when I saw this because you can see the undertones of what they're saying. And you can see how Maggie Gyllenhaal's character becomes obsessed with this child. Now they'll call it a psychological thriller, but then you'll read all of these reviews like Maggie Gyllenhaal. Like you've never seen her before taking her career to new levels, right? Pumping it up. So people see it, they don't realize they're being programmed and they're going, oh, what a performance, right? Maggie Gyllenhaal at her mesmerizing best in the kindergarten teacher. And they go on and on and on about this woman. Instead of talking about the plot of the film, about a woman who obsesses over a five-year-old in her class, she's a teacher. And she wants to take it, she sees so much in him and he's so special, right? And then it gets to the point where she's obsessed and in love with him, you could see how they hint at that with her and her bra, right, kissing him, taking him in the water. I mean, this is sick psychological stuff. And this is how they plant seeds to normalize this type of stuff. But you can go from, call me by your name all the way to this. This is how they're doing it and you notice how they're going to use women here, women with young boys, because if this was the other way around and this trailer was a male teacher, you know, going after a five-year-old, they wouldn't be going, oh, a mesmerizing performance, you know, by George Clooney, right? Because they know that people would step back and go, that's gross. But this way, they go, oh, what an artistic expression, right? This is, yo, oh, this is just wonderful, right? And the boy is, you know, oh, I miss you. He's the woman's crying on the bathroom floor because she's fallen in love with this five-year-old. Can you get any sicker than this? And I don't want to hear, oh, it's a thriller. It's a movie, it's just a movie. Because this is the type of stuff that shouldn't even be fictionalized. They shouldn't even be putting these seeds or these thoughts and people's minds, but they are. And they're doing it for a reason. Because they're going to make movies like this. Now, I don't know, Netflix movies can get nominated for Oscars, but it'll get nominated for something. Mark my words, put money on it. Maggie Joan Hall will win some award, a Golden Globe maybe, or whatever, and Emmy, is that what the Netflix is considered TV? What a riveting performance, right? That way, when they get these awards, they can push these movies and this poison into the mainstream. So people just look at it and they go, oh, I heard. So and so was riveting and called me by your name instead of going, it's called me by your name about a guy who falls in love with a teenage boy, Dan Bla, anyone? Now they go, oh, it's just an expressive work of art, a masterpiece. Same with this and they're going to keep doing this until it becomes the norm, right? Sure, at first people go, oh, that's kind of creepy, right? You could read the comments. People are creeped out in the comments section of this film. But the more they keep, you know, having her show up on shows and talking about what a work of art is or articles like this, just ridiculous articles, you know, about how she's taking this character to this new level. And, you know, a part of the reason for the empathy, you know, there's empathy for the character. They want you to have empathy for this woman because she has, you know, she's married with kids, but you know, she's kind of hitting a midnight, midlife crisis. So she falls in love with a five year old and we're supposed to be sympathetic towards the character because, you know, she just needs something in her life or husband's not giving it to her. I mean, are you kidding me? Are you kidding me? This is it, they do. It says Lisa, the film's teacher is a at-hardened artist, though there isn't much room for her sublime in her life. Her husband doesn't understand her and her connection with her teenage children grows more teeniest if each eye-rolling day. To save off the mundane, she drives from Staten Island to Manhattan for a weekly poetry class where her work is met within difference and sometimes outright contempt. Her life changes when one of her kindergarteners spits out a poem after class. He's gifted and then she becomes obsessed with him. She wants to develop and protect his talent. But the way she goes about doing this could be problematic as the film progresses and it becomes kind of terrifying. You think? Right? But they want you to sympathize with the character. That's the point. You look at this and you go, oh, this is a villain. This is a scary movie and this person is trying to get it. Oh, after kids. No, they're sympathizing with Maggie Jill-in-Hole's character who abducts a child and then romanticizes with the child and has thoughts of sexual activity with a child. And they go, oh, well, it doesn't necessarily say that. Well, it doesn't take rocket science to look at it and see what they're trying to say. Right? Because then Jill-in-Hole goes on these shows and she says, well, she's not a villain. And if you think of her as a villain, then you're not paying attention to the movie. Of course, she says that. These people are disturbed. They are sick and they are not stopping. Right? We see all the mic control programming with the satanists and the occult and witchcraft. We see it with, you know, homosexual characters in these shows. So they normalize it. Trans. This is what's next and it's happening at a really high rate. There's going to be more and more of these shows, right? Like I've pointed out with the cooking shows with, oh, you know, adults are sitting at home after a long work day at eight o'clock at night and they're watching junior chef. They're watching children who are five years old cooking five star cuisine meals. And they're like, that's adorable. That's cute. They don't realize what they're doing is they're trying to make these kids because the parents, the people watching it are going, I can't cook like that. I can't do that. Wow. These kids are gifted. They're special. Right? Next thing, you know, all kids are gifted and special. So that means all kids since they're gifted and special and they have, they think better than adults, they can have, they could choose and they have the right to choose if they want to be with a 40 year old man or not when they're seven years old. Right? And this is how they start normalizing it over and over and over. These people are sick and they're ruthless and they're not going to stop. They use television, music videos, the news, all of this stuff to program people into going along with their agendas into thinking that they know what's best for us, right? Oh, Marshall, all one day will be what's best for us and people go, yeah, it is what's best for us. It'll protect us. Right? Oh, people are getting bullied and their feelings are getting hurt. Well, we're going to have to take away free speech and we're going to have to come up with this thing called hate speech. Okay, that sounds like a good idea so nobody can, nobody can, you know, get hurt emotionally by words. And then this, the next big part of their plan. And then having all these tag lines in the, you know, I mean, how unbelievable is that? Riveting, Maggie, Joe and Hall at her best. Right? So that people look at this as art and then I realize they're just being subliminally programmed into what the future holds and into accepting this type of stuff. Right? Because they're going to watch it and they're going to go, oh, yeah, this is strange by Maggie, Joe, but oh, that child is gifted. You know, and why is why are his parents neglecting his gift? Right? They show the bar, you know, apparently the kids dads a bartender or something. And he's like, let him play baseball and do this. Oh, no, it's bad parenting. He's neglecting the child's gift. Right? The child is like, he's super smart, smarter than anyone else because he reads a poem for crying out loud. But the zombies out there, they'll be like, oh, it's beautiful. It's wonderful. It's wonderful. Let's give it an Emmy. Let's give it a golden globe. Right? I think it's shine their golden globes up real nice. I can tell them where they could stick them second tired of seeing this stuff. And it's just not stopping. And I know it's not going to stop and it's frustrating, but you're seeing the repetition for yourselves. You're seeing the repetition of all the same things being done over and over. And this is the tip of the iceberg here because this is what's going to become normalized and people out there like, no, it's not, no, it's not. Nobody's going to accept this stuff. Everything is psychological. It is a psychological operation. People making decisions in their day. They're making those decisions based off of what they're told is the right decision to do based on what the TV tells them based on what schooling is told them. Right? Follow suit, zombies, sheep's heard the cattle. And this is the next thing that they're going to convince people is okay. Trust me. It's going to happen. Hopefully in my lifetime, I don't have to live to see 40 year old men. Hold in hands with seven year olds because I'll probably be locked up for assault. Absolutely disgusting. Netflix at its finest folks, right? More of this garbage they keep producing. Thank you for listening to today's show. God bless all of you and your families.